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Fathers and Daughters

In honor of dads everywhere, this Father’s Day I want to talk about my favorite TV father and daughter relationships, both “real” and father/daughter-like.

CASTLE – Richard and Alexis Castle

Castle’s relationship with his daughter is one of my favorite parts of this show. I love the twist of having the daughter be the responsible one, but it’s clear that Alexis loves her father’s playful antics. One of my favorite scenes of the two of them is their laser tag battle. Another is when Castle comes out dressed like Captain Mal from Firefly:

Alexis: What exactly are you supposed to be?
Castle: Space cowboy.
Alexis: Ok, A: there are no cows in space. B: didn’t you wear that like five years ago?
Castle: So?
Alexis: So, don’t you think you should move on?
Castle: I like it.

I also love the scene where Alexis confesses to jumping the turnstile. I hope Alexis chooses a local college because I would hate for that dynamic to be missing from the show.

VERONICA MARS – Keith and Veronica Mars

Not only do these two share sleuthing skills and a strong desire for justice, they know each other extremely well, and it’s evident from the first episode.

Keith: Don’t do anything on the Kane case, I’ll handle it.
Veronica: Okay.
(a few lines later)
Keith: And Veronica.
Veronica: Yes?
Keith: When you go after Jake Kane, you take backup.
Veronica: I always do.

Both father and daughter make huge sacrifices for each other throughout the show. And when one of the mysteries of the first season threaten the very core of their relationship, Veronica stubbornly chooses the man she calls Dad. Twice.

NCIS – Gibbs and Ziva

Gibbs also has a father-like relationship with Abby, but with Ziva you get to see how they go from enemies to reluctant allies to trusting each other completely.

Gibbs: You lied to me.
Ziva: No. When I told you Ari was innocent. I believed it. But yes. I would have lied to you. He was – my brother. And you were nothing. But I was wrong about Ari, and you. When I pulled the trigger to save your life, I was not following orders. I mean how could you even think – he was my brother. And now he is gone. Eli is all but dead to me. And the closest thing I have . . . to a father is accusing me . . .

I love that scene from “Reunion.” And Ziva is the one who manages to break through Gibbs’ amnesia. Ziva is the one Gibbs returns from retirement to help.

BUFFY THE VAMPIRE SLAYER – Giles and Buffy

These two have so many great moments together, after getting off to a rocky start as his crusty British ways tend not to mesh with her irreverent attitude. One the key episodes in their father/daughter relationship is “Helpless,” where Buffy asks Giles to take her to the ice show in her father’s place. Unfortunately, Giles has to betray her trust for a Slayer coming-of-age test, and when he can’t bear to lie to her anymore, his “father’s love” for Buffy causes him to lose his job as her Watcher.

And then there’s this touching moment in the midst of Buffy being under a love spell in “Something Blue”:

Buffy: I’m not crazy, and I know that you probably don’t approve, and my father’s not that far away, I mean, he could– but this day is about family – my real family – and I would like you to be the one to give me away.
Giles: (Touched) Oh, Buffy! That’s.. that’s so.. (Comes to his senses) Oh! For God’s sake! This is nonsense. Something is making you act this way. Don’t you realize what you’re doing?

I love Giles’ quiet smile of relief when Buffy returns from Los Angeles in season three. And their reunion hug in season six. And when Buffy asks him to be her Watcher again in season four.

HAPPY FATHER”S DAY!

What is your favorite father/daughter pair on TV?

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What I Will Watch in Fall 2011

Now that CBS has finally posted its fall 2011 schedule, I have a good idea what I’ll be watching come September. Most of the time, of course, I will watch shows online the day after they air, but if I get a chance to watch them live, this will be my schedule.

Sunday

8PM – Once Upon a Time – ABC

This fairy tale meets modern life sounds like it has promise, and I love the promos.

Monday

8PM – How I Met Your Mother – CBS

8:30PM – Two Broke Girls – CBS

9PM – House – Fox

10PM – Castle – ABC

Chuck’s move to Fridays and House’s move to 9 finally makes my Mondays conflict-free (though I imagine Chuck’s ratings would have greatly improved with House’s move – seriously, is it any wonder the show wasn’t doing well against BOTH House and HIMYM?). Two Broke Girls sounds interesting, and will nicely fit in my half-hour gap.

