March Madness Comes to TV Breakroom

TV Breakroom is doing its own version of March Madness! And there’s a prize!

You will vote between two shows by leaving a comment with your choice on a bracket post (not on this post – though feel free to predict the winner here!). Every 6 days this month, I will close the comments, add up the totals, and set things up for the next stage of the bracket. I’ll link to all of the bracket posts here.

Every comment you leave throughout the month, whether to vote in the bracket or normal comments on other posts, will count as one entry toward a $15 Amazon gift card. Only one comment per post will count as an entry, and comments flagged as spam will be ignored. Contest begins on March 1, 2012 at 12:01 EST and ends March 31, 2012 at 11:59 EDT. Winner must provide email address and respond to winning notification within 3 days.

For a show to qualify, it had to air at least 5 new episodes between June 1, 2011 and February 29, 2012. It also has to be a US show (airing originally on a US broadcast or cable network, no matter where it was filmed), and I have to have seen at least 5 episodes of the show.

Here is the final match-up! The order in which shows would face each other was created by Random.org. Click the match-up to go to its bracket post and vote! Voting for this round ends around 1AM on March 31st, so get your votes in now!

 

Psych vs. Castle

Update – go here to see the winner!

 

Here are the 32 shows:

  1. Leverage
  2. Supernatural
  3. New Girl
  4. Rizzoli & Isles
  5. White Collar
  6. Chuck
  7. Grimm
  8. Psych
  9. Nikita
  10. Community
  11. The Big Bang Theory
  12. Ringer
  13. NCIS
  14. Being Human (SyFy)
  15. Eureka
  16. Once Upon a Time
  17. Suburgatory
  18. House
  19. The Office
  20. Burn Notice
  21. Bones
  22. NCIS: Los Angeles
  23. Warehouse 13
  24. Alphas
  25. Blue Bloods
  26. The Finder
  27. 2 Broke Girls
  28. How I Met Your Mother
  29. Suits
  30. Person of Interest
  31. Castle
  32. Covert Affairs
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Keck’s Exclusives: Heroes Star Breaks Up Office Romance – Today’s News: Our Take | TVGuide.com

Who knew that Jai from Covert Affairs would be the perfect match for The Office’s Kelly? Of course I know it’s just actor Sendhil Ramamurthy guesting on The Office, but it’s fun to imagine.

Keck’s Exclusives: Heroes Star Breaks Up Office Romance – Today’s News: Our Take | TVGuide.com.

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Top 10 Favorite TV Opening Credits

Nothing invokes the memory of a favorite TV show faster than its opening credits. That may be why I always feel a bit cheated when a show doesn’t have any, or when they’re terrible, or when they don’t match the show at all.

White Collar is a prime example of how attached fans get to show intros. When season three debuted with new opening titles, fans were very vocal about their dislike. Eventually the network hosted a poll, and the fans voted the old opening back in.

I didn’t include any classic shows in this list – in fact, only one show had episodes airing before the year 2000. There are no animated shows, and it’s also limited to shows I actually watch. I made my decisions based on the music, visual appeal, how well they meshed, and how well they matched the show. I included some unique ones as well.

I had a terrible time narrowing the list down to just ten, and that’s even with leaving out the shows that only have title and creator in their intros (like White Collar above and How I Met Your Mother) or have voiceover intros (Burn Notice’s “My name is Michael Westen, I used to be a spy” and Castle’s “There are two kinds of folks that sit around thinking about how to kill people – psychopaths and mystery writers”). This list changed several times even as I was writing this article, and the main excuse I gave myself for leaving Bones off was that I couldn’t find a good video for the credits!

#10 – Alphas

I love the music to this theme, and how well the lyrics fit the show. I also love the mysterious quality – it’s hard to catch everything the first few times you watch it, which works well for a show that has a lot under the surface.

 

#9 – The Cape

This theme sticks in my head long after I’ve watched the intro, and I love the way the comics dissolve into the show’s characters. Hate that this got cancelled.

