Wow, so many good tidbits of info about future episodes of NCIS: Los Angeles, Suburgatory, Private Practice, and much, much more! (See list of tags for all the shows that come up in this fun article!)
Ask Ausiello: Spoilers on NCIS, Grey’s, Glee, House, HIMYM, Five-0, Gossip Girl and More! – TVLine.
Fans of How I Met Your Mother have been waiting years to finally meet the future Mrs. Ted Mosby, but since the show is doing so well, it’s understandable that the network and showrunners want to delay that moment as long as possible. Altering the show so it can continue in a slightly different form after we meet the mother sounds like a good compromise. (If it keeps going in it’s current form too much longer, the sequel series could have Future Ted telling his grandchildren the story of “How I Raised Your Mother”.)
Scoop: How I Met Your Mother Bosses Open to Extending & Renaming Series After Mother Reveal – TVLine.
Well, I told you all who I voted for this year – now to look at the results! Full results list with all the winners and nominees is linked at the bottom of this post.
FAVORITE NETWORK TV DRAMA
I voted for House, Supernatural won.
FAVORITE TV DRAMA ACTOR
I voted for both David Boreanaz and Nathan Fillion, and Fillon won!
FAVORITE TV DRAMA ACTRESS
I voted for Bones’ Emily Deschanel, but The Vampire Diaries’ Nina Dobrev won.
FAVORITE CABLE TV DRAMA
Pretty Little Liars won. I really wish it had been White Collar – an excellent show that more people should be talking about.
FAVORITE NETWORK TV COMEDY
I voted for both The Big Bang Theory and How I Met Your Mother, and HIMYM won.
FAVORITE TV COMEDY ACTOR
HIMYM continues conquer as Neil Patrick Harris won. I voted for both him and Jim Parsons.
FAVORITE TV COMEDY ACTRESS
Voted for Kaley Cuoco, but Glee’s Lea Michele won.
FAVORITE CABLE TV COMEDY
Don’t currently watch any, but Hot in Cleveland won.
FAVORITE TV CRIME DRAMA
Voted for my 3 favorite ones, all nominated this year: Bones, Castle, and NCIS. Castle won.
FAVORITE SCI-FI/FANTASY SHOW
I’d only seen Supernatural on this list, so I voted for it, and it won.
FAVORITE TV GUEST STAR
Katy Perry’s appearance on How I Met Your Mother won this, though I preferred Jim Carrey on The Office (wish he would have had more of a role).
FAVORITE NEW TV DRAMA
Surprised that Person of Interest won this! It’s a solid show that keeps improving, but hasn’t seem to create the buzz and fans that shows like Once Upon a Time (which I voted for) have.
FAVORITE NEW TV COMEDY
2 Broke Girls was my vote, and it won.
People’s Choice Awards 2012 Nominees – PeoplesChoice.com.
The beginning of this episode made me gasp. I decided about halfway through it that it was amazing. And the ending simply blew me away, earning it a perpetual place in my top 10 favorite How I Met Your Mother episodes.
Plenty of spoilers below, so please, go and watch the episode if you haven’t yet already. Then come back. Even you people who like to read the end of books first. (Especially you people.) Continue reading How I Met Your Mother – Symphony of Illumination
I just made a list of all the shows I’m behind on (it’s getting to be quite a few), but I quickly realized there is one type of show I haven’t put off watching – comedies! Of course, their usual 20-minute length makes them a bit more compatible with a busy schedule than a 45-minute show, but I believe it’s also because I’ve been in the mood to laugh. Continue reading Fall 2011 Comedy Verdicts
I like voting for things. Especially when they have to do with my favorite shows. So I thought I’d provide a quick rundown of this year’s People’s Choice Award Nominees. Just the TV section, mind you, and only the scripted shows. I usually haven’t seen most of the movies (I did vote for Thor over the very close choice of Captain America), and I’ve don’t listen to nearly all of the music artists.
FAVORITE NETWORK TV DRAMA
Pretty much a no-brainer that I was voting for House. Supernatural hasn’t captured my attention, and while The Good Wife looks like a solid show, I’ve never seen it (blame my lawyer aversion). And Grey’s Anatomy and The Vampire Diaries look FAR too soapy for me.
