I just made a list of all the shows I’m behind on (it’s getting to be quite a few), but I quickly realized there is one type of show I haven’t put off watching – comedies! Of course, their usual 20-minute length makes them a bit more compatible with a busy schedule than a 45-minute show, but I believe it’s also because I’ve been in the mood to laugh. Continue reading Fall 2011 Comedy Verdicts
I like voting for things. Especially when they have to do with my favorite shows. So I thought I’d provide a quick rundown of this year’s People’s Choice Award Nominees. Just the TV section, mind you, and only the scripted shows. I usually haven’t seen most of the movies (I did vote for Thor over the very close choice of Captain America), and I’ve don’t listen to nearly all of the music artists.
FAVORITE NETWORK TV DRAMA
Pretty much a no-brainer that I was voting for House. Supernatural hasn’t captured my attention, and while The Good Wife looks like a solid show, I’ve never seen it (blame my lawyer aversion). And Grey’s Anatomy and The Vampire Diaries look FAR too soapy for me.
FAVORITE TV DRAMA ACTOR
How can I choose between David Boreanaz and Nathan Fillion? Fortunately, with this award, I can vote as often as I like, so I’ve been alternating between the two. Not so when the two face each other in Round 3 of TV Line’s “Ultimate Law-Enforcement Crushes Bracket Tournament.” I don’t know how I’ll pick. Nathan has Castle and Firefly and Dr. Horrible and now Much Ado About Nothing. David has Buffy the Vampire Slayer (I’m ignoring Nathan as Caleb since I hated him in that role) and Angel and Bones.
Hugh Laurie only gets a distant third in this category, and Ian Somerhalder and Patrick Dempsey are soundly ignored by me.
FAVORITE TV DRAMA ACTRESS
A very easy vote for Emily Deschanel. I haven’t even heard of some of the others on the list: Blake Lively, Ellen Pompeo, Eva Longoria, and Nina Dobrev.
FAVORITE CABLE TV DRAMA
Another super easy choice, as I only watch White Collar. Game of Thrones does sound good, though, and people have recommended Dexter to me. Don’t know about True Blood and Pretty Little Liars.
FAVORITE NETWORK TV COMEDY
The Big Bang Theory gets my vote most of the time for this one, but I’ll occasionally vote for How I Met Your Mother as well. Interesting that Dr. Horrible is competing against his sidekick, Moist. I only enjoy Glee for the music, Two and a Half Men is crude instead of funny, and I’ve never seen Modern Family.
FAVORITE TV COMEDY ACTOR
Hmm, Sheldon (Jim Parsons) or Barney (Neil Patrick Harris)? Same as above, I’ll usually tilt toward the Thursday night show but occasionally choose the Monday night one. Alec Baldwin, Chris Colfer, and Cory Monteith don’t make me laugh.
FAVORITE TV COMEDY ACTRESS
Kaley Cuoco wins hands down over Courteney Cox, Jane Lynch, Lea Michele, and Tina Fey.
FAVORITE CABLE TV COMEDY
I don’t currently watch any of these, though I used to watch Royal Pains (seriously, why is this a nominee instead of Psych?). I may come back to the show later, I’m just not a huge fan of medical shows (House is the only one I watch now) and not too fond of the main character (loved Evan and Divya, though). It does get my vote over the shows I haven’t seen: Hot in Cleveland, It’s Always Sunny in Philadelphia, Nurse Jackie, and Weeds.
FAVORITE TV CRIME DRAMA
When I first saw the nominees for this category, I thought, Are you kidding? I’ve mentioned several times on this blog that Bones, Castle, and NCIS are my top three crime dramas, and all three were nominated this year! I voted for each of them. I’ve only seen bits of CSI and Criminal Minds episodes.
FAVORITE SCI-FI/FANTASY SHOW
I’ve only seen Supernatural on this list, so I voted for it, but Fringe has been on my to-watch list for a long while. From what I’ve heard, I think I’d prefer True Blood to The Vampire Diaries (too bad my favorite currently-airing vampire show, Being Human, didn’t make the list), and since zombies bore me, The Walking Dead has only appeared on my radar since its ratings are good.
FAVORITE TV GUEST STAR
I loved Jim Carrey’s appearance on The Office, and would have much preferred his character to Robert California. Katy Perry’s appearance on How I Met Your Mother was funny, but I felt like most actresses could have played the role well. I didn’t see the appearances of Gwyneth Paltrow, Kristin Chenoweth, or Michael J. Fox.
FAVORITE NEW TV DRAMA
Twelve options is a lot to choose from, but Once Upon a Time has wowed me in all three episodes. Ringer is a close second and gets my vote every once in a while. Person of Interest has built slowly but is improving, and Grimm’s two episodes have been good enough for me to keep watching.
Out of the remaining shows, I’ve only seen Unforgettable, which I hated. Pilots sometimes don’t match the rest of a show, but I couldn’t even get halfway through episode two. I’ve heard good things about Pan Am, Terra Nova, and Revenge, but my “new shows to try out” list already had 11 shows on it (plus more than a dozen returning shows). Medically-minded Hart of Dixie and A Gifted Man didn’t sound like quite my thing, and neither did The Secret Circle or Prime Suspect.
FAVORITE NEW TV COMEDY
2 Broke Girls was super-easy choice for this category, though Suburgatory has been good and New Girl has been okay. Guessed to be not my cup of tea by the previews: Whitney, Up All Night, Last Man Standing, and Man Up. I don’t watch animated TV (the only way I think I ever would was if Joss Whedon created an animated show), so no Allen Gregory.
What did you vote for? Are there any shows mentioned that you think I should be watching?
Of course it’s easy to say, there are no shows quite like NCIS – that’s why it’s so popular! (NCIS is currently the most-watched drama on TV in the US.) But that’s not helpful to you at all. What you really want to know is: If I like NCIS, what other shows will I like?
At its core, NCIS is a procedural drama with a strongly characterized team who solve interesting crimes. The same could be said for most of the shows listed under “Crime Drama” in the top navigation. Shows that come close to matching NCIS’s particular blend of humor, teamwork, and under-the-surface romance would be Castle and Bones. I consider these three shows to be my favorite crime dramas.
Looking for a little more than just TV’s best crime shows? Then answer me this: Who is your favorite character on NCIS?
If it’s Tony DiNozzo (Michael Weatherly), try Warehouse 13. Secret Service Agent Pete Lattimer (Eddie McClintock) could be Tony’s long-lost brother. Instead of solving murders, you’ll be recovering artifacts with supernatural capabilities, but don’t worry, there’ll be a few corpses and plenty of humor along the way.
If it’s Ziva David (Cote de Pablo), try Nikita. Maggie Q as Nikita may be even more deadly an assassin than Ziva. She’s trying to make up for her past wrongs, even if she has to take out some bad guys and cut some past ties to do it.
If it’s Timothy McGee (Sean Murray), try Chuck. McGee might not have government secrets and skills locked in his brain like Chuck Bartowski (Zachary Levi) does, but both are amazing with computers, not always super-smooth with the ladies, and share a love of geekdom.
If it’s Leroy Jethro Gibbs (Mark Harmon), try Blue Bloods. Police Commissioner Frank Reagan (Tom Selleck) hates the political games as much as Gibbs, and always knows just the right thing to say to his daughter. His son, Danny (Donnie Wahlberg) is stubborn to a fault and follows his gut.
If it’s Abby Sciuto (Pauley Perrette), try Buffy the Vampire Slayer. It’s the only show I can think of that has as many facets as she does, plus her love of everything goth fits in perfectly. It’s hilarious with a dark edge, and full of unique characters. Abby has Buffy’s (Sarah Michelle Gellar) father-daughter relationship, Willow’s (Alyson Hannigan) mad skills, and Anya’s (Emma Caulfield) cheerful and quirky mindset.
If it’s Donald “Ducky” Mallard (David McCallum), try Merlin. Not only does this British show match Ducky’s heritage, but Gaius (Richard Wilson) shares many characteristics with him: medical background, longwindedness, and a fierce loyalty. They both also become a mentor to the young men they teach.
If it’s Jimmy Palmer (Brian Dietzen), try The Big Bang Theory. Leonard Hofstadter (Johnny Galecki) has the same awkward, self-depreciating manner as Palmer, yet still manages to win over (at least eventually) the ladies. Though the science tends to be more theoretical than you’d find in autopsy, this week’s episode did include brain dissection.
If it’s Leon Vance (Rocky Carroll), try Covert Affairs. The agents doing field work hint at Vance’s past, while the political maneuverings touch on his present office. Like Arthur (Peter Gallagher) and Joan (Kari Matchett) Campbell, he’s an expert at negotiating and dealing with foreign agencies.
Who’s your favorite character? Do you agree with my choices of shows? Which shows would you match up with the cast of NCIS?
Thanks to this week’s episode of The Office, I’ve had “Closing Time” (Semisonic) running through my head all evening. Especially haunting is the line: Every new beginning comes from some other beginning’s end.
For some reason, I transferred that idea to TV shows. How many great shows exist because actors’ previous shows were canceled (either prematurely or not)?
To start off, let’s take a look at the poster child for all canceled shows: Firefly. Many of the actors have gone on to have guest spots and reoccurring roles in other shows, and some have even become regular cast members of other shows that were canceled in turn (Morena Baccarin in V, Summer Glau in The Cape, etc.). But out of the ashes of the Serenity rose two other great shows, now in their 4th and 5th seasons.
Nathan Fillion is Castle. It is impossible to imagine another actor playing his role on the show, and since Fillion influenced Stana Katic becoming his co-star, Beckett would be different as well.
While I suppose Chuck could have survived without Adam Baldwin playing John Casey, would we have wanted it to? His grunts and relationship with Morgan make the show.
Another show that came to mind immediately was Angel. It was canceled, and a year later, David Boreanaz ended up on Bones as Agent Seeley Booth. As much as I would have wanted Angel to continue, I think the actor is much more suited to the role of Booth.
The gap between Buffy the Vampire Slayer and How I Met Your Mother was a bit longer (2 years), but I love Alyson Hannigan in both. It seems a bit of a stretch to include Sarah Michelle Gellar and Ringer, since 15 seasons seems highly improbable for any show, and I don’t see Gellar “owning” Siobhan/Bridget yet. Anthony Stewart Head’s transition from Giles to King Uther on Merlin is more apt.
Dollhouse also pulls actors from the three ended shows above, but in a less lead-actor-to-lead-actor way. The show that really had to end so we could have Dollhouse was Battlestar Galactica. Tahmoh Penikett was vital to both shows.
I never watched Lost, so I don’t know how vital Michael Emerson’s role was to the show, but I can’t imagine Person of Interest without him.
And then there’s the whole issue of characters dying on one show only to wind up on another. Sometimes they “die” because of the new show. I could go on for hours listing examples of this, but this post would end up so full of spoilers that no one could read it without coming across something they didn’t know. So I’ll stay mum for now.
Less spoilery is characters moving away or otherwise disappearing from the scope of a show before the end to star in a different show. Jared Padalecki bowed out of Gilmore Girls two years before it ended to begin Supernatural. Jennifer Morrison joined How I Met Your Mother for a year between House and Once Upon a Time.
What shows that you loved had to die so you could get a different show to love?
This giveaway is over – check out my latest giveaway here!
This month, I’m giving away a season of Bones! Winner will receive his or her choice of either a season DVD set of the show (any season from 1 to 6) or a $15 Amazon gift card! See rules below for how to enter by leaving comments, sharing on Facebook, linking on Twitter, and more!
I discovered Bones less than 7 months ago, but it quickly grew to be one of my favorite shows. I caught up on the first 6 seasons perhaps a little too quickly (watching every episode between April 19 and July 19, 2011), so I joined the other fans in waiting months for the season 7 premiere. But now the long wait is over, since Bones returns tomorrow!
Bones is what happens when an FBI agent (David Boreanaz from Buffy the Vampire Slayer and Angel) who relies on his gut teams up with a forensic anthropologist (Emily Deschanel) who prefers science and rational thinking. Agent Seeley Booth dubs Dr. Temperance Brennan “Bones,” partly because of her ability to glean clues from a victim’s skeleton. Assisting Brennan are Dr. Jack Hodgins (T. J. Thyne), Angela Montenegro (Michaela Conlin), Dr. Camille Saroyan (Tamara Taylor), Dr. Lance Sweets (John Francis Daley), and a variety of interns.
Bones season 7 premieres November 3rd, 2011 at 9PM EST/10 Central on Fox.
The winner of last month’s Psych giveaway was Esther Kim! She chose the Psych Season 2 DVD set as her prize.
To enter this month’s giveaway:
Leave a comment on any blog post on this website. Your comment should add to the discussion (at least several sentences is good), and be relevant to the post’s subject. For example, you can comment on this post about what you love about Bones, what sort of giveaways you’d enjoy in the future, or what you think will happen in the season premiere. Any posts flagged as spam will not qualify (though I plan to scan through them to make sure all real comments get through). Every post you leave a comment on will count as one entry. If you leave relevant comments on 50 posts, you will get 50 entries.
Tweeting about the contest with a link back to this page will give you 5 extra entries the first time you tweet, and 1 extra entry per day for any tweets after that.
Linking to this contest on your blog, Facebook, or Google+ will give you 10 extra entries the first time, and 1 extra entry per day after that.
If you have other ideas for promoting this giveaway, feel free to use them, and I’ll award entries accordingly. The more creative/effecting the promotion, the more entries, you’ll receive!
To receive your additional entries for promoting this contest, email me at katie at tvbreakroom dot com to let me know what promotion you did.
The Rules:
Contest begins November 1, 2011 at 12:01AM EDT and ends November 30, 2011, at 11:59PM EDT. All entries received outside that time period are invalid.
Winner will be chosen at random (using Random.org) from all eligible entries received.
Open to everyone 16 or older with a valid email and mailing address. A winner residing outside the US may have to pay an additional fee for shipping. (Feel free to select an e-gift card instead!)
Winner must provide a way to contact (email or website with some means of contact) and respond to winning notification within 3 days or prize may be awarded to someone else.
What counts as a relevant comment will be at my sole discretion. Comments should be made in English. You may leave as many comments per day as you wish, but only one comment per blog post will be counted as an entry for the contest.
These rules may change at my discretion.
I watched the trailer for this show about a dozen times before the premiere. The premise – fairytale characters trapped in our world with no memory of who they once were – intrigued me, and the visual effects were stunning. I only hoped the show itself would be half as good.
It far, far exceeded my expectations.
Both worlds captured my attention from the start – the fairytale land full of woods and castles and elaborate clothes, and the trapped-in-time town of Storybrooke, Maine, with its quaint touches and secrets. And transitioning between the two wasn’t difficult at all, since both stories progressed in chronological order.
The fairytale story: After Prince Charming awakens Snow White with a kiss, the evil Queen threatens to ruin their happiness. The newly-married and expecting couple visit Rumpelstiltskin in the dungeon to find out more about this threat. In exchange for the baby’s name, he tells them that their daughter will return to save them from the Queen’s curse on her 28th birthday. When the Queen arrives, the Prince has just enough time to hide his baby daughter in the magic tree/wardrobe/portal they’d been preparing so she won’t be frozen in time and trapped like the rest of them.
The contemporary story: Emma Swan (Jennifer Morrison from House) celebrates her 28th birthday with a fake date with a bail jumper (guest appearance from Alphas’ Warren Christie) and a lonely cupcake. But as soon as she makes a wish and blows out the candle, the son she gave up for adoption 10 years ago appears at her door. As she drives Henry back home that evening, he tells her that all the stories in his book of fairy tales are true, and that she’s in the book, too. He says his adoptive mother, the town mayor, is the evil Queen from the story, his teacher is Snow White, and his therapist is Jiminy Cricket. But now that Emma has come to town, she can battle the Queen and free everyone.
The first episode set the bar high as it established both story worlds and the main characters. I absolutely loved the Prince’s swordfight while holding his newborn daughter. And it was fun seeing all the creative touches the real world character had of their fairy tale counterparts: the Queen’s obsession with apples, Jiminy Cricket’s green scarf, Red Riding Hood’s crimson hair streaks.
I wasn’t sure what to expect from the second episode, “The Thing You Love the Most,” but it was nearly as good as the first. Emma begins to learn just how strong the Mayor’s hold is on the town, and to actively work against her after Regina has her framed. Sheriff Graham popped up once again to arrest Emma, and he’s the one character in the show so far whose fairy tale counterpart is a mystery. My friend, Ruth, suggested he may be the Queen’s Huntsman, which I think fits perfectly with the story. I’m looking forward to how his relationship with Emma progresses.
I thought there was a good chance that the pilot was the last we’d see for a while of the fairytale world, but I couldn’t have been happier to be proven wrong. This time it focused on the Queen’s story: what she was up to during the year or so between her threats and her attack, who her allies were, how she got the spell, and what she had to sacrifice to cast it. And it’s not to build sympathy for her character – if anything, she seemed even more evil. Such a twisted and selfish view of happiness.
And Rumpelstiltskin seems a little less of a bad guy in league with the Queen and more of a manipulative man with his own agenda. As Mr. Gold, he doesn’t seem to have forgotten anything about his fairytale life – or at least he remembered enough to have Regina adopt Snow White’s grandson to eventually bring Emma to Storybrooke, and to not trust Regina.
Speaking of Henry, he is a perfect mixture of faith and cunning. It’s amazing that he could have grown up as sweet as he did with Regina. It was interesting to find out the story behind his name in the latest episode.
And I loved that all three characters – Snow White/Mary Margaret, Emma, and Henry – prefer hot chocolate with cinnamon. It looked so good that I made some up for myself! 🙂
(By the way, the winner of the Psych contest has been notified, and I’ll mention the winner when I announce the November contest later this week. Can you guess the theme? 🙂 All November comments will count toward it, so feel free to start!)
Hearing that Jim Caviezel was starring in this show was enough to make me try it out. The only thing I’ve seen him in before is The Count of Monte Cristo, but his performance helps make that one of my favorite movies. I haven’t seen Lost (tell me, should I add that to the list of shows I must try out? If so, why?), so Michael Emerson’s acting is new to me, and the “rest” of the cast is unfamiliar as well. (I’ll come back to the reason that’s in quotation marks.)
Person of Interest has an intriguing premise: After 9/11, the government had Harold Finch (Emerson) build a machine that could sift through all the data from cell phones, computers, and security cameras to predict future acts of terrorism. Finch found it could predict other premeditated violent crimes, but the government only was interested in crimes involving large numbers of people, so Finch built a back door into the system. The machine periodically sends him the social security number of a person who will be involved in a violent crime.
Finch hires John Reese (Caviezel), a presumed-dead ex-spy, to help him prevent these crimes before they happen. Their job is hampered by the fact that they don’t know whether the “person of interest” is the victim or the perpetrator, or when the crime will occur. A NYPD detective is also trying to track down Reese, though Reese is able to blackmail a dirty cop into helping keep her off his scent.
One of the drawbacks to the show is that I’ve mentioned the entire cast already. Both Finch and Reese are guarded characters who keep their pasts a secret and their emotions locked down 95% of the time. It fits who the characters are, but that makes it hard for the show to connect with its audience on an emotional level. Even though the individual missions tend to be highly emotional (teen girl hiding from her parents’ killer, war vet trying to do right by his dead buddy’s family, kidnapped child), they don’t compel viewers to watch the next episode.
Detective Carter, and the dirty cop Detective Fusco, are only minor characters, but don’t add much emotionally either way. I’m missing the camaraderie, passion, and humor of similar mission-based shows like Leverage and Burn Notice. There’s no funny sidekick or romantic interest (though the latest episode hints at the latter).
Yet in spite of these drawbacks, Person of Interest is still a great show. The episodes keep you guessing, and there have been some fun guest stars, such as Ruben Santiago-Hudson (Captain Montgomery from Castle) and Dan Hedaya (Rookie of the Year, Clueless). Because of the show’s emotional restraint, when the characters do show emotion, it’s vivid and poignant.
Person of Interest has recently been given a full season order, which is nice, since it will now be going up against not only The Office and Grey’s Anatomy, but Bones as well. And if you know me at all, you know what I’ll be watching Thursdays at 9.
I was waiting for this show to establish the “new normal” before blogging about this season, but I’m getting the feeling that may be several episodes away. House hasn’t had this much upheaval since the end of season three/beginning of season four, when he lost his entire team and had to choose a new one (which took more than a third of the season).
Added to that is the displacement from early season six, only this time House isn’t in a psychiatric hospital, but a prison. There’s also the rift in his friendship with Wilson (a la season five). But the writers did bring something new to the table, though it didn’t originate with them: the departure of Cuddy.
Amazing what driving into a building can do.
The jury’s still out on whether all the upheaval will save this aging show. I really wanted to see the “new” team and how they worked with House before I made a judgment. After hearing about Lisa Edelstein leaving, I was almost positive this would be the last season. Now, I’m not so sure.
I’m mostly discounting the first and third episodes of this season. “Twenty Vicodin” was basically just House being House in prison. Fun to watch, but not a good indicator of the rest of the season. “Charity Case” was a farewell episode for Thirteen, with some bits on how Adams and Park get along (but who knows whether both of them will end up on the team).
Episode two, “Transplant,” showed that this show probably isn’t anywhere near done yet. First was the surprise reveal of the new dean of medicine:
House: Tell the dean that I don’t want to see her.
Guard: He said you’d say that.
House: He?
Cut to the visiting room, wherein sits Foreman.
It was quite a pleasant surprise. I’d assumed they were bringing in someone new, but promoting Foreman seems just as perfect as promoting Andy in The Office. Foreman knows how House works, what tricks he will play, and how to keep him under control while giving him enough leeway to figure out the cases.
Dr. Chi Park is an interesting addition to the show. I loved her in this episode, but I was starting to get a bit of tired of her by the end of her next episode. I think, like some of the more annoying squinterns on Bones (Daisy, anyone?), she’d better in small, infrequent doses than as a regular member of the team. (Oh, and speaking of Bones, they played a new preview for it during the latest House episode. Can’t wait for the new season!)
The “lungs in a box” patient made the episode unusual by itself, and I love how Foreman knew House wouldn’t be able to resist the case.
House’s efforts to repair his relationship with Wilson show how much he has grown over the seasons. Sure, he is still relentless and over the top – his playing “My Heart Will Go On” in Wilson’s office was hilarious – but he was also direct and open about needing to have Wilson in his life. He asked about Wilson’s arm and admitted he was wrong. Their closing scene ended the episode perfectly.
Nothing invokes the memory of a favorite TV show faster than its opening credits. That may be why I always feel a bit cheated when a show doesn’t have any, or when they’re terrible, or when they don’t match the show at all.
White Collar is a prime example of how attached fans get to show intros. When season three debuted with new opening titles, fans were very vocal about their dislike. Eventually the network hosted a poll, and the fans voted the old opening back in.
I didn’t include any classic shows in this list – in fact, only one show had episodes airing before the year 2000. There are no animated shows, and it’s also limited to shows I actually watch. I made my decisions based on the music, visual appeal, how well they meshed, and how well they matched the show. I included some unique ones as well.
I had a terrible time narrowing the list down to just ten, and that’s even with leaving out the shows that only have title and creator in their intros (like White Collar above and How I Met Your Mother) or have voiceover intros (Burn Notice’s “My name is Michael Westen, I used to be a spy” and Castle’s “There are two kinds of folks that sit around thinking about how to kill people – psychopaths and mystery writers”). This list changed several times even as I was writing this article, and the main excuse I gave myself for leaving Bones off was that I couldn’t find a good video for the credits!
#10 – Alphas
I love the music to this theme, and how well the lyrics fit the show. I also love the mysterious quality – it’s hard to catch everything the first few times you watch it, which works well for a show that has a lot under the surface.
#9 – The Cape
This theme sticks in my head long after I’ve watched the intro, and I love the way the comics dissolve into the show’s characters. Hate that this got cancelled.
#8 – Community
The folded paper design of this intro is just plain fun.
#7 – Chuck
The cartoon Buy More guy getting in and out of trouble is perfectly in keeping with the lighthearted tone of this show.
#6 – Warehouse 13
I love the mysterious quality of these credits, and the music fits perfectly! It’s cool seeing the artifacts “at work,” too.
#5 – Covert Affairs
Unfortunately, this clip cuts off the cool intro whistle (which plays before the credits actually start). I like the juxtaposition of the actors over the virtual background.
#4 – Veronica Mars
Yes, this is NOT the season 3 opening, which I disliked (it wouldn’t have been as bad if they’d simply changed the visuals, but they messed up the song, too). Bonus points for perfect lyrics (which were even quoted in an episode)!
#3 – Buffy the Vampire Slayer
Apologies for the quality of this clip. Love how this opening meshes scary and funny. I rock out to these credits whenever I’m watching Buffy by myself. 🙂
#2 – NCIS
A classic, solid, intro, with fun music and great transitions. I especially love McGee’s rocket pack impression.
#1 – Psych
No, I didn’t make this my top choice simply because it’s my theme this month and I’m giving away a season. I love how it matches the show, with zany moments and apt lyrics. I also love how they change it up to match special episodes – Spanish lyrics, a Christmas version, even a Bollywood rendition.
What openings would be in your top 10? Did I miss any good ones?
This giveaway is over – check out my latest giveaway here!
May the best commenter win.
But first things first. The winner of my September giveaway was Ruth Anderson! She receives her choice of a Castle Season One DVD set or an Amazon gift card.
For October, I’m giving away (in case you haven’t already guessed) a season of Psych on DVD!
Psych is a humorous crime show about Shawn Spencer (James Roday), who uses his hyper-observant skills to pretend he’s psychic. Teaming up with his best friend since childhood, Gus (Dulé Hill), the two help solve crimes for the Santa Barbara police department, working with (or hindering) Detectives Carlton Lassiter (Timothy Omundson) and Juliet O’Hara (Maggie Lawson). Chief Vick (Kirsten Nelson) oversees the department. Shawn’s dad, Henry (Corbin Bernsen), is a former cop who trained Shawn to be observant, and often gets pulled into Shawn’s shenanigans.
Which season of Psych is up for grabs? Any of them! This giveaway is WINNER’S CHOICE! Want to start from the beginning with season one? Snag the newest season five? Fill in the season three you never got around to buying? You pick! And if for some reason (like already owning all five seasons) you’d rather have something else, you can select a $15 Amazon gift card instead.
Season six of Psych begins October 12th on USA Network!
To enter the giveaway:
Leave a comment on any blog post on this website. Your comment should add to the discussion (at least several sentences is good), and be relevant to the post’s subject. For example, you can comment on this post about what you love about Psych, what sort of giveaways you’d enjoy in the future, or what you think will happen in the season premiere. Any posts flagged as spam will not qualify (though I plan to scan through them to make sure all real comments get through). Every post you leave a comment on will count as one entry. If you leave relevant comments on 50 posts, you will get 50 entries.
Tweeting about the contest with a link back to this page will give you 5 extra entries the first time you tweet, and 1 extra entry per day for any tweets after that.
Linking to this contest on your blog, Facebook, or Google+ will give you 10 extra entries the first time, and 1 extra entry per day after that.
If you have other ideas for promoting this giveaway, feel free to use them, and I’ll award entries accordingly. The more creative/effecting the promotion, the more entries, you’ll receive!
To receive your additional entries for promoting this contest, email me at katie at tvbreakroom dot com to let me know what promotion you did.
The Rules:
Contest begins October 1, 2011 at 12:01AM EDT and ends October 31, 2011, at 11:59PM EDT. All entries received outside that time period are invalid.
Winner will be chosen at random from all eligible entries received.
Open to everyone 16 or older with a valid email and mailing address. A winner residing outside the US may have to pay an additional fee for shipping. (Feel free to select an e-gift card instead!)
Winner must provide a way to contact (email or website with some means of contact) and respond to winning notification within 3 days or prize may be awarded to someone else.
What counts as a relevant comment will be at my sole discretion. Comments should be made in English. You may leave as many comments per day as you wish, but only one comment per blog post will be counted as an entry for the contest.
These rules may change at my discretion.
The litmus test for a comedy is simple: does it make you laugh? This fall I’ve tried out 5 new comedies: Free Agents, 2 Broke Girls, Suburgatory, How to Be a Gentleman, and New Girl. Here’s a quick rundown on what the shows are like and whether they’re worth watching.
New Girl
Laugh rating: A smirk here and there
Fox’s ultra-cutesy comedy about a clueless young woman (Zooey Deschanel) who moves in with three guys after she finds her boyfriend cheating on her. I almost didn’t watch a second episode after I cringed through most of the pilot. Deschanel’s usual quirkiness is pushed way over the top, and her character’s habit of randomly singing quickly became the most annoying thing about the show. Fortunately Jess dials back the singing a bit in episode 2, which was more enjoyable but didn’t put the show on my “will watch” list. I may try a third episode if I’m in the mood for something lighthearted, but the Hallmark movie moments at the end of the episodes tip the scales toward likely not. But if you’re into silly, heartwarming comedies, you might want to give New Girl a try. The three roommates (one who previously played Leo on Veronica Mars) and their frustration with and big brother attitudes toward Jess, are easily the best part of the show.
Free Agents
Laugh rating: Laughing out loud
This isn’t the type of show that would normally catch my interest, but I checked it out solely because of Anthony Stewart Head (Giles on Buffy the Vampire Slayer and King Uther on Merlin). I’m so glad I did! The pilot was more raunchy than I would have liked, but the second episode toned it down some, and the third episode was just about perfect. The acting on this show is just superb. The two leads (Hank Azaria and Kathryn Hahn) say more with their faces in one scene than many shows do in entire episodes (Person of Interest – I’m looking at you!). I’ve heard complaints that the writing in the pilot isn’t so great, but the following episodes stepped things up. (Besides, I think this cast could make reading a cereal box funny.) The side characters are a bit stereotypical, but the show knows that and has fun with it.
The third episode, “Dr. Hu,” made me laugh more than this season’s first 3 episodes of The Big Bang Theory (which I previously considered my favorite currently-airing network comedy) combined. First, they made a lovely Doctor Who joke out of the therapist’s name. Second, watching the irrepressible Emma take over the umbrella ad campaign was hilarious, and I loved her going crazy at the idea of having to pitch. Third, Tony Head made a joke about American sports (which made me flash back to Giles making fun of football – “strap on forty pounds of protective gear just in order to play rugby”). Fourth, Alex and Helen’s individual arguments with Dr. Hu were fun, but nothing compared to their joint meltdown in front of him at the restaurant. And I love that they went from yelling at each other to blaming him, and then settled down to a normal “date.” Fifth, the security guard demonstrating how dangerous an umbrella can be added the perfect closing note to the episode.
How to Be a Gentleman
Laugh rating: A few smiles
Unlike the previous shows, I’ve only gotten to see the pilot of this show, most of which was spoiled by the promos. So I may change my mind about it. This show works best when contrasting the two main characters, uptight etiquette columnist Andrew, and gym rat and former bully Bert. I hope Bert’s efforts to bring Andrew into modern times doesn’t ruin their Odd Couple charm. My favorite part of the show is Andrew’s voiceovers about how a gentleman should behave. I’m not too fond of Bert, or sold on Andrew’s family, and the jokes got a little raunchy for my taste, but I’m going to give it at least another episode.
Wow, while checking names for this post I just realized the actor who plays Andrew, David Hornsby, is married to Emily Deschanel (Bones). But seriously, Henry Hornsby? How could they do that to a kid?
Suburgatory
Laugh rating: Some snickering
Like Free Agents (with which it shares a time slot), I checked out this “out of my normal type” of show because of a Whedonverse alum, this time Alan Tudyk (Firefly, Dollhouse). He plays a friend of the dad, and I’ve only seen the pilot of this as well, so I’m not sure how much of a role he’ll have in the show. The premise of the show is fun – a motherless teenager from the heart of the city moves to the suburbs with her dad, and enters a world of overly cheerful, plastic, stay-at-home moms and their mall-trotting daughters. At the end of the pilot she seems to be more okay with her new life, but I hope the show doesn’t lose its fish-out-of-water edge. I’ll definitely be watching the next episode, but most likely online. (Though if I want to help out Free Agents, whose ratings are low, it’s probably better that I watch on Hulu where they can track my viewing than on TV, where they won’t.)
2 Broke Girls
Laugh rating: Chuckling
Just as How to Be a Gentleman brings reminders of The Odd Couple, 2 Broke Girls seems to reimagine another classic show about two working girls who share an apartment – Laverne and Shirley. While Shirley was never rich, her prim and proper ways match Caroline’s very well, and Max’s no-nonsense ways seem very Laverne-esque. The show isn’t all that unique, and neither are the characters and the setting, but for some reason the over-the-top acting just works, and the show manages to feel fresh and relatable at the same time. Caroline may be ditzy, and Max may have a tough exterior, but they both have enough heart to make their unlikely friendship believable. I also love the gimmick of having their earnings toward the cupcake shop add up at the end of each episode.
My verdict: I’m definitely going to keep watching Free Agents and 2 Broke Girls. It’s highly likely that Suburgatory will make it on my list too, but I have to see more than one episode to know for sure. I”ll probably give New Girl and How to Be a Gentleman one more episode to prove themselves to me, but I’m quite likely to drop them as I run out of time to watch shows.
Yesterday’s episode of Castle was chock-full of geeky comic book superheroness. So today I thought I’d blog about those costume-clad episodes of TV shows we love. If I missed any, be sure to let me know in the comments!
For space, I’m not going to focus on the shows that are all about superheroes – whether reimaged comic classics (Smallville), new characters in ordinary clothes with various powers (No Ordinary Family, Alphas, Heroes), or masked vigilantes (The Cape). And I wasn’t going to mention Halloween episodes – but I couldn’t resist the few ones that popped into my head: Sheldon, Leonard, Raj, and Howard all dressing up as Flash (The Big Bang Theory). Abed becoming Batman (Community). And Brennan as Wonder Woman (Bones).
Castle – “Heroes and Villains”
A man attacking a woman gets sliced in half by a sword, and the team soon discovers it’s the work of a costumed vigilante. They’re a bit reluctant to go after someone who’s administering justice throughout the city, but things are not as they seem. The costume is from a character in a popular online-only comic (which I thought was a nice plug for a newer medium for comic books). Castle gets plenty of opportunities to geek out during the episode, and even Beckett shares what superhero she would be (Electra, to Castle’s Bruce Wayne), mentions the first comic book she bought, and is embarrassed to have revealed that she pre-ordered Castle’s Derrick Storm graphic novel. (Wow, this is the fourth season, and I just now made the connection that Rick Castle named his character DerRICK.)
Warehouse 13 – “Mild Mannered”
Sean Maher and Jewel Staite (Simon and Kaylee from Firefly) star in this episode where an artifact gives its wearer superpowers. Pete recognizes the costume as mimicking the Iron Shadow, one of his favorite superheroes, and generally revels in the comic-book aspect of this mission. He’s still waiting to receive his comic book collection from home, which may have gotten lost during shipping, but Myka surprises him with the rare Iron Shadow issue he’s missing.
Bones – “The Superhero in the Alley”
For some reason, when I heard about the Castle superhero episode, I thought they’d already done one. I think it was this episode I was remembering instead. Booth and Brennan try to figure out how a costumed teenager died, and Angela reconstructs the unfinished comic book found with him. Despite his geekish tendencies, Zack had never read comic books before, but he makes up for it in this episode. It’s interesting that several scenes from this season take place in a bowling alley, and the last episode that has aired to date was mostly set in a bowling alley as well.
Psych – “Shawn vs. the Red Phantom”
This episode goes beyond comic books to a full-blown convention. Shawn and Gus track a missing teenage boy there only to find he has disappeared as well. Clues point them to website reviews of superhero movies and eventually a villainous plot ripped right from the pages of a comic book. My favorite part of the episode is when Shawn turns his fake psychic powers in a show to get attendees’ attention, complete with help from Gus’s “magic head.”
Any other shows you can think of that have a superhero episode?
My favorite new show from the 2010-2011 season has returned! Yes, Nikita beat out the renewed Blue Bloods and the North American version of Being Human, plus the cancelled Detroit 1-8-7, No Ordinary Family, Outsourced, and The Cape as my most exciting discovery of the regular season. The CW kept me on pins and needles, finally renewing Nikita in mid-May, well after I’d learned the fate of the other shows I watched.
Spoilers ahead!
Last season ended with a huge blow-out episode. Percy (Xander Berkeley) found out Michael was working with Nikita (Maggie Q). Alex (Lyndsy Fonseca) was reeling after finding out Nikita killed her parents. Amanda took over Division from Percy with the help of Oversight. Birkhoff helped Michael escape with a decrypted black box.
As this season opens, Nikita and Michael are on the run and trying to set right the wrongs listed on the black box – without “starting World War III.” They’re unaware that Amanda is now in charge of Division, Percy is locked up, and Alex is working with Amanda as an independent contractor. But they know they have to now bring down Oversight (a group of six highly-connected individuals who are responsible for Division) as well as Division.
Oversight sends in a liaison to keep tabs on Division, Sean, played by Dillon Casey (I’m only familiar with the actor from his appearance on the Warehouse 13 pilot). He butts heads with Alex immediately, but you can tell that the sparks between them aren’t just angry ones. With Thom and Jaden dead, Nathan out of the picture, and recruitment on hold, the show really needed someone else for Alex to interact with her own age, and Sean fits that slot. Whether he’ll end up being a good guy or a bad guy remains to be seen.
At the beginning of the episode, Alex doesn’t really seem out to get Nikita. At least intellectually, she understands that Nikita was only following orders, and the real villain is the man who ordered her parents’ deaths. But to get to him, she has to help out Division, so she’s out to retrieve the black box.
Nikita and Michael both get a chance to show off their fighting skills in this episode – Nikita with taking out Russians who laundered money for Division (her tease about breaking up with her boyfriend was so mean – but it made it all that much cooler when Shane West came barging in on his motorcycle), and Michael with helping a prisoner unwillingly escape from jail.
The prisoner had been investigating a Division money heist, so Percy had him framed and then threatened his son if he ever spoke up. Nikita and Michael are about to go get the son when Alex calls Nikita, claiming to be in trouble and back on drugs. But Alex’s ploy to get Nikita out of the way fails when a Division team zooms in. Badly outgunned, all looks lost for Michael and Nikita when fighter drones fly in, take out the Division team, and knock out the two and the prisoner. They wake up in a lavish house to discover the brains behind their rescue – Birkhoff!
I absolutely love that they brought Birkhoff back for season two. And apparently, this season is going to have more humor than the previous one (that and some awesome guest stars were really the only things that were lacking in season one), and Birkhoff (Aaron Stanford) will be a huge part of that. It was hilarious when, after instructing Michael to tell Division they’re not working together (and thus get Division off his back), he steps in front of Michael during a video chat with Division to taunt their techs. Afterwards, Michael deadpans, “By the way, Birkhoff is not working with us.”
I mentioned in my first post about this show, that despite many similarities to Dollhouse, the only significant (meaning more than Shane West’s few lines in one Buffy episode) Whedonverse connection was Melinda Clarke (Amanda), but I’ve found another since then. Marc David Alpert worked on many episodes of Buffy the Vampire Slayer, even getting his name in several cemetery scenes, and he also produces Nikita.
The climax of the episode is the big fight scene between Nikita and Alex. Nikita tried to talk Alex out of fighting her several times, even dropping her weapon while Alex still has her gun pointed at her, but Alex stubbornly keeps attacking. In the end, Nikita breaks her arm and shoots her in the leg, saying. “I’m doing this because I care” and “Get out while you’re still alive.”
I’d be more worried about this making them mortal enemies forever if Nikita hadn’t shot Michael in the shoulder last season – look where he is now. But its certain to fuel Alex’s anger in the short-term, at least. Looking forward to the next episode!
I fell in love with this unlikely comedy from episode one, and I’m looking forward to an amazing third season – even if they “have more fun and be less weird than the first two years combined.” (Though, wouldn’t that mean they could be more weird than either of the previous years, just not as much as both of them put together?)
Side note: I might have blogged about The Big Bang Theory instead today, especially since it had two episodes airing last night compared to Community’s one, but I just wasn’t impressed with its episodes. Too much raunchy stuff, reminding me that the show came from the same mind as Two and a Half Men. I really hope the rest of the season isn’t like that.
“Biology 101” offered two weird glimpses in to the mind of Jeff Winger, beginning with the crazy music opening quoted above. Hilarious to think that Jeff daydreams in musicals. The second is a monkey-gas-induced trip into the power of the study group table – but more on that later.
And yes, there shall be spoilers!
Dean Pelton steps into his new role as regular cast member with a new adversary, his vice-dean, played by John Goodman. I’m not all that fond of the dean, so I hope he doesn’t take over the show, but he’s tolerable and even funny in small doses, like Senor Chang. I loved it when Chang emerged from the air vent and said, “Don’t tell the monkey I live here.”
And Pierce is back! For good it seems, thanks to the events of this episode. For a bit it seemed like he was back to his nefarious ways, but no, he seems to have improved over the summer. The fight over the spot in the biology class was fun, though, even with Jeff’s weird vision of himself eating his cell phone and Pierce on his deathbed, still reaching for the study group table.
I like the new teacher. It’s nice that it seems the group will be actually learning something this year, as opposed to the craziness of having Chang, Betty White, and Duncan as teachers in the past. He even got Jeff’s attention, though admittedly, the reason Jeff paid attention is because he didn’t want to lose his study group.
It’s interesting, though – if the group needs the cohesiveness of taking the same class, does that make a fifth year of the show completely out of the picture? I just hope the ratings are good enough this year to at least get a fourth year and bring the series to a natural close.
A highlight of the episode is when Abed freaks out when he hears that Cougar Town won’t come back until mid-season. Britta hopes to comfort him with the British version, Cougarton Abbey, but fails to mention it’s only six episodes long. When the sixth episode of his “new favorite show” ends with everyone drinking hemlock, Abed becomes nearly catatonic. He finally snaps out of it when Britta introduces him to another British show that’s been airing since the 1960s, Inspector Spacetime (a clear parody of Doctor Who).
And Chang gets a new job as a security guard for the college. I love Jeff’s response to that: “Interesting. And this is the year we all die.”
An Office without Michael Scott? I actually wasn’t too fond of his character (he tended to make me cringe rather than laugh), but I wondered how the show would get by in his absence. The last few episodes of season 7 convinced me that The Office could survive and even thrive with him gone, so I looked forward to what the show would do with season 8.
Spoilers ahead!
I’d read that Robert California (James Spader), my least favorite candidate for the new boss, was coming back to the show, not as the new regional manager, but as the new CEO, replacing Jo (Kathy Bates, who I assume is busy enough with her own show, Harry’s Law). They managed to keep the new boss a secret right up until the season premiere, and they went with – Andy!
I think Andy was the perfect choice for the new regional manager. He has a bit of that delightful cluelessness that made watching Michael Scott try to run a company so much fun, without taking it to Steve Carell’s extremes. He cares about the company and the people in it. His efforts at trying to win Erin’s heart won his audience’s heart instead.
And while he does lack some backbone, this episode showed that he’s willing to stand up for his employees (though it feels so weird to be typing that, since they’ve been simply his coworkers for so long) and that he plays fair, except perhaps where Gabe is concerned.
I hope California won’t be in too many episodes this season, though if he spends half his time in the conference room, I’m guessing he’s going to end up in at least half of the episodes (plus he’s in the new credits, too). But I guess it makes sense to have someone around that makes everyone in the office a little nervous – which they can take to fun extremes like they did in this episode.
So Pam’s expecting again! I knew that coming into the episode, with Jenna Fischer’s pregnancy influencing the storyline (as Emily Deschanel’s did on Bones). Her weepiness was a little over the top in this episode, but I loved her reaction to Jim’s list.
And Angela’s expecting too! I did not see that coming at all, nor that she and the (state) senator would already be married. I wonder when his secret will come out, and I can’t fathom the effect that will have on Angela. But for now, she’s going to make a far different mother-to-be than Pam did.
In all, good start to the season on a show that’s still going strong.