 

#8 – Community

The folded paper design of this intro is just plain fun.

 

#7 – Chuck

The cartoon Buy More guy getting in and out of trouble is perfectly in keeping with the lighthearted tone of this show.

 

#6 – Warehouse 13

I love the mysterious quality of these credits, and the music fits perfectly! It’s cool seeing the artifacts “at work,” too.

 

#5 – Covert Affairs

Unfortunately, this clip cuts off the cool intro whistle (which plays before the credits actually start). I like the juxtaposition of the actors over the virtual background.

 

#4 – Veronica Mars

Yes, this is NOT the season 3 opening, which I disliked (it wouldn’t have been as bad if they’d simply changed the visuals, but they messed up the song, too). Bonus points for perfect lyrics (which were even quoted in an episode)!

 

#3 – Buffy the Vampire Slayer

Apologies for the quality of this clip. Love how this opening meshes scary and funny. I rock out to these credits whenever I’m watching Buffy by myself. 🙂

 

#2 – NCIS

A classic, solid, intro, with fun music and great transitions. I especially love McGee’s rocket pack impression.

 

#1 – Psych

No, I didn’t make this my top choice simply because it’s my theme this month and I’m giving away a season. I love how it matches the show, with zany moments and apt lyrics. I also love how they change it up to match special episodes – Spanish lyrics, a Christmas version, even a Bollywood rendition.

 

What openings would be in your top 10? Did I miss any good ones?

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Fall 2011 TV Shows Anticipations

Fall TV is about to start for 2011! Here are some things I’m anticipating about the shows I plan to watch, in the order of their season premiere dates.

September 13

“Ringer”

I’m hoping this show will be as in-depth and multi-layered as Veronica Mars. I don’t think  the show will make me laugh, but as skilled as many of the cast are with dramatic moments, it may make me cry. Previews gave away maybe a little too much of the pilot, but with 3 seasons planned of twists and turns, I expect to be surprised quite often. It has stiff competition in its Tuesday 9PM slot, but I foresee an early renewal.

September 14

“Free Agents”

Previews show this to lean toward the bawdy type of workplace comedy I usually avoid, but I love Anthony Stewart Head’s acting, so I’ll probably give this show at least two episodes to prove itself to me. And since The Office has flourished with its UK to US transfer, I’d say the odds for renewal are slightly greater than 50/50.

September 19

“How I Met Your Mother”

A great cast and hilarious hijinks make a few off episodes bearable, and I’m pretty content with not having met the mother yet, since that means the show can continue longer. The twist of another wedding should add interest for long-time viewers and keep them watching.

“2 Broke Girls”

As the only half hour show in its time slot, and paired with the popular “HIMYM,” this show should do well by default. I’m not expecting much from it, just a few laughs, but I would love to be pleasantly surprised.

“Castle”

I’m positive Beckett’s not dead, as the premise of this show would fall apart without her, but I hope the events of the final moments of last season will have far-reaching effects on this one. I am not looking forward to the new chief. The absence of station politics is one thing I enjoyed about the show, so rumors I’ve heard worry me. But it would take a lot more than that to make me stop watching this show. Hoping for some more Whedonverse guest stars and Firefly references this season.

September 20

“NCIS”

Can’t wait to hang out with the gang again. With the start of season nine, this show is the longest-running one I watch, and it’s stronger than ever. Starting out with emotional turmoil for DiNozzo sounds like a great way to begin the season.

“NCIS: Los Angeles”

Unlike its sister show, NCIS: LA is picking up right when the last season ended. The only thing I ask for season 3? Don’t get rid of Hetty. If I had one other wish, I’d love to see Nate back as a regular part of the team.

“The New Girl”

With two shows already competing for my Tuesday 9PM viewing, I wasn’t even going to look at this show, but with the other Deschanel sister not coming back until November, I probably will check out at least the pilot online. But with strong competition on every other broadcast channel, the ratings will probably be terrible enough to make a renewal unlikely. It’s one saving grace is that it’s the only comedy in its timeslot.