FAVORITE TV DRAMA ACTOR
How can I choose between David Boreanaz and Nathan Fillion? Fortunately, with this award, I can vote as often as I like, so I’ve been alternating between the two. Not so when the two face each other in Round 3 of TV Line’s “Ultimate Law-Enforcement Crushes Bracket Tournament.” I don’t know how I’ll pick. Nathan has Castle and Firefly and Dr. Horrible and now Much Ado About Nothing. David has Buffy the Vampire Slayer (I’m ignoring Nathan as Caleb since I hated him in that role) and Angel and Bones.
Hugh Laurie only gets a distant third in this category, and Ian Somerhalder and Patrick Dempsey are soundly ignored by me.
FAVORITE TV DRAMA ACTRESS
A very easy vote for Emily Deschanel. I haven’t even heard of some of the others on the list: Blake Lively, Ellen Pompeo, Eva Longoria, and Nina Dobrev.
FAVORITE CABLE TV DRAMA
Another super easy choice, as I only watch White Collar. Game of Thrones does sound good, though, and people have recommended Dexter to me. Don’t know about True Blood and Pretty Little Liars.
FAVORITE NETWORK TV COMEDY
The Big Bang Theory gets my vote most of the time for this one, but I’ll occasionally vote for How I Met Your Mother as well. Interesting that Dr. Horrible is competing against his sidekick, Moist. I only enjoy Glee for the music, Two and a Half Men is crude instead of funny, and I’ve never seen Modern Family.
FAVORITE TV COMEDY ACTOR
Hmm, Sheldon (Jim Parsons) or Barney (Neil Patrick Harris)? Same as above, I’ll usually tilt toward the Thursday night show but occasionally choose the Monday night one. Alec Baldwin, Chris Colfer, and Cory Monteith don’t make me laugh.
FAVORITE TV COMEDY ACTRESS
Kaley Cuoco wins hands down over Courteney Cox, Jane Lynch, Lea Michele, and Tina Fey.
FAVORITE CABLE TV COMEDY
I don’t currently watch any of these, though I used to watch Royal Pains (seriously, why is this a nominee instead of Psych?). I may come back to the show later, I’m just not a huge fan of medical shows (House is the only one I watch now) and not too fond of the main character (loved Evan and Divya, though). It does get my vote over the shows I haven’t seen: Hot in Cleveland, It’s Always Sunny in Philadelphia, Nurse Jackie, and Weeds.
FAVORITE TV CRIME DRAMA
When I first saw the nominees for this category, I thought, Are you kidding? I’ve mentioned several times on this blog that Bones, Castle, and NCIS are my top three crime dramas, and all three were nominated this year! I voted for each of them. I’ve only seen bits of CSI and Criminal Minds episodes.
FAVORITE SCI-FI/FANTASY SHOW
I’ve only seen Supernatural on this list, so I voted for it, but Fringe has been on my to-watch list for a long while. From what I’ve heard, I think I’d prefer True Blood to The Vampire Diaries (too bad my favorite currently-airing vampire show, Being Human, didn’t make the list), and since zombies bore me, The Walking Dead has only appeared on my radar since its ratings are good.
FAVORITE TV GUEST STAR
I loved Jim Carrey’s appearance on The Office, and would have much preferred his character to Robert California. Katy Perry’s appearance on How I Met Your Mother was funny, but I felt like most actresses could have played the role well. I didn’t see the appearances of Gwyneth Paltrow, Kristin Chenoweth, or Michael J. Fox.
FAVORITE NEW TV DRAMA
Twelve options is a lot to choose from, but Once Upon a Time has wowed me in all three episodes. Ringer is a close second and gets my vote every once in a while. Person of Interest has built slowly but is improving, and Grimm’s two episodes have been good enough for me to keep watching.
Out of the remaining shows, I’ve only seen Unforgettable, which I hated. Pilots sometimes don’t match the rest of a show, but I couldn’t even get halfway through episode two. I’ve heard good things about Pan Am, Terra Nova, and Revenge, but my “new shows to try out” list already had 11 shows on it (plus more than a dozen returning shows). Medically-minded Hart of Dixie and A Gifted Man didn’t sound like quite my thing, and neither did The Secret Circle or Prime Suspect.
FAVORITE NEW TV COMEDY
2 Broke Girls was super-easy choice for this category, though Suburgatory has been good and New Girl has been okay. Guessed to be not my cup of tea by the previews: Whitney, Up All Night, Last Man Standing, and Man Up. I don’t watch animated TV (the only way I think I ever would was if Joss Whedon created an animated show), so no Allen Gregory.
What did you vote for? Are there any shows mentioned that you think I should be watching?
Thanks to this week’s episode of The Office, I’ve had “Closing Time” (Semisonic) running through my head all evening. Especially haunting is the line: Every new beginning comes from some other beginning’s end.
For some reason, I transferred that idea to TV shows. How many great shows exist because actors’ previous shows were canceled (either prematurely or not)?
To start off, let’s take a look at the poster child for all canceled shows: Firefly. Many of the actors have gone on to have guest spots and reoccurring roles in other shows, and some have even become regular cast members of other shows that were canceled in turn (Morena Baccarin in V, Summer Glau in The Cape, etc.). But out of the ashes of the Serenity rose two other great shows, now in their 4th and 5th seasons.
Nathan Fillion is Castle. It is impossible to imagine another actor playing his role on the show, and since Fillion influenced Stana Katic becoming his co-star, Beckett would be different as well.
While I suppose Chuck could have survived without Adam Baldwin playing John Casey, would we have wanted it to? His grunts and relationship with Morgan make the show.
Another show that came to mind immediately was Angel. It was canceled, and a year later, David Boreanaz ended up on Bones as Agent Seeley Booth. As much as I would have wanted Angel to continue, I think the actor is much more suited to the role of Booth.
The gap between Buffy the Vampire Slayer and How I Met Your Mother was a bit longer (2 years), but I love Alyson Hannigan in both. It seems a bit of a stretch to include Sarah Michelle Gellar and Ringer, since 15 seasons seems highly improbable for any show, and I don’t see Gellar “owning” Siobhan/Bridget yet. Anthony Stewart Head’s transition from Giles to King Uther on Merlin is more apt.
Dollhouse also pulls actors from the three ended shows above, but in a less lead-actor-to-lead-actor way. The show that really had to end so we could have Dollhouse was Battlestar Galactica. Tahmoh Penikett was vital to both shows.
I never watched Lost, so I don’t know how vital Michael Emerson’s role was to the show, but I can’t imagine Person of Interest without him.
And then there’s the whole issue of characters dying on one show only to wind up on another. Sometimes they “die” because of the new show. I could go on for hours listing examples of this, but this post would end up so full of spoilers that no one could read it without coming across something they didn’t know. So I’ll stay mum for now.
Less spoilery is characters moving away or otherwise disappearing from the scope of a show before the end to star in a different show. Jared Padalecki bowed out of Gilmore Girls two years before it ended to begin Supernatural. Jennifer Morrison joined How I Met Your Mother for a year between House and Once Upon a Time.
What shows that you loved had to die so you could get a different show to love?
Nothing invokes the memory of a favorite TV show faster than its opening credits. That may be why I always feel a bit cheated when a show doesn’t have any, or when they’re terrible, or when they don’t match the show at all.
White Collar is a prime example of how attached fans get to show intros. When season three debuted with new opening titles, fans were very vocal about their dislike. Eventually the network hosted a poll, and the fans voted the old opening back in.
I didn’t include any classic shows in this list – in fact, only one show had episodes airing before the year 2000. There are no animated shows, and it’s also limited to shows I actually watch. I made my decisions based on the music, visual appeal, how well they meshed, and how well they matched the show. I included some unique ones as well.
I had a terrible time narrowing the list down to just ten, and that’s even with leaving out the shows that only have title and creator in their intros (like White Collar above and How I Met Your Mother) or have voiceover intros (Burn Notice’s “My name is Michael Westen, I used to be a spy” and Castle’s “There are two kinds of folks that sit around thinking about how to kill people – psychopaths and mystery writers”). This list changed several times even as I was writing this article, and the main excuse I gave myself for leaving Bones off was that I couldn’t find a good video for the credits!
#10 – Alphas
I love the music to this theme, and how well the lyrics fit the show. I also love the mysterious quality – it’s hard to catch everything the first few times you watch it, which works well for a show that has a lot under the surface.
#9 – The Cape
This theme sticks in my head long after I’ve watched the intro, and I love the way the comics dissolve into the show’s characters. Hate that this got cancelled.
#8 – Community
The folded paper design of this intro is just plain fun.
#7 – Chuck
The cartoon Buy More guy getting in and out of trouble is perfectly in keeping with the lighthearted tone of this show.
#6 – Warehouse 13
I love the mysterious quality of these credits, and the music fits perfectly! It’s cool seeing the artifacts “at work,” too.
#5 – Covert Affairs
Unfortunately, this clip cuts off the cool intro whistle (which plays before the credits actually start). I like the juxtaposition of the actors over the virtual background.
#4 – Veronica Mars
Yes, this is NOT the season 3 opening, which I disliked (it wouldn’t have been as bad if they’d simply changed the visuals, but they messed up the song, too). Bonus points for perfect lyrics (which were even quoted in an episode)!
#3 – Buffy the Vampire Slayer
Apologies for the quality of this clip. Love how this opening meshes scary and funny. I rock out to these credits whenever I’m watching Buffy by myself. 🙂
#2 – NCIS
A classic, solid, intro, with fun music and great transitions. I especially love McGee’s rocket pack impression.
#1 – Psych
No, I didn’t make this my top choice simply because it’s my theme this month and I’m giving away a season. I love how it matches the show, with zany moments and apt lyrics. I also love how they change it up to match special episodes – Spanish lyrics, a Christmas version, even a Bollywood rendition.
What openings would be in your top 10? Did I miss any good ones?
Fall TV is about to start for 2011! Here are some things I’m anticipating about the shows I plan to watch, in the order of their season premiere dates.
September 13
“Ringer”
I’m hoping this show will be as in-depth and multi-layered as Veronica Mars. I don’t think the show will make me laugh, but as skilled as many of the cast are with dramatic moments, it may make me cry. Previews gave away maybe a little too much of the pilot, but with 3 seasons planned of twists and turns, I expect to be surprised quite often. It has stiff competition in its Tuesday 9PM slot, but I foresee an early renewal.
September 14
“Free Agents”
Previews show this to lean toward the bawdy type of workplace comedy I usually avoid, but I love Anthony Stewart Head’s acting, so I’ll probably give this show at least two episodes to prove itself to me. And since The Office has flourished with its UK to US transfer, I’d say the odds for renewal are slightly greater than 50/50.
September 19
“How I Met Your Mother”
A great cast and hilarious hijinks make a few off episodes bearable, and I’m pretty content with not having met the mother yet, since that means the show can continue longer. The twist of another wedding should add interest for long-time viewers and keep them watching.
“2 Broke Girls”
As the only half hour show in its time slot, and paired with the popular “HIMYM,” this show should do well by default. I’m not expecting much from it, just a few laughs, but I would love to be pleasantly surprised.
“Castle”
I’m positive Beckett’s not dead, as the premise of this show would fall apart without her, but I hope the events of the final moments of last season will have far-reaching effects on this one. I am not looking forward to the new chief. The absence of station politics is one thing I enjoyed about the show, so rumors I’ve heard worry me. But it would take a lot more than that to make me stop watching this show. Hoping for some more Whedonverse guest stars and Firefly references this season.
September 20
“NCIS”
Can’t wait to hang out with the gang again. With the start of season nine, this show is the longest-running one I watch, and it’s stronger than ever. Starting out with emotional turmoil for DiNozzo sounds like a great way to begin the season.
“NCIS: Los Angeles”
Unlike its sister show, NCIS: LA is picking up right when the last season ended. The only thing I ask for season 3? Don’t get rid of Hetty. If I had one other wish, I’d love to see Nate back as a regular part of the team.
“The New Girl”
With two shows already competing for my Tuesday 9PM viewing, I wasn’t even going to look at this show, but with the other Deschanel sister not coming back until November, I probably will check out at least the pilot online. But with strong competition on every other broadcast channel, the ratings will probably be terrible enough to make a renewal unlikely. It’s one saving grace is that it’s the only comedy in its timeslot.
September 22
“The Big Bang Theory”
This show makes me laugh more than any other. And it’s one of those shows that while you know the two of the characters belong together, you don’t really care how many detours they take along the way, because it adds new dimensions to the show.
“Community”
I’m still mad at the networks for making this and the previous show compete. It’s a little sad to think that cast will be juniors this year, so the show is most likely halfway over. It was left up in the air whether Chevy Chase would return to the group, but if any of the main 7 characters had to go, I’d prefer him.
“The Office”
The show proved it could survive without Michael Scott at the end of last season, so I plan to keep watching. While not every episode tickles my funny bone, I love (some of) the characters enough to tuning into their workdays for as long as they’ll let me.
“Person of Interest”
An intriguing premise and Jim Caviezel are enough to put this show on my to-watch list for at least the first several episodes. With Bones starting late, this show has the potential to grab a few extra viewers. Most of my action shows tend to be summer ones, so I’m hoping this will be good. Need to know more before predicting renewal, though.
September 23
“Nikita”
The new season brings a twist to the dynamics of this show, with characters switching sides, but I’m confident Nikita will make it work. My one fear is Lyndsy Fonseca looking like a powder-puff villain next to Melinda Clarke. And the show has a month to establish some viewers before Chuck comes in to try and woo them away.
“Blue Bloods”
This show has a great cast and interesting episodes, but doesn’t have the compulsive watching quality many other crime dramas do. I hope the second season starts off with a bang and adds a layer of intrigue.
September 28
“Suburgatory”
Alan Tudyk is the only reason I’m checking this show out. The fact that it’s unlike most of the other shows I watch may help it stay on my list. But it’s kind of funny that the only Wednesday night shows I’m interested in air at the same time and pit Whedonverse actors against each other.
September 29
“How to Be a Gentleman”
I hated the first preview for this show, but the second was a little better, so I’ll still watch the pilot. I have my doubts about this one being a keeper, though.
October 2
“Homeland”
This will be the first Showtime TV show I’ve ever tried out. But with Damian Lewis (Life), Claire Danes, and Morena Baccarin (Firefly), how could I resist?
October 3
“House”
I’m curious who the show will bring in to replace Cuddy, and how House will get his job back. I almost feel like the show’s starting to wind down, which is a shame, but it’s had a good run. Of course, this next season could surprise me and pick up momentum again.
October 12
“Psych”
It’s been way too long of a hiatus for Shawn and Gus, so I’m really looking forward to the return of my favorite fake psychic, and the boatload of special episodes he brings with him.
October 21
“Chuck”
Back for a truncated 5th season, it’s nice that the show will have the chance to say goodbye. I’m looking forward to a hilarious season with Morgan’s new role.
“Grimm”
I love the idea of this show. But with cult favorites Supernatual and Fringe vying for the same slot with a month-long lead, the ratings will likely be terrible. (Whose bright idea was it to stack three speculative shows against each other?) The reviews for the pilot haven’t been great. No big-name actors or even geek favorites. And Friday nights are usually the death slot. The plus side is that it’s created by some guys responsible for much of Angel, and has a great lead-in show with Chuck. Since I didn’t catch up on Supernatural and Fringe this summer like I wanted to, I’ll definitely be watching this. I just hope the studio will focus on day+7 and online views when deciding how long to let it run.
October 23
“Once Upon a Time”
I’ve watched the preview for this show more than any other. I just hope it lives up to the beauty and intrigue that glimpse conveyed, and there are enough twists and turns to spawn multiple seasons.
November 3
“Bones”
Having caught up on this show, I’m excited to be finally watching it in “real” time, without spoilers to mess up my expectations. I’m hoping the baby mania won’t overtake the show, but I trust that it will be an awesome season.
November also brings the return of split season shows like Covert Affairs, Burn Notice, and Leverage.
I’ve wanted to post about this for a long time, but I wanted the story (and songs!) to be fresh in my mind before doing so. My friend Anna had never seen it, so showing her was the perfect opportunity to relive the wonderful musical that is Dr. Horrible’s Sing-Along Blog.
Behind the scenes TV Breakroom stuff, ignore this paragraph if you wish: When I create posts for this blog, one of the first things I do after typing in the post title is select categories for the post (so I don’t forget to later). Cross-genre titles like Dr. Horrible always bring a bit of a quandary. Should I stick this under speculative, with the whole superheroes and villains and freeze rays aspect, or should it go under comedy, as it’s clearly hilarious? Or should I create a new category for musicals? I nearly did that, until I considered that the only other show that was likely to go in that category was Glee. Then I got the brilliant idea to create a new category for web series – shows like The Guild which start out online-only until they get popular enough to get on DVD, but don’t ever make to TV. With more and more people watching their shows online, web series are only going to grow and get better. I may not put all made-for-the-internet shows in this category, as I believe many of them will be able to hold their own in more descriptive genre categories, but it will be more for those shows with episodes that are shorter than than typical TV episodes (like The Guild) or shows that are standalone episodes (like Dr. Horrible).
Spoilers below the video for those who haven’t seen it! And if you haven’t seen it, why not? It’s free online in a number of places, and it’s your chance to experience a bit of Emmy-winning internet history. If you’d like a taste of what the show is like, without spoilers, watch the clip from the Emmys below:
The show starts out with a sympathetic villain (the titular Dr. Horrible, played by Neil Patrick Harris) practicing his evil laugh and connecting with his fans via a video blog. He has two goals in life – to be accepted into the Evil League of Evil, and to romance the girl of his dreams, fellow “laundry person” Penny (played by Felicia Day). But hindering him at every turn is his arch-nemesis, Captain Hammer (played by Nathan Fillion).
Dr. Horrible thinks that his two goals complement each other – if he can succeed at being evil, he’ll win her over. He sings about ruling the world with her, and later that, “She may cry, but her tears will dry, when I hand her the keys to a shiny new Australia.” (Bonus points for working the word “shiny” into the episode.) But the song “On the Rise” clearly shows how opposite their worldviews are.
Yet you still think of it as a comedy, where the underdog will, despite himself, win the day and get the girl in the end. But it isn’t. And that’s why the ending is so shocking, yet so right. Only one of Dr. Horrible’s goals can work out. He can choose to redeem himself, and win Penny, or he can be evil enough to join the League, and lose her. He fails to see that Captain Hammer really isn’t his nemesis, but it’s himself. Penny would have realized Hammer’s shortcomings soon enough.
But Dr. Horrible takes the direct path to what he wants – he has to kill someone to get into the League, and he can’t date Penny because she’s dating Captain Hammer. Killing Hammer solves all his problems. Yet in a cruel twist, the person who dies isn’t the man that he hates. It’s the woman that he loves.
And as he stands in shock next to Penny’s broken body, he sings, “Here lies everything, the world I wanted at my feet.” The next lines show that he’s talking about finally making it into the League, but the double meaning in the lyrics is clear. And in that moment, when choice is ripped away, he realizes that he would have chosen her.
Now villainy is all he has left. He changes his white lab coat for one that’s blood-red, and hides his eyes from the world. Yet in his final video blog, he’s dressed as Billy. And completely numb.
Dr. Horrible’s Sing-Along Blog cemented my Joss Whedon fandom. Before watching it, I was a Firefly fan, afterwards, I was willing to try out whatever his creative genius came up with. The show also led me to discover Felicia Day’s The Guild, and Neil Patrick Harris’ How I Met Your Mother. Also of note, Dr. Horrible’s sidekick, Moist, is played by Simon Helburg, Howard on The Big Bang Theory.
I recently watched a new episode of Leverage (“The Grave Danger Job”), and it started out with the scene pictured above – Hardison waking up in a coffin. Then the opening credits rolled, and the next scene had the dreaded words at the bottom: Two Weeks Earlier.
A lot of shows use this technique at one time or another, giving audiences a glimpse of the climax to hook them into watching the episode. Even the entire premise of How I Met Your Mother is based on this – the beginning scenes in many episodes are set in 2030, and the narrator in every episode is 2030 Ted.
For some reason, most of the time TV shows are structured this way, it really annoys me. I’m the type of person who doesn’t look at the last few pages of a book ahead of time, tries to watch movie sequels in the correct order, and puts off reading book two in a series until I’ve read book one. I feel these flash forward clips steal the thunder from the climax, and my interest drops away, both when they let me know that the next scene is however many days in the past, and when they return to the climax moment in the regular narrative.
Yet I didn’t mind when they showed a clip of Hardison in the coffin on a preview for “The Grave Danger Job.” So it wasn’t the spoiler itself that bugged me. Maybe I was bothered because it felt like the show was cheating to drum up more suspense, when it actually cheapened what would have been a great dramatic moment.
The only time I remember actually enjoying a flash forward beginning was on an episode of NCIS: Los Angeles. It showed one of the main team members getting shot, and it was only later revealed after the event replayed during the climax that the whole thing had been a con. So they weren’t only conning the bad guys, they were conning the audience too. I thought it was brilliant.
A recent study showed that people enjoyed reading a short story more if they’d been given spoilers about the ending or the climatic twist. People who love reading the end of a book praised the findings, thinking they finally had justification for their method of reading.
I disagree. Sure, they got more pleasure out of reading the story, but that was because the tension was gone. The suspense had vanished. Suspense is what keeps readers’ attention through a whole novel. Suspense keeps people glued to their seats in a movie theater. Suspense keeps viewers tuning into most TV shows each week.
Knowing the end and/or the dramatic twists of a story (whether told through print or film) also ruins any element of surprise. You can only watch something for the first time once. Why would you ruin that first time experience with spoilers and knowing the end? I would love to somehow remove a few of my favorite TV shows from my mind to be able to again experience the wonder and awe and surprise of watching them for the first time.
Not that rewatching a show is bad, just a different experience. When you rewatch a show, you have the knowledge of how everything will work out in the back of your mind, which does remove some of the tension. But you’ll have forgotten little details that will surprise you along the way, and hints of future twists will pop out at you.
So I think that’s part of the reason I don’t generally like episodes that begin in the middle of the action, then back up to the beginning of the story. The writers are trying to mix second viewing elements into my first viewing, and I don’t want them messing up the only time I’ll watch the episode for the first time.
Do you like previews of what’s to come later in the story? Or do you prefer letting things unfold chronologically?
For a different twist, and since this is a weekend post, I thought I’d try something fun. BuddyTV just followed me on Twitter, so I stopped by their site and tried out a few of their TV show personality quizzes. I thought I’d share the results here.
No surprise here, though I think I might be more of a Ted if this was more of an internal personality test with less lifestyle questions.
Yay – I love Hardison!
I got Jane the first time, but I think Maura’s a better fit.
I do see quite a few similarities in our childhoods.
Don’t think this is really me, but I love the show!
Hmm, I usually get Zoe on these.
But – she’s not coming back next season!
Not who I was expecting to get.
I’m so glad they didn’t cancel this show!
Hmm – think the description should be a bit more gender-neutral.
I had a sneaking suspicion that I’d end up with this result.
Yeah, this was a pretty easy guess too – but an awesome result!
This was a no-brainer too.
I’m definitely more of a season 1-3 Willow.
Just the character I would have picked.
Aside from the “so over-the-top it’s corny” music at the beginning of this episode, “The Dark Age” is pretty much perfect. We know the scared guy walking in the night isn’t just an ordinary victim as soon as he asks for Giles (by the way, whatever was in his metal briefcase?). We know the creepy dead woman isn’t just another zombie as soon as she dissolves into a blue puddle.
And of course Giles’ past comes back to haunt him at the worst possible moment – just when things are going well with Jenny. Was this the start of Joss Whedon’s mean streak? I feel so sad for Giles at the end of this episode, but at least Buffy knows how to lessen his pain a little:
Buffy: And you know what? I have just the perfect music. Go on, say it. You know you want to.
Giles: It’s not music, it’s just meaningless sounds.
Buffy: There. Feel better?
Giles: Yes. Thanks.
I’m glad they finally did a Giles episode. Up until this point, he’s mostly been the smart one who gets made fun of:
Xander: Giles lived for school. He’s actually still bitter that there are only twelve grades.
Buffy: He probably sat in math class thinking, ‘There should be more math. This could be mathier.’
Willow: C’mon, you don’t think he ever got restless as a kid?
Buffy: Are you kidding? His diapers were tweed.
Of course, they only pick on him because they love him. Even Jenny gets in on it:
Jenny: Yeah, y’know how you have to dog-ear your favorite pages so you can go back to them?
Giles: Uh, uh, uh, what?
Jenny: Well, I mean, I practically had to fold back every single page. So finally I just started underlining all the pages I really wanted to discuss.
Giles: U-u-underlined…?
Jenny: But then, of course, I spilled coffee all over it, I can’t even read it…
Giles: It’s a first edition!
Jenny: I’m lying, Rupert. The book’s fine. I just love to see you squirm.
And Willow gets to go into teacher mode and yell at people again (is it any wonder Alyson Hannigan is a teacher on How I Met Your Mother?). This time it’s Xander and Cordelia, and for a moment, they look like they might kiss (though that’s not far away).
The pain that Giles feels because a demon has taken over the woman he loves seems to foreshadow the story of another Watcher, another innocent woman, and another demon, in another show. (Though that time Angel can’t save the day without terrible cost.) While this episode pales in comparison to “A Hole in the World,” you have to take into consideration that this is only the twentieth episode of Buffy, and Jenny survives. (“Passion” would be a better episode to compare “A Hole in the World” to.)
I think that Ethan Rayne makes almost as good of a villain as Spike (perhaps British accents are clouding my judgment? I’ve already determined that Mark Strong is far scarier with one). He’s a genius at out-of-the-box evil plans, like tattooing someone else to throw off a demon. And when a character introduced himself as Ethan Rayne on a recent episode of Burn Notice, I felt a tingle up my spine. Despite only having 4 episodes in Buffy, he makes it into the video game and the season 8 comics.
Does your favorite villain have an accent?
I watched the pilot of this show based on three things:
1. Its basic premise. Though many are claiming it’s a ripoff of Heroes or X-Men, I never got into either of those so it doesn’t matter to me. I did see similarities to Fantastic Four and the movie Push – but when you have people with superpowers teaming up, it’s hard to find new ground.
2. Camy Tang liked the pilot and recommended it on GetGlue.
3. The show stars Ryan Cartwright (who played Vincent Nigel-Murray on Bones. I miss his British accent, though!).
I enjoyed the pilot. While it didn’t scream at me to watch the next episode, it intrigued me enough that I probably will. The guy in charge of the team (Dr. Rosen) is played by David Strathaim, who reminds me a bit of Dustin Hoffman. Azita Ghanizada has appeared in quite a few of the shows I watch (NCIS: Los Angeles, Castle, Psych, How I Met Your Mother, Veronica Mars, and Bones) and Laura Mennell has an impressive list of speculative appearances. And while I didn’t recognize him, it was fun to find out that Malik Yoba played Yul Brenner on Cool Runnings (18 long years ago).
One of the things I really liked about the pilot was the side effects/drawbacks the powers had. The guy with super-strength can only use it for about 5 minutes. The girl with enhanced senses has to block out her other four while magnifying the one.
The visual effects throughout the episode were fun to watch most of the time. The characters were distinct, and had a good blend of camaraderie and conflict. While the dialogue didn’t strike me as exceptional or witty, it wasn’t bland and there were a few humorous moments that held promise for future episodes.
One of the reasons I’m not anxious for the next episode is that the pilot tells a complete story. In a way I’m glad, as it seems Hulu won’t be getting more episodes for a while and I’m not sure I’ll be trying to find it elsewhere in the meantime (so many shows, so little time). But part of me thinks they missed a great opportunity for a good hook. It fits if every episode is going to be pretty much self-contained, but I would much rather see an overarching story. The ending of Hicks (Warren Christie) joining the team had pretty much been established by promo pics. However, many of my favorite shows have self-contained pilots, so that won’t hold me back from continuing to watch the show.
I just hope they’ll have a bunch of fun guest stars to spice things up.
Added note: I wrote this post before this article was posted, which has details on geeky guest stars (including the awesome Summer Glau) AND discussion on episodes being self-contained. I feel a bit psychic.