Tuesday

8PM – NCIS – CBS

9PM – NCIS: Los Angeles – CBS

9PM – Ringer – The CW

CBS was smart not to mess with its Tuesday domination. Both shows had awesome finales Tuesday night, and NCIS: LA was finally renewed yesterday. I was a bit worried that they were going to off Jimmy Palmer in the NCIS finale, but Los Angeles ended with the more dramatic cliffhanger, making me anxious for season 3. I will have a hard time deciding what to watch at 9, but the CW’s terrible online viewing experience may tip the scale toward Sarah Michelle Gellar’s Ringer.

Wednesday

8:30PM – Suburgatory – ABC

8:30PM – Free Agents – NBC

I will be checking out these two shows solely for their Whedonverse alums: Suburgatory features Alan Tudyk (Firefly and Dollhouse), while Free Agents stars Anthony Stewart Head (Buffy the Vampire Slayer and Merlin).

Thursday

8PM – The Big Bang Theory – CBS

8PM – Community – NBC

8:30PM – How to Be a Gentleman – CBS

9PM – The Office – NBC

9PM – Bones – Fox

9PM – Person of Interest – CBS

Thursdays are still full of conflict. As usual, I probably will watch The Big Bang Theory live and Community on Hulu when both are airing new episodes. How to Be a Gentleman sounds promising, and I probably would have checked the show out anyway even if it didn’t perfectly fill a half-hour gap (the promo, however leaves a bit to be desired). Watching Bones will depend on if I catch up on back seasons of the show over the summer. The Office’s penultimate episode of season 7 proved that the show can still be hilarious without Michael Scott, so I plan to keep watching. Jim Caviezel (The Count of Monte Cristo, The Passion of the Christ) stars in Person of Interest, and the sneak peek was excellent.

Friday

8PM – Nikita – The CW

8PM – Chuck – NBC

9PM – Grimm – NBC

10PM – Blue Bloods – CBS

It seems a bit odd, having such a solid line-up of shows for a Friday night. Blue Bloods has proved it can hold its own on the evening, but its family vibe makes it a more likely choice for those who stay in Friday nights. I suspect the young-adult-aimed Chuck won’t do as well, but since it’s the final season of the show the numbers aren’t as important. And it’s pitted against fellow action show Nikita, which also doesn’t seem like a good Friday night fit. Grimm has a tough shot against both a cop show and TWO speculative fan favorites, Fringe and Supernatural (which even I may be watching instead if I have time to check them out this summer).

USA’s Psych typically counts as a summer show, it doesn’t sound like it will be starting until August or September this year (since it’s cable, I won’t be watching it live, though). There are a few other shows on the major networks and some mid-season pickups I also plan to check out if I have time.

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Renewals, Cancellations, and Finales

Wow – tons of shows are getting renewed or cancelled this week, and many are airing season finales. I keep checking for news and getting a rush of joy or sadness, and sometimes both. This year I dived headfirst into many new shows, and quite a few of them got cancelled.

Before this year, only two shows I watched as they aired had been cancelled with only one season – Fox’s 2009 summer medical drama, Mental (I had only started watching it at the urging of my sister) and another summer show, NBC’s excellent modern retelling of the story of David, Kings. (I watched the best-known one-season show, Firefly, years after it was off the air.) I picked up 3 new shows in 2009-2010 regular season: Community, NCIS: Los Angeles, and V – all got a second season. Even the two new shows I started watching in summer 2010, Covert Affairs and Rizzoli & Isles, will be back this summer.

This year I watched 6 new shows: The Cape, Detroit 1-8-7, Blue Bloods, No Ordinary Family, Outsourced, and Nikita. As of this moment, four have been cancelled, and the other two haven’t been renewed yet.

A quick recap of the verdicts on this season’s shows, by network:

ABC

They kept Castle, one of my favorite shows, but cancelled the three other shows I watch on the channel – Detroit 1-8-7, No Ordinary Family, and V. Of the three, I was most surprised by V’s cancellation. The show was intriguing, with an excellent cast, and the short seasons helped keep the integrated storylines comprehensive. I started watching it for the sole reason that it starred Morena Baccarin, aka Inara from Firefly (Alan Tudyk, aka Wash, was also in a few episodes). With this season’s finale ending the life of one of the most annoying characters on the show, I had high hopes for season 3. Too bad.

CBS

They seem to be waiting to see what the other networks do, as they haven’t revealed many verdicts. But I’m confident they’ll bring back the two not-yet-renewed shows I watch on the channel: Blue Bloods and NCIS: Los Angeles. NCIS, How I Met Your Mother, and The Big Bang Theory have already been renewed.