September 22

“The Big Bang Theory”

This show makes me laugh more than any other. And it’s one of those shows that while you know the two of the characters belong together, you don’t really care how many detours they take along the way, because it adds new dimensions to the show.

“Community”

I’m still mad at the networks for making this and the previous show compete. It’s a little sad to think that cast will be juniors this year, so the show is most likely halfway over. It was left up in the air whether Chevy Chase would return to the group, but if any of the main 7 characters had to go, I’d prefer him.

“The Office”

The show proved it could survive without Michael Scott at the end of last season, so I plan to keep watching. While not every episode tickles my funny bone, I love (some of) the characters enough to tuning into their workdays for as long as they’ll let me.

“Person of Interest”

An intriguing premise and Jim Caviezel are enough to put this show on my to-watch list for at least the first several episodes. With Bones starting late, this show has the potential to grab a few extra viewers. Most of my action shows tend to be summer ones, so I’m hoping this will be good. Need to know more before predicting renewal, though.

September 23

“Nikita”

The new season brings a twist to the dynamics of this show, with characters switching sides, but I’m confident Nikita will make it work. My one fear is Lyndsy Fonseca looking like a powder-puff villain next to Melinda Clarke. And the show has a month to establish some viewers before Chuck comes in to try and woo them away.

“Blue Bloods”

This show has a great cast and interesting episodes, but doesn’t have the compulsive watching quality many other crime dramas do. I hope the second season starts off with a bang and adds a layer of intrigue.

September 28

“Suburgatory”

Alan Tudyk is the only reason I’m checking this show out. The fact that it’s unlike most of the other shows I watch may help it stay on my list. But it’s kind of funny that the only Wednesday night shows I’m interested in air at the same time and pit Whedonverse actors against each other.

September 29

“How to Be a Gentleman”

I hated the first preview for this show, but the second was a little better, so I’ll still watch the pilot. I have my doubts about this one being a keeper, though.

October 2

“Homeland”

This will be the first Showtime TV show I’ve ever tried out. But with Damian Lewis (Life), Claire Danes, and Morena Baccarin (Firefly), how could I resist?

October 3

“House”

I’m curious who the show will bring in to replace Cuddy, and how House will get his job back. I almost feel like the show’s starting to wind down, which is a shame, but it’s had a good run. Of course, this next season could surprise me and pick up momentum again.

October 12

“Psych”

It’s been way too long of a hiatus for Shawn and Gus, so I’m really looking forward to the return of my favorite fake psychic, and the boatload of special episodes he brings with him.

October 21

“Chuck”

Back for a truncated 5th season, it’s nice that the show will have the chance to say goodbye. I’m looking forward to a hilarious season with Morgan’s new role.

“Grimm”

I love the idea of this show. But with cult favorites Supernatual and Fringe vying for the same slot with a month-long lead, the ratings will likely be terrible. (Whose bright idea was it to stack three speculative shows against each other?) The reviews for the pilot haven’t been great. No big-name actors or even geek favorites. And Friday nights are usually the death slot. The plus side is that it’s created by some guys responsible for much of Angel, and has a great lead-in show with Chuck. Since I didn’t catch up on Supernatural and Fringe this summer like I wanted to, I’ll definitely be watching this. I just hope the studio will focus on day+7 and online views when deciding how long to let it run.

October 23

“Once Upon a Time”

I’ve watched the preview for this show more than any other. I just hope it lives up to the beauty and intrigue that glimpse conveyed, and there are enough twists and turns to spawn multiple seasons.

November 3

“Bones”

Having caught up on this show, I’m excited to be finally watching it in “real” time, without spoilers to mess up my expectations. I’m hoping the baby mania won’t overtake the show, but I trust that it will be an awesome season.

 

November also brings the return of split season shows like Covert Affairs, Burn Notice, and Leverage.

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Buffy the Vampire Slayer – I Only Have Eyes for You

This is one of my very favorite episodes of Buffy – and it’s not just because it features Christopher Gorham (Auggie on Covert Affairs). There’s a symmetry to this episode, sort of a poetic rightness. But more on that in a bit.

The episode opens with a brief scene at the Bronze, where it’s clear Buffy’s still blaming herself for what happened to Angel, and now to Jenny. (Oz is absent again – somehow I’d remembered him playing a larger role in season 2 than he actually did.) The story then moves to a couple fighting, which Buffy interrupts by kicking a gun out of the guy’s hand. A few more strange things happen, including Xander’s locker sprouting an arm and trying to drag him in.

Giles:  Ooh! Sounds like paranormal phenomena.
Willow:  A ghost? Cool!
Xander:  Oh, no, no. No. No cool. This was no wimpy chain rattler. This was ‘I’m dead as hell, and I’m not gonna take it anymore.’
Giles:  Well, despite the Xander-speak, that’s a fairly accurate definition of a poltergeist.

Giles thinks it’s Jenny, but Buffy’s flashback dreams and other clues point to a 1955 murder-suicide. Willow, who has taken to teaching like a toddler to a mud puddle, does some research via Jenny’s files and sites on paganism. (But didn’t Angelus destroy Jenny’s computer? Perhaps they were on her home computer.) But with the sites and the exorcism spell and the healing rose quartz and the scapulas, this episode seems to mark Willow’s first step toward witchcraft.

Xander:  Something weird is going on. Isn’t that our school motto?

Angelus, Drusilla, and Spike move into an abandoned mansion on the edge of town. Things are getting worse between Angel and Spike. Angelus is starting to act almost as crazy as Drusilla (which is saying something), recklessly provoking Spike while Dru loves it that her two guys are fighting over her. But Spike is not the sort of vampire you want to provoke. The murderous intent in his eyes makes the perfect lead-in to the season finale.

I love the feel of the 1950s flashbacks. The music, clothing, and lighting bring the period to life even though the building remains the same. Some of the paranormal occurrences look a little fake, but I thought they did a great job with Cordelia’s perceived disfigurement. And I believe this is the first episode where the mayor is mentioned, and it shows that Principle Snyder is afraid of him (knowing his fate, he has good reason to be).

The gang figures out the ghost keeps reenacting what happened that night, with the same result. (On another tangent, why hasn’t this happened before during the 40-some years since the incident? Is this the first year since then that they’re doing another Sadie Hawkins dance, and that’s what triggered it?)

Buffy:  He wants forgiveness.
Giles:  Yes. I imagine he does. But when James possesses people, they act out exactly what happened that night. So he’s experiencing a form of purgatory instead. I mean, he’s doomed to kill his Ms. Newman over and over and over again, and…forgiveness is impossible.
Buffy:  Good. He doesn’t deserve it.
Giles:  To forgive is an act of compassion, Buffy. It’s, it’s not done because people deserve it. It’s done because they need it.
Buffy:  No. James destroyed the one person he loved the most in a moment of blind passion. And that’s not something you forgive. No matter why he did what he did. And no matter if he knows now that it was wrong and selfish and stupid, it is just something he’s gonna have to live with.
Xander:  He can’t live with it, Buff. He’s dead.

My absolute favorite part of this episode is the climax, where Buffy and Angel act out what happened that night. Only this time, James chooses Buffy to play his role, with all her guilt about destroying the person she loved. And as the scene plays out, they don’t seem to be simply reciting events from decades ago. They are having the conversation they would have if Angelus could be Angel again, just for a few minutes.

Buffy/James:  You can’t make me disappear just because you say it’s over.
Angel/Grace:  I just want you to be able to have some kind of normal life. We can never have that, don’t you see?
Buffy/James:  I don’t give a damn about a normal life! I’m going crazy not seeing you. I think about you every minute.
Angel/Grace:  I know. But it’s over. It has to be!
Buffy/James:  Come back here! We’re not finished! You don’t care anymore, is that it?
Angel/Grace:  It doesn’t matter, it doesn’t matter what I feel.
Buffy/James:  Then tell me you don’t love me! Say it!
Angel/Grace:  Is that what you need to hear? Will that help? I don’t. Now let me go.
Buffy/James:  No. A person doesn’t just wake up and stop loving somebody! (Raises a gun.) Love is forever. I’m not afraid to use it, I swear! If I can’t be with you…
Angel/Grace:  Oh, my God!
Buffy/James:  Don’t walk away from me, bitch! Stop it! Stop it! Don’t make me!
Angel/Grace: All right. Just… You know you don’t want to do this. Let’s both…just calm down. Now give me the gun.
Buffy/James:  Don’t. Don’t do that, damn it! Don’t talk to me like I’m some stupid…
(The gun goes off.)

The “just wake up and stop loving someone” part is so perfect for Angel and Buffy, and the normal life part screams the end of season three. Yet to continue the perfection of this scene – this time Grace doesn’t die. Because Angel is a vampire and can’t be killed by a bullet. So this time, when James goes to reenact his suicide, Grace is able to stop him.

Buffy/James:  Grace!
Angel/Grace:  Don’t do this.
Buffy/James:  But-but I killed you.
Angel/Grace:  It was an accident. It wasn’t your fault.
Buffy/James:  Oh, it *is* my fault. How could I…
Angel/Grace:  Shhh. I’m the one who should be sorry, James. You thought I stopped loving you. But I never did. I loved you with my last breath.

Ooo, that last line is so perfect. All I can see is Angel in the alley, screaming Buffy’s name as his soul leaves him. But my heart breaks for Buffy, in that one moment after the kiss, when Grace and James’ spirits have gone. Buffy whispers, “Angel?” and for that half second you can see the wild hope that rises in her. Maybe Angel is back. Maybe he really does forgive her for what she did. But then he shoves her away, and she shatters.

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White Collar – Listening to Fans

Season three of White Collar opened with two new aspects – a con driving a wedge of mistrust between Peter and Neal, and new opening credits.

The revelation in the first episode that Mozzie was the one who stole the treasure and faked its destruction makes Neal’s dilemma a bit more believable. He can’t simply “do the right thing” and turn everything over to the Feds – he’d be betraying Mozzie. Yet escaping with millions in art will mean cutting all his ties in New York – Peter, the FBI, Elizabeth, June, Sara.

Some close calls and quick decisions in the first few episodes tabled the issue for a while, and I’m glad that it won’t overtake the entire season. The past two episodes have been fun character portraits.

“Dentist of Detroit” dives into Mozzie’s past, including how he got started in the con business, how he got to be so well-read, and where his name comes from (you don’t think someone that paranoid would tell a fellow con artist his real name, let alone the Feds?). Interesting note – Mozzie’s mentor played Gus’s dad on an episode of Psych.

“Veiled Threat” has Peter going undercover to catch a black widow. We got to see a new side of his relationship with Elizabeth, and my heart broke for her when she had to walk away after Peter was nearly hit by a car. This episode had so many fun aspects as well: Neal doing the painting for Peter. Mozzie as Peter’s valet. Peter tangoing like a pro. Neal bring Diana an awesome meal as a thank you. And the end of the episode was so sweet!

Many fans were disappointed in the new opening credits, myself included. They just don’t fit the tone of the show, especially the new music. It’s hard to believe a network that has been spot on with such credit sequences as Psych and Covert Affairs could get this one so wrong (though I imagine that’s more of a decision for showrunners). But after catching wind of fans’ dislike of the new credits (creator Jeff Eastin tweeted: How are you feeling about the new #WhiteCollar opening? Be honest, I can take it…), USA Network is allowing viewers to vote on keeping the new opening sequence or reverting to the old one.

I think this is a huge step for a show and a network to take, moving toward and flowing with the inevitable changes media is taking. Someday soon I think we’ll see the option for fans to vote for which shows get canceled, what pilots get picked up, and which guest stars make an appearance. But in the meantime, cast your vote here (voting starts today!) and be a part of history. And let me know which side you’re on in the comments below.

What do you think will change in TV during the next few years? I’d love to hear your predictions and thoughts!

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Buffy the Vampire Slayer – Never Kill a Boy on the First Date and The Pack

“Never Kill a Boy on the First Date”

This episode focuses on Buffy’s struggle to balance her “normal” life and her slaying, particularly in relation to dating sensitive guy Owen. While it’s a decent episode, it’s not really remarkable. We get the first “killed by fire” vamp, and the Anointed One comes on the scene. His identity is an interesting final twist, but I’m sure many viewers agree with Spike’s nickname for him: the Annoying One. He gets far too much screen time for the tiny role he eventually plays in the story.

Buffy:  See, this is a school, and we have students, and they check out books, and then they learn things.
Giles:  I was beginning to suspect that was a myth.

Giles:  Alright, I’ll just jump in my time machine, go back to the twelfth century and ask the vampires to postpone their ancient prophecy for a few days while you take in dinner and a show.
Buffy:  Okay, at this point you’re abusing sarcasm.

“The Pack”

I enjoyed this episode just as much the second time. It’s one of the standout episodes of the first season, if only to see Xander acting against type (parts of it reminded me of the Angel episode, “Billy”). The four “cool” kids seemed out of place right from the start, and it’s interesting that this is the only episode they appear in (is it weird that their demeanor and the way that the two guys and two girls hung out together made me thing of the Cullens?). They did look a little familiar, so I looked up the actors. One plays Ben Mercer on Covert Affairs, and another is in episodes of four crime dramas I watch.

And of course since Principal Flutie has one moment of connection with Buffy, you know something’s going to happen to him. Somehow I don’t think “eaten by hyena-possessed teenagers” was the way he wanted to go.

Willow:  Why couldn’t Xander be possessed by a puppy or, or some ducks?

This is the first episode where Buffy admits she’s attracted to Angel – she seems to have quickly forgotten Owen. (I wonder if episodes 4 and 5 were supposed to be in reverse order?) Even Xander knows she likes Angel – it’s as if Owen is a distant memory. Willow reveals even more how deep of crush she has on Xander (and I could only think of Oz while she was watching over Xander locked in the book cage).

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Covert Affairs – Unrealistic But Fun

Few people would claim that the TV show Covert Affairs gives an accurate picture of CIA. Rookie operative Annie Walker sees far too much action for that to be possible. Yet, much like summer blockbusters tend to take viewers on adventures of suspended belief, Covert Affairs turns on the charm and offers a fun ride if you promise not to nitpick.

The fact that season two begins mere days after the season one finale does establish the events in a more reasonable time frame (spacing 11 action-packed episodes over a full year instead of a few months makes things more plausible). But enough of analyzing the realism. Is Covert Affairs worth watching? Yes!

This is a USA Network show, so as you’d expect, it’s the characters that make this show worth watching. Piper Perabo does a decent job as Annie, but it’s Christopher Gorham’s role as Auggie Anderson that really makes the show shine. Auggie used to be a field operative, but after an explosion left him blind he was moved to an analyst position (complete with a bunch of cool toys). He helps Annie through her first rough weeks at the Agency and becomes a close friend and confidant. It’s Auggie she turns to when she decides to ignore protocol to protect an asset or catch a bad guy, and he jumps at the opportunity to do a little field work.

Their boss and their boss’s boss are a married couple, which makes things interesting. Sometimes their disagreements and mistrust just seem to fill time on an episode, but Peter Gallagher and Kari Matchett are such excellent actors you don’t really mind.

Caution – spoilers for season 2, episode 1 beyond this point!

The promos for the season premiere did a good job of not letting you know the outcome of the season one cliffhanger. I was a little surprised they decided to keep Ben Mercer alive. I was kind of hoping he would be gone this season. Both Jai and Auggie make far superior romantic interests for Annie (though I foresee – and prefer – Auggie staying just a friend for the next season or two). I don’t understand why Ben wasn’t able to say goodbye to Annie – they were together for all those days, and it’s not like the CIA couldn’t orchestrate a simple secret meeting. But at least it seems like Ben won’t be getting much screen time for the next while.

One of my biggest disappointments about the premiere was how little we saw of Jai (Sendhil Ramamurthy). Though since he’s now in the credits (and Ben isn’t – yay!), I imagine that will change in future episodes.

The new credits are a nice mix of old and new. I love the theme song (though it seems spliced a bit awkwardly this time). I’m glad the rest of the main cast gets to show their faces. I hope Anne Dudek (who plays Annie’s sister Danielle) has more to do this season, and rumors about her growing suspicions indicate that will happen.

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Renewals, Cancellations, and Finales

Wow – tons of shows are getting renewed or cancelled this week, and many are airing season finales. I keep checking for news and getting a rush of joy or sadness, and sometimes both. This year I dived headfirst into many new shows, and quite a few of them got cancelled.

Before this year, only two shows I watched as they aired had been cancelled with only one season – Fox’s 2009 summer medical drama, Mental (I had only started watching it at the urging of my sister) and another summer show, NBC’s excellent modern retelling of the story of David, Kings. (I watched the best-known one-season show, Firefly, years after it was off the air.) I picked up 3 new shows in 2009-2010 regular season: Community, NCIS: Los Angeles, and V – all got a second season. Even the two new shows I started watching in summer 2010, Covert Affairs and Rizzoli & Isles, will be back this summer.

This year I watched 6 new shows: The Cape, Detroit 1-8-7, Blue Bloods, No Ordinary Family, Outsourced, and Nikita. As of this moment, four have been cancelled, and the other two haven’t been renewed yet.

A quick recap of the verdicts on this season’s shows, by network:

ABC

They kept Castle, one of my favorite shows, but cancelled the three other shows I watch on the channel – Detroit 1-8-7, No Ordinary Family, and V. Of the three, I was most surprised by V’s cancellation. The show was intriguing, with an excellent cast, and the short seasons helped keep the integrated storylines comprehensive. I started watching it for the sole reason that it starred Morena Baccarin, aka Inara from Firefly (Alan Tudyk, aka Wash, was also in a few episodes). With this season’s finale ending the life of one of the most annoying characters on the show, I had high hopes for season 3. Too bad.

CBS

They seem to be waiting to see what the other networks do, as they haven’t revealed many verdicts. But I’m confident they’ll bring back the two not-yet-renewed shows I watch on the channel: Blue Bloods and NCIS: Los Angeles. NCIS, How I Met Your Mother, and The Big Bang Theory have already been renewed.

Fox

I’m only current with one show on the channel, House, and its renewal is hardly a surprise (it will likely be the final season, however). I’m glad they renewed Bones (on season two now and loving it!) and Fringe (hoping to try it soon), though.

NBC

I was shocked to find out less than a day after watching the season finale of Outsourced that they’d cancelled the show. I was really looking forward to season two. The Cape was dead as soon as they shortened the episode count from 13 to 10, but I plan to get Bear McCreary’s soundtrack to the show. The other Firefly alumni show, Chuck, has been picked up for a 13-episode final season (I love Chuck, but as more and more of the show’s characters move toward domestic bliss, I can see why they’re deciding to end it.) And of course, Community and The Office got renewed. Community’s finale does raise the question of whether they’ll bring back one of the main characters for season 3. And does the show have a 4 season limit due to the college setting?

The CW

I only watch one show on the channel, Nikita, and there’s no word yet on whether it’s been picked up for season two. I really hope so. My lineup needs more shows that focus on the overarching story instead of individual episodes, and the last few episodes of Nikita really kicked things up a notch.

In conclusion: Networks really seem to be abandoning rookie shows this year. I hope that space goes to other high-quality scripted shows and not endless rehashed versions of reality and competition shows.

And my other wish for the 2011-2012 season – don’t air The Big Bang Theory and Community in the same time slot!

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