Chuck Archives - Page 4 of 4

What TV Shows Are Like NCIS?

Of course it’s easy to say, there are no shows quite like NCIS – that’s why it’s so popular! (NCIS is currently the most-watched drama on TV in the US.) But that’s not helpful to you at all. What you really want to know is: If I like NCIS, what other shows will I like?

At its core, NCIS is a procedural drama with a strongly characterized team who solve interesting crimes. The same could be said for most of the shows listed under “Crime Drama” in the top navigation. Shows that come close to matching NCIS’s particular blend of humor, teamwork, and under-the-surface romance would be Castle and Bones. I consider these three shows to be my favorite crime dramas.

Looking for a little more than just TV’s best crime shows? Then answer me this: Who is your favorite character on NCIS?

If it’s Tony DiNozzo (Michael Weatherly), try Warehouse 13. Secret Service Agent Pete Lattimer (Eddie McClintock) could be Tony’s long-lost brother. Instead of solving murders, you’ll be recovering artifacts with supernatural capabilities, but don’t worry, there’ll be a few corpses and plenty of humor along the way.

If it’s Ziva David (Cote de Pablo), try Nikita. Maggie Q as Nikita may be even more deadly an assassin than Ziva. She’s trying to make up for her past wrongs, even if she has to take out some bad guys and cut some past ties to do it.

If it’s Timothy McGee (Sean Murray), try Chuck. McGee might not have government secrets and skills locked in his brain like Chuck Bartowski (Zachary Levi) does, but both are amazing with computers, not always super-smooth with the ladies, and share a love of geekdom.

If it’s Leroy Jethro Gibbs (Mark Harmon), try Blue Bloods. Police Commissioner Frank Reagan (Tom Selleck) hates the political games as much as Gibbs, and always knows just the right thing to say to his daughter. His son, Danny (Donnie Wahlberg) is stubborn to a fault and follows his gut.

If it’s Abby Sciuto (Pauley Perrette), try Buffy the Vampire Slayer. It’s the only show I can think of that has as many facets as she does, plus her love of everything goth fits in perfectly. It’s hilarious with a dark edge, and full of unique characters. Abby has Buffy’s (Sarah Michelle Gellar) father-daughter relationship, Willow’s (Alyson Hannigan) mad skills, and Anya’s (Emma Caulfield) cheerful and quirky mindset.

If it’s Donald “Ducky” Mallard (David McCallum), try Merlin. Not only does this British show match Ducky’s heritage, but Gaius (Richard Wilson) shares many characteristics with him: medical background, longwindedness, and a fierce loyalty. They both also become a mentor to the young men they teach.

If it’s Jimmy Palmer (Brian Dietzen), try The Big Bang Theory. Leonard Hofstadter (Johnny Galecki) has the same awkward, self-depreciating manner as Palmer, yet still manages to win over (at least eventually) the ladies. Though the science tends to be more theoretical than you’d find in autopsy, this week’s episode did include brain dissection.

If it’s Leon Vance (Rocky Carroll), try Covert Affairs. The agents doing field work hint at Vance’s past, while the political maneuverings touch on his present office. Like Arthur (Peter Gallagher) and Joan (Kari Matchett) Campbell, he’s an expert at negotiating and dealing with foreign agencies.

Who’s your favorite character? Do you agree with my choices of shows? Which shows would you match up with the cast of NCIS?

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Some Other Beginning’s End

Thanks to this week’s episode of The Office, I’ve had “Closing Time” (Semisonic) running through my head all evening. Especially haunting is the line: Every new beginning comes from some other beginning’s end.

For some reason, I transferred that idea to TV shows. How many great shows exist because actors’ previous shows were canceled (either prematurely or not)?

To start off, let’s take a look at the poster child for all canceled shows: Firefly. Many of the actors have gone on to have guest spots and reoccurring roles in other shows, and some have even become regular cast members of other shows that were canceled in turn (Morena Baccarin in V, Summer Glau in The Cape, etc.). But out of the ashes of the Serenity rose two other great shows, now in their 4th and 5th seasons.

Nathan Fillion is Castle. It is impossible to imagine another actor playing his role on the show, and since Fillion influenced Stana Katic becoming his co-star, Beckett would be different as well.

While I suppose Chuck could have survived without Adam Baldwin playing John Casey, would we have wanted it to? His grunts and relationship with Morgan make the show.

Another show that came to mind immediately was Angel. It was canceled, and a year later, David Boreanaz ended up on Bones as Agent Seeley Booth. As much as I would have wanted Angel to continue, I think the actor is much more suited to the role of Booth.

The gap between Buffy the Vampire Slayer and How I Met Your Mother was a bit longer (2 years), but I love Alyson Hannigan in both. It seems a bit of a stretch to include Sarah Michelle Gellar and Ringer, since 15 seasons seems highly improbable for any show, and I don’t see Gellar “owning” Siobhan/Bridget yet. Anthony Stewart Head’s transition from Giles to King Uther on Merlin is more apt.

Dollhouse also pulls actors from the three ended shows above, but in a less lead-actor-to-lead-actor way. The show that really had to end so we could have Dollhouse was Battlestar Galactica. Tahmoh Penikett was vital to both shows.

I never watched Lost, so I don’t know how vital Michael Emerson’s role was to the show, but I can’t imagine Person of Interest without him.

And then there’s the whole issue of characters dying on one show only to wind up on another. Sometimes they “die” because of the new show. I could go on for hours listing examples of this, but this post would end up so full of spoilers that no one could read it without coming across something they didn’t know. So I’ll stay mum for now.

Less spoilery is characters moving away or otherwise disappearing from the scope of a show before the end to star in a different show. Jared Padalecki bowed out of Gilmore Girls two years before it ended to begin Supernatural. Jennifer Morrison joined How I Met Your Mother for a year between House and Once Upon a Time.

What shows that you loved had to die so you could get a different show to love?

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Top 10 Favorite TV Opening Credits

Nothing invokes the memory of a favorite TV show faster than its opening credits. That may be why I always feel a bit cheated when a show doesn’t have any, or when they’re terrible, or when they don’t match the show at all.

White Collar is a prime example of how attached fans get to show intros. When season three debuted with new opening titles, fans were very vocal about their dislike. Eventually the network hosted a poll, and the fans voted the old opening back in.

I didn’t include any classic shows in this list – in fact, only one show had episodes airing before the year 2000. There are no animated shows, and it’s also limited to shows I actually watch. I made my decisions based on the music, visual appeal, how well they meshed, and how well they matched the show. I included some unique ones as well.

I had a terrible time narrowing the list down to just ten, and that’s even with leaving out the shows that only have title and creator in their intros (like White Collar above and How I Met Your Mother) or have voiceover intros (Burn Notice’s “My name is Michael Westen, I used to be a spy” and Castle’s “There are two kinds of folks that sit around thinking about how to kill people – psychopaths and mystery writers”). This list changed several times even as I was writing this article, and the main excuse I gave myself for leaving Bones off was that I couldn’t find a good video for the credits!

#10 – Alphas

I love the music to this theme, and how well the lyrics fit the show. I also love the mysterious quality – it’s hard to catch everything the first few times you watch it, which works well for a show that has a lot under the surface.

#9 – The Cape

This theme sticks in my head long after I’ve watched the intro, and I love the way the comics dissolve into the show’s characters. Hate that this got cancelled.

#8 – Community

The folded paper design of this intro is just plain fun.

#7 – Chuck

The cartoon Buy More guy getting in and out of trouble is perfectly in keeping with the lighthearted tone of this show.

#6 – Warehouse 13

I love the mysterious quality of these credits, and the music fits perfectly! It’s cool seeing the artifacts “at work,” too.

#5 – Covert Affairs

Unfortunately, this clip cuts off the cool intro whistle (which plays before the credits actually start). I like the juxtaposition of the actors over the virtual background.

#4 – Veronica Mars

Yes, this is NOT the season 3 opening, which I disliked (it wouldn’t have been as bad if they’d simply changed the visuals, but they messed up the song, too). Bonus points for perfect lyrics (which were even quoted in an episode)!

#3 – Buffy the Vampire Slayer

Apologies for the quality of this clip. Love how this opening meshes scary and funny. I rock out to these credits whenever I’m watching Buffy by myself. 🙂

#2 – NCIS

A classic, solid, intro, with fun music and great transitions. I especially love McGee’s rocket pack impression.

#1 – Psych

No, I didn’t make this my top choice simply because it’s my theme this month and I’m giving away a season. I love how it matches the show, with zany moments and apt lyrics. I also love how they change it up to match special episodes – Spanish lyrics, a Christmas version, even a Bollywood rendition.

What openings would be in your top 10? Did I miss any good ones?

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Fall 2011 TV Shows Anticipations

Fall TV is about to start for 2011! Here are some things I’m anticipating about the shows I plan to watch, in the order of their season premiere dates.

September 13

“Ringer”

I’m hoping this show will be as in-depth and multi-layered as Veronica Mars. I don’t think the show will make me laugh, but as skilled as many of the cast are with dramatic moments, it may make me cry. Previews gave away maybe a little too much of the pilot, but with 3 seasons planned of twists and turns, I expect to be surprised quite often. It has stiff competition in its Tuesday 9PM slot, but I foresee an early renewal.

September 14

“Free Agents”

Previews show this to lean toward the bawdy type of workplace comedy I usually avoid, but I love Anthony Stewart Head’s acting, so I’ll probably give this show at least two episodes to prove itself to me. And since The Office has flourished with its UK to US transfer, I’d say the odds for renewal are slightly greater than 50/50.

September 19

“How I Met Your Mother”

A great cast and hilarious hijinks make a few off episodes bearable, and I’m pretty content with not having met the mother yet, since that means the show can continue longer. The twist of another wedding should add interest for long-time viewers and keep them watching.

“2 Broke Girls”

As the only half hour show in its time slot, and paired with the popular “HIMYM,” this show should do well by default. I’m not expecting much from it, just a few laughs, but I would love to be pleasantly surprised.

“Castle”

I’m positive Beckett’s not dead, as the premise of this show would fall apart without her, but I hope the events of the final moments of last season will have far-reaching effects on this one. I am not looking forward to the new chief. The absence of station politics is one thing I enjoyed about the show, so rumors I’ve heard worry me. But it would take a lot more than that to make me stop watching this show. Hoping for some more Whedonverse guest stars and Firefly references this season.

September 20

“NCIS”

Can’t wait to hang out with the gang again. With the start of season nine, this show is the longest-running one I watch, and it’s stronger than ever. Starting out with emotional turmoil for DiNozzo sounds like a great way to begin the season.

“NCIS: Los Angeles”

Unlike its sister show, NCIS: LA is picking up right when the last season ended. The only thing I ask for season 3? Don’t get rid of Hetty. If I had one other wish, I’d love to see Nate back as a regular part of the team.

“The New Girl”

With two shows already competing for my Tuesday 9PM viewing, I wasn’t even going to look at this show, but with the other Deschanel sister not coming back until November, I probably will check out at least the pilot online. But with strong competition on every other broadcast channel, the ratings will probably be terrible enough to make a renewal unlikely. It’s one saving grace is that it’s the only comedy in its timeslot.

September 22

“The Big Bang Theory”

This show makes me laugh more than any other. And it’s one of those shows that while you know the two of the characters belong together, you don’t really care how many detours they take along the way, because it adds new dimensions to the show.

“Community”

I’m still mad at the networks for making this and the previous show compete. It’s a little sad to think that cast will be juniors this year, so the show is most likely halfway over. It was left up in the air whether Chevy Chase would return to the group, but if any of the main 7 characters had to go, I’d prefer him.

“The Office”

The show proved it could survive without Michael Scott at the end of last season, so I plan to keep watching. While not every episode tickles my funny bone, I love (some of) the characters enough to tuning into their workdays for as long as they’ll let me.

“Person of Interest”

An intriguing premise and Jim Caviezel are enough to put this show on my to-watch list for at least the first several episodes. With Bones starting late, this show has the potential to grab a few extra viewers. Most of my action shows tend to be summer ones, so I’m hoping this will be good. Need to know more before predicting renewal, though.

September 23

“Nikita”

The new season brings a twist to the dynamics of this show, with characters switching sides, but I’m confident Nikita will make it work. My one fear is Lyndsy Fonseca looking like a powder-puff villain next to Melinda Clarke. And the show has a month to establish some viewers before Chuck comes in to try and woo them away.

“Blue Bloods”

This show has a great cast and interesting episodes, but doesn’t have the compulsive watching quality many other crime dramas do. I hope the second season starts off with a bang and adds a layer of intrigue.

September 28

“Suburgatory”

Alan Tudyk is the only reason I’m checking this show out. The fact that it’s unlike most of the other shows I watch may help it stay on my list. But it’s kind of funny that the only Wednesday night shows I’m interested in air at the same time and pit Whedonverse actors against each other.

September 29

“How to Be a Gentleman”

I hated the first preview for this show, but the second was a little better, so I’ll still watch the pilot. I have my doubts about this one being a keeper, though.

October 2

“Homeland”

This will be the first Showtime TV show I’ve ever tried out. But with Damian Lewis (Life), Claire Danes, and Morena Baccarin (Firefly), how could I resist?

October 3

“House”

I’m curious who the show will bring in to replace Cuddy, and how House will get his job back. I almost feel like the show’s starting to wind down, which is a shame, but it’s had a good run. Of course, this next season could surprise me and pick up momentum again.

October 12

“Psych”

It’s been way too long of a hiatus for Shawn and Gus, so I’m really looking forward to the return of my favorite fake psychic, and the boatload of special episodes he brings with him.

October 21

“Chuck”

Back for a truncated 5th season, it’s nice that the show will have the chance to say goodbye. I’m looking forward to a hilarious season with Morgan’s new role.

“Grimm”

I love the idea of this show. But with cult favorites Supernatual and Fringe vying for the same slot with a month-long lead, the ratings will likely be terrible. (Whose bright idea was it to stack three speculative shows against each other?) The reviews for the pilot haven’t been great. No big-name actors or even geek favorites. And Friday nights are usually the death slot. The plus side is that it’s created by some guys responsible for much of Angel, and has a great lead-in show with Chuck. Since I didn’t catch up on Supernatural and Fringe this summer like I wanted to, I’ll definitely be watching this. I just hope the studio will focus on day+7 and online views when deciding how long to let it run.

October 23

“Once Upon a Time”

I’ve watched the preview for this show more than any other. I just hope it lives up to the beauty and intrigue that glimpse conveyed, and there are enough twists and turns to spawn multiple seasons.

November 3

“Bones”

Having caught up on this show, I’m excited to be finally watching it in “real” time, without spoilers to mess up my expectations. I’m hoping the baby mania won’t overtake the show, but I trust that it will be an awesome season.

November also brings the return of split season shows like Covert Affairs, Burn Notice, and Leverage.

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TV Show Personality Quizzes

For a different twist, and since this is a weekend post, I thought I’d try something fun. BuddyTV just followed me on Twitter, so I stopped by their site and tried out a few of their TV show personality quizzes. I thought I’d share the results here.

Which How I Met Your Mother Character Are You?

More on How I Met Your Mother. Created by BuddyTV

No surprise here, though I think I might be more of a Ted if this was more of an internal personality test with less lifestyle questions.

Which ‘Leverage’ Character Are You?

Supernatural – Dead in the Water

I approached this third episode of Supernatural feeling a little ambivalent about the show. The pilot had been amazing and almost too creepy. The second episode had been a bit of a dud. But for most shows, the third episode plays a pivotal role – after episode one establishes the premise of the show, and episode two establishes the “formula” of a normal episode, episode three usually gives the best picture of the rest of the season, and sometimes the rest of the entire show.

(Hmm, just to prove that theory to myself I looked up the third episode of some of my favorite shows – so many awesomely fun moments – from John Casey throwing a microwave at a bad guy in Chuck to Spike making fun of Angel to Beckett grabbing Castle’s ear when he tries to overhear her phone conversation.)

So after the “previously on” section played (I seriously hope they don’t show clips of the pilot in front of every episode this season), the episode opened with a victim’s last moments while the credits blinked up on the screen. I saw one name and immediately got excited – this episode guest starred Amy Acker!

Best known as Fred from Angel, she’s also in Dollhouse and even a couple episodes of No Ordinary Family. I think it was brilliant to cast Amy so early in the show – Angel had only been off for a year, and Supernatural was aimed at similar viewers. And the show was nice enough to make her an integral part of the episode – not just a cameo walk-on.

This episode did a great job of making ordinary moments creepy, and the Winchester brothers played off each other much better. They actually seem like a team. The dialogue steps up a notch, too, with Acker delivering a fun zinger:

Must be hard with your sense of direction – never being able to find your way to a decent pickup line.

The brothers introduce themselves as Agents Ford and Hamill, a Star Wars reference it took me a bit to catch. And Dean shows a bit of his vulnerable side, but I’m still not feeling why thousands of fans are gaga over these characters. I’m hoping that will become more apparent soon, as the brothers are this show’s only constant so far.

Yet in all, I loved this episode, and am definitely looking forward to more Supernatural!

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What I Will Watch in Fall 2011

Now that CBS has finally posted its fall 2011 schedule, I have a good idea what I’ll be watching come September. Most of the time, of course, I will watch shows online the day after they air, but if I get a chance to watch them live, this will be my schedule.

Sunday

8PM – Once Upon a Time – ABC

This fairy tale meets modern life sounds like it has promise, and I love the promos.

Monday

8PM – How I Met Your Mother – CBS

8:30PM – Two Broke Girls – CBS

9PM – House – Fox

10PM – Castle – ABC

Chuck’s move to Fridays and House’s move to 9 finally makes my Mondays conflict-free (though I imagine Chuck’s ratings would have greatly improved with House’s move – seriously, is it any wonder the show wasn’t doing well against BOTH House and HIMYM?). Two Broke Girls sounds interesting, and will nicely fit in my half-hour gap.

Tuesday

8PM – NCIS – CBS

9PM – NCIS: Los Angeles – CBS

9PM – Ringer – The CW

CBS was smart not to mess with its Tuesday domination. Both shows had awesome finales Tuesday night, and NCIS: LA was finally renewed yesterday. I was a bit worried that they were going to off Jimmy Palmer in the NCIS finale, but Los Angeles ended with the more dramatic cliffhanger, making me anxious for season 3. I will have a hard time deciding what to watch at 9, but the CW’s terrible online viewing experience may tip the scale toward Sarah Michelle Gellar’s Ringer.

Wednesday

8:30PM – Suburgatory – ABC

8:30PM – Free Agents – NBC

I will be checking out these two shows solely for their Whedonverse alums: Suburgatory features Alan Tudyk (Firefly and Dollhouse), while Free Agents stars Anthony Stewart Head (Buffy the Vampire Slayer and Merlin).

Thursday

8PM – The Big Bang Theory – CBS

8PM – Community – NBC

8:30PM – How to Be a Gentleman – CBS

9PM – The Office – NBC

9PM – Bones – Fox

9PM – Person of Interest – CBS

Thursdays are still full of conflict. As usual, I probably will watch The Big Bang Theory live and Community on Hulu when both are airing new episodes. How to Be a Gentleman sounds promising, and I probably would have checked the show out anyway even if it didn’t perfectly fill a half-hour gap (the promo, however leaves a bit to be desired). Watching Bones will depend on if I catch up on back seasons of the show over the summer. The Office’s penultimate episode of season 7 proved that the show can still be hilarious without Michael Scott, so I plan to keep watching. Jim Caviezel (The Count of Monte Cristo, The Passion of the Christ) stars in Person of Interest, and the sneak peek was excellent.

Friday

8PM – Nikita – The CW

8PM – Chuck – NBC

9PM – Grimm – NBC

10PM – Blue Bloods – CBS

It seems a bit odd, having such a solid line-up of shows for a Friday night. Blue Bloods has proved it can hold its own on the evening, but its family vibe makes it a more likely choice for those who stay in Friday nights. I suspect the young-adult-aimed Chuck won’t do as well, but since it’s the final season of the show the numbers aren’t as important. And it’s pitted against fellow action show Nikita, which also doesn’t seem like a good Friday night fit. Grimm has a tough shot against both a cop show and TWO speculative fan favorites, Fringe and Supernatural (which even I may be watching instead if I have time to check them out this summer).

USA’s Psych typically counts as a summer show, it doesn’t sound like it will be starting until August or September this year (since it’s cable, I won’t be watching it live, though). There are a few other shows on the major networks and some mid-season pickups I also plan to check out if I have time.

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Chuck – Versus the Cliffhanger

Spoiler alert: If you have not yet seen the season 4 finale of Chuck, you’ll want to do that before you read any further.

The penultimate episode of this season would have been far more traumatic if they hadn’t played a promo that showed Sarah alive and, not exactly well, but hanging on. Even worse of a spoiler was the clip of the wedding. The device seemed to kill instantly when it was used previously, but it could have simply knocked them unconscious (they were referred to as dead, though).

The quest for the antidote kept the finale moving at a brisk pace, and Chuck doing everything he could to save Sarah made this a nice counterpart to episode 9 of this season (Chuck Versus Phase Three), when Sarah did everything she could to save Chuck. I loved seeing Volkoff return to his former self, and I hope he will show up in at least a few episodes of season 5.

And Chuck lost the Intersect again, which I think was a good move by the writers. Chuck is a great spy without it. He’s picked up some combat and undercover skills, he’s great at planning missions, and his interpersonal skills have saved the day countless times. He can easily lead the group.

Morgan having the Intersect should make season 5 a hoot. Many comments on Hulu seemed to hate the idea, but I think it allows the show to explore new paths while also paying homage to season 1. I’m curious how Alex will take the news, and how the team will change with Morgan going from sidekick to both muscle and research.

Season 5 will be the final one for Chuck, and it feels a bit sad but right (though I’m hopeful they’ll extend the 13-episode order to a full season). The show has had a great run, but the original core elements are coming full circle. Chuck and Sarah are happily married, and I don’t want their relationship to mess up just to create conflict for future episodes. The fish-out-of-water aspect of an ordinary guy being thrust in the spy life doesn’t exist for Chuck anymore – he is comfortable with who he is and what he does (but that aspect will get a fun twist with Morgan next season).

The hints at next season’s mission make it seem like one that will tie the entire show together – fitting for a final season. And the mention of Steve Bartowski makes me think I may be right about him still being alive.

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NBC’s Fall 2011 Lineup

So after the grim news of last week’s cancellations, NBC looks toward the future by announcing its fall lineup. Out of the new shows, The Playboy Club, Whitney, and Up All Night don’t interest me at all based on just the descriptions. I watch so many crime dramas a show needs to offer something unique to catch my attention, and Prime Suspects’ hook about a woman trying to break into the boys’ club of a police precinct makes me yawn.

Grimm, on the other hand, offers a storybook twist – bringing fairy tale villains to the world of crime scenes and witness statements. Does this plug sound at all familiar: “The last of a long line of chosen ones must fight legendary creatures few others know exist while maintaining a normal life and keeping the presence of the creatures a secret”? My mind instantly drew parallels to Buffy the Vampire Slayer, and it’s not surprising that two of the show’s creators helped produce Buffy and Angel. The cast doesn’t have any big names to draw viewers, but hopefully they will bring in some geekdom guest stars. It’s also in the Friday night death slot, but has a decent lead-in show with Chuck. This year’s cancelled supernatural show meets cop drama, The Cape, also followed Chuck. Here’s hoping Grimm will do far better than The Cape (though I’m trying not to get my hopes up, since The Cape had Summer Glau and Monday nights, while Grimm does not). I also would love it if Grimm got a taste of Buffy-inspired humor.

NBC’s other new show, Free Agents, didn’t catch my attention with its premise as a comedy about two coworkers, one recently divorced and the other who lost her fiance, and their fumbling attempts to get back into dating. But their boss is Anthony Stewart Head (Giles from Buffy the Vampire Slayer and King Uther from Merlin)! The previews confirmed that he keeps his accent, and there was even a brief mention of Sarah Michelle Gellar in one, which tipped the show into “definitely watch the pilot” territory. And since I lost one NBC workplace comedy with the cancellation of Outsourced, it seems only fitting that NBC should provide another.

The unscheduled pickup, Awake, also looks good. Jason Isaacs plays a man caught between two alternate realities. In one, his wife died in a car accident. In the other, it was his son who died in the accident.

In addition to dumping Chuck and Grimm onto Friday nights, NBC made another schedule error by keeping Thursday nights annoying and choppy. They kept Community at 8, which will conflict with The Big Bang Theory if CBS keeps it at the same time, and then plunked Parks and Recreation between it and The Office. I hate half-hour gaps of shows I don’t like between shows I like. But at least they’re providing some worthy substitutes for the shows they axed.

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Renewals, Cancellations, and Finales

Wow – tons of shows are getting renewed or cancelled this week, and many are airing season finales. I keep checking for news and getting a rush of joy or sadness, and sometimes both. This year I dived headfirst into many new shows, and quite a few of them got cancelled.

Before this year, only two shows I watched as they aired had been cancelled with only one season – Fox’s 2009 summer medical drama, Mental (I had only started watching it at the urging of my sister) and another summer show, NBC’s excellent modern retelling of the story of David, Kings. (I watched the best-known one-season show, Firefly, years after it was off the air.) I picked up 3 new shows in 2009-2010 regular season: Community, NCIS: Los Angeles, and V – all got a second season. Even the two new shows I started watching in summer 2010, Covert Affairs and Rizzoli & Isles, will be back this summer.

This year I watched 6 new shows: The Cape, Detroit 1-8-7, Blue Bloods, No Ordinary Family, Outsourced, and Nikita. As of this moment, four have been cancelled, and the other two haven’t been renewed yet.

A quick recap of the verdicts on this season’s shows, by network:

ABC

They kept Castle, one of my favorite shows, but cancelled the three other shows I watch on the channel – Detroit 1-8-7, No Ordinary Family, and V. Of the three, I was most surprised by V’s cancellation. The show was intriguing, with an excellent cast, and the short seasons helped keep the integrated storylines comprehensive. I started watching it for the sole reason that it starred Morena Baccarin, aka Inara from Firefly (Alan Tudyk, aka Wash, was also in a few episodes). With this season’s finale ending the life of one of the most annoying characters on the show, I had high hopes for season 3. Too bad.

CBS

They seem to be waiting to see what the other networks do, as they haven’t revealed many verdicts. But I’m confident they’ll bring back the two not-yet-renewed shows I watch on the channel: Blue Bloods and NCIS: Los Angeles. NCIS, How I Met Your Mother, and The Big Bang Theory have already been renewed.

Fox

I’m only current with one show on the channel, House, and its renewal is hardly a surprise (it will likely be the final season, however). I’m glad they renewed Bones (on season two now and loving it!) and Fringe (hoping to try it soon), though.

NBC

I was shocked to find out less than a day after watching the season finale of Outsourced that they’d cancelled the show. I was really looking forward to season two. The Cape was dead as soon as they shortened the episode count from 13 to 10, but I plan to get Bear McCreary’s soundtrack to the show. The other Firefly alumni show, Chuck, has been picked up for a 13-episode final season (I love Chuck, but as more and more of the show’s characters move toward domestic bliss, I can see why they’re deciding to end it.) And of course, Community and The Office got renewed. Community’s finale does raise the question of whether they’ll bring back one of the main characters for season 3. And does the show have a 4 season limit due to the college setting?

The CW

I only watch one show on the channel, Nikita, and there’s no word yet on whether it’s been picked up for season two. I really hope so. My lineup needs more shows that focus on the overarching story instead of individual episodes, and the last few episodes of Nikita really kicked things up a notch.

In conclusion: Networks really seem to be abandoning rookie shows this year. I hope that space goes to other high-quality scripted shows and not endless rehashed versions of reality and competition shows.

And my other wish for the 2011-2012 season – don’t air The Big Bang Theory and Community in the same time slot!

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TV Trends – Online Fandom

This post about online TV show fandom caught my attention – mostly because of how many shows I love are on the list! A university student surveyed more than 3,000 people to determine which shows have the most ardent fans, as far as online activity goes. The survey was only for shows currently on the air (if they did ones that have been canceled, I’d wager Firefly as #1), and the results were:

1. Supernatural
2. Castle
3. Smallville
4. Community
5. Hawaii Five-0
6. Chuck
7. Bones
8. Leverage
9. The Vampire Diaries
10. Fringe
11. Burn Notice
12. Glee
13. Mad Men

I thought I’d take a look at each of them in turn.

1. Supernatural

I really don’t know much about this show at all, other than it stars Dean from Gilmore Girls, and I’m guessing it fits into the speculative genre. I’m kind of curious now.

2. Castle

One of my favorite shows ever – consistently good in every way. I love that it’s about a writer. I love that it stars Nathan Fillion and that Firefly references pop up all the time. I feel that if someone took all the TV shows I love and found one that encompassed them all, Castle would be it.

3. Smallville

I’ve always been more of a Spiderman rather than a Superman fan. I did enjoy the main character’s acting on movies I’ve seen him in, but I never had a chance to watch the show. However, after finishing watching Buffy the Vampire Slayer and Angel, I watched a couple of James Marsters’ (Spike) Q&A sessions. He has a reoccurring role in Smallville and he talked about the story of Superman being a Christ story for an atheist world. That really interested me in watching it and with No Ordinary Family and The Cape being likely out of the picture for next fall, I’m looking for a good superhero show. I plan to start watching it soon.

4. Community

This little half-hour show is just hands-down funny. I loved it from the first episode, and while I don’t think the second season is quite as strong as the first, Abed will keep me watching for many years to come.

5. Hawaii Five-0

The main reason I don’t watch this show is that I’m watching too many crime dramas already. Since it airs in the same time slot as Castle, there was little chance I’d watch it live, and since it’s on CBS it’s harder to catch up on old episodes (I’m a big Hulu fan, especially when it lets me watch the whole current season). I did watch one episode in the middle of the season when there wasn’t a new Castle – I thought it was good, but not great.

6. Chuck

Action, humor, romance – what more can you ask for? Oh, just Jayne from Firefly. I sometimes let to-be-watched episodes of this show pile up when I’m busy (usually in a lull between several cliffhanger episodes), but I always watch them eventually. I’m a bit surprised that a show this well-liked is consistently on the bubble for renewal.

7. Bones

Thanks to Netflix having all back seasons, once I recover from my Buffy/Angel David Bornanaz deluge I plan to check out this show. Despite it being yet another crime drama, I’ve heard good things about it.

8. Leverage

Another one of those rare shows that’s “practically perfect in every way” and that I’ve loved from episode one. The concept of modern-day Robin Hoods, the tight-knit team of great actors, engaging plot, witty dialog, and explosive action. If you’re not watching Leverage you’re really missing out.

9. The Vampire Diaries

I’ve only caught half an episode while waiting for another show to start, but I wasn’t impressed. If I start to go into vampire withdrawal I’m more likely to try out True Blood instead.

10. Fringe

This is another of those “waiting for a chance to try” shows. I’ve heard it’s good, but not much else.

11. Burn Notice

Love this show, for three reasons. 1. Michael. 2. Sam. 3. Fiona. Easily one of my favorite summer shows, and more consistently good than even Psych.

12. Glee

I’ve watched 10 or so episodes. Love the music, hate the soap opera.

13. Mad Men

I’ve heard it’s good, but I haven’t heard anything that compels me to watch it.

So, out of the shows I’m not watching yet but thinking about, which do you think I should watch?

Supernatural, Smallville, Bones, or Fringe?

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The Cape – Farewell

When a show is cut from 13 episodes to 10, and then the final episode is only aired online, it’s pretty safe to say that the show will be canceled. While it’s a sad ending for The Cape, I’m glad NBC at least gave fans the opportunity to watch the last episode.

I first remember the extremely vague teasers for the show. They were frustrating. I wanted to know what kind of show it was – historical? speculative? action? Then I found out Summer Glau (best known as River from Firefly) was going to be on it, and I knew I’d at least be watching the pilot.

The pilot was engaging enough for me to keep watching. A cop is framed and presumably killed, but is rescued by a criminal carnival troupe. With their help, he becomes The Cape, a superhero without supernatural abilities, who fights crime, looks out for his wife and son, and plans to bring down the man who framed him.

The visual effects and soundtrack for the show are stunning. The cast is a mix of decent to exceptional actors, and the overall story arc was pretty good. The intrigue built with each episode, but a few plot holes and unclear motivations marred the story. And it was full of dichotomies – a dark, gritty feel with very few actual deaths, a superhero without any powers, a dad putting his family through emotional hell to avoid possible physical danger.

Like No Ordinary Family, The Cape seems to be trying to blend a family show with the superhero genre, with mixed results. I enjoyed it, but it wasn’t a “must watch.” I mostly liked the fact that it fit nicely between Chuck and Castle for my Monday night Firefly trifecta (Jayne from Firefly is Casey on Chuck; Mal from Firefly is Castle on Castle). I was hoping they’d explore more of Glau’s character Orwell, but the most they gave was in dream sequences during the two-part “The Lich.”

I feel the show would have succeeded better if they’d decided to lean one way or the other – making the show darker and delve more into characters and motivations, or give it a lighter spin and inject some humor.

In all, it’s worth watching, but I don’t plan to get it on DVD. But if the soundtrack ever comes out, I’ll definitely buy it. It would make great writing music.

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White Collar – Con Man vs. Lawman

I don’t remember what first perked my interest in the show White Collar. I likely heard something about it while watching another USA network show such as Psych or Burn Notice. And generally, if a show is on USA, I usually don’t need to hear anything else to try it out, or at least watch a few promos and uncover the premise.

If I wasn’t hooked already, the first five minutes of the pilot episode would have been enough to do so. It opens in a prison, where an inmate shaves his beard, changes into a guard’s uniform, swipes a forged key card, and proceeds to walk out the front door. That is our first introduction to Neal Caffrey, con artist extraordinaire.

FBI agent Peter Burke, the only man who’s ever been able to catch Caffrey, is called in. He deduces the reason Neal would escape with only a few months left on his four-year sentence, and brings him back in with four more years added to his sentence.

But con artists know how other con artists work, and Neal is able to strike a deal with the FBI – serve out the remaining years while working to catch other criminals for the FBI’s white collar crime division, under the supervision of Agent Burke.

Peter’s solidness and by-the-book methods contrast with Neal’s charm and out-of-the-box thinking, and the two gradually come to trust each other. Since the show focuses on white-collar crimes, it’s a refreshing change from most crime dramas’ “murder of the week” scenarios. It also keeps the show free from most gruesome images, sensual scenes, and crude language.

Neal is played by Matt Bomer, who had a reoccurring role in Chuck as Brice Larkin. And I can’t write about White Collar without mentioning Neal’s friend, Mozzie, an OCD conspiracy theorist who doesn’t trust Feds (or as he calls them, suits. Peter is the Suit, his wife Elizabeth is Mrs. Suit, and FBI agent Diana is Lady Suit).

White Collar just finished season two, ending a major plot arch and adding a final twist for the cliffhanger. I must admit, though, it wasn’t nearly as powerful of an ending as the previous 3 (season one ending and the two mid-season breaks). In a way, I’m grateful, as those 3 made me nearly go crazy waiting to find out what happened. This one has far less emotional ties.

I’m still ambivalent about White Collar adding Sara Ellis as a permanent member of the cast for season three. I didn’t feel much chemistry between her and Neal these last few episodes, though I think they had some earlier this season.

Even though the season didn’t end as strongly as I hoped, much of season two was excellent, particularly the third episode from the end, “Payback,” the mid-season finale “Point Blank,” and the retrospective “Forging Bonds.”

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Chuck – Is He or Isn’t He?

Warning: This post may contain spoilers, up to Chuck season 4, episode 10.

Okay, I don’t know about you all, but I’m not sure that Chuck’s dad is dead. I mean, they killed him in the same building that was used to bring Daniel Shaw back after being shot. And it makes sense that the Ring would want him alive, with all of his knowledge and abilities. The only reason he was killed was to disable Chuck.

I’m curious where the show’s going to go now that Chuck has the intersect working again. Was it just me, or was the line, “I know kung fu . . . again!” extremely cheesy? I think they could have gone a few more episodes before bringing Chuck’s abilities back. I’m interested in knowing what Chuck would have been doing for the CIA without the intersect, as Beckman mentioned.

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