Fox

I’m only current with one show on the channel, House, and its renewal is hardly a surprise (it will likely be the final season, however). I’m glad they renewed Bones (on season two now and loving it!) and Fringe (hoping to try it soon), though.

NBC

I was shocked to find out less than a day after watching the season finale of Outsourced that they’d cancelled the show. I was really looking forward to season two. The Cape was dead as soon as they shortened the episode count from 13 to 10, but I plan to get Bear McCreary’s soundtrack to the show. The other Firefly alumni show, Chuck, has been picked up for a 13-episode final season (I love Chuck, but as more and more of the show’s characters move toward domestic bliss, I can see why they’re deciding to end it.) And of course, Community and The Office got renewed. Community’s finale does raise the question of whether they’ll bring back one of the main characters for season 3. And does the show have a 4 season limit due to the college setting?

The CW

I only watch one show on the channel, Nikita, and there’s no word yet on whether it’s been picked up for season two. I really hope so. My lineup needs more shows that focus on the overarching story instead of individual episodes, and the last few episodes of Nikita really kicked things up a notch.

In conclusion: Networks really seem to be abandoning rookie shows this year. I hope that space goes to other high-quality scripted shows and not endless rehashed versions of reality and competition shows.

And my other wish for the 2011-2012 season – don’t air The Big Bang Theory and Community in the same time slot!

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NCIS – Baltimore

I had no idea what NCIS was when I first did a search for it in January 2009. A friend had it on a short list of favorite shows on Facebook, and I’d never heard of it before (things like that happen when you don’t get any TV channels at your house). Though I prefer to watch shows from the beginning, I didn’t have Netflix then, and Hulu’s options at that point were pretty limited (I tried watching one of the few first seasons they had – My Name is Earl – and could barely make it through each episode). So I watched one of the newly aired episodes of NCIS, “Roadkill,” and fell in love with the show.

Yes, the crimes were interesting to solve, but what I loved most about the show was the team. Charming DiNozzo with his annoying pranks and hidden depth. Probie McGee with his mad computer skills and tenacity. Mysterious Ziva with her killer reflexes and unfamiliarity with American idioms. Wise Ducky with his keen insights and longwinded stories. Energetic Abby with her Goth looks and thirst for Caf-Pow. And the glue who held everyone together – Leroy Jethro Gibbs.

I went looking for more episodes of NCIS. Never have I watched a show more out of order than this one. CBS had all of the currently airing season 6 up on their website, so I continued watching new episodes as well as watching the start of season 6. Youtube had dozens of episodes uploaded, so I found clumps of consecutive episodes and began watching season 4. And season 1. I eventually bought seasons 1-5 and filled in the final missing pieces, finishing every episode by watching the end of season 3 in mid-September 2009, less than one week before season 7 began.

The latest episode of season 8, “Baltimore,” dives into the past for the previously untold story of how Gibbs and DiNozzo met, and how Tony went from being a Baltimore homicide detective to being an NCIS agent. The flashbacks add relevance to the current investigation into the murder of DiNozzo’s old partner.

While the episode had many treasures, from the origins of Tony’s Mighty Mouse stapler to Gibbs giving him his first head slap, and while it also brought to light not just one, but two “new” Gibbs’ rules, one thing didn’t ring quite true. I couldn’t quite see what it was about DiNozzo that caused Gibbs to invite him to NCIS. With Kate, McGee, and Ziva, it was much more clear why Gibbs wanted them on his team. They were gifted. Outstanding. Motivated.

Anthony DiNozzo, however, seems to play the role of everyman and jokester in the show (not unlike the role Xander plays on Buffy the Vampire Slayer, come to think of it). He’s not the “best” at anything – unless you count movie references – and seems to spend a good portion of his time goofing off. Yet he’s unflinchingly loyal, and his unorthodox methods often give results when others fail. As Tony himself puts it in “Truth or Consequences” (season 7, episode 1), “I’m the wildcard. I’m the guy who looks at the reality in front of him and refuses to accept it.”

Yet these things that make DiNozzo such a great member of the team aren’t very evident in the flashbacks of “Baltimore.” You see his unique interrogation style (and it doesn’t show if Gibbs even sees that) and his ability to read people. That void in the story, plus my added anticipation for this episode, meant that it didn’t wow me. It was good, but not one of NCIS’s best episodes (the aforementioned “Truth or Consequences” is one of the best episodes, and a great introduction if you’re new to the show).

On another note, the latest NCIS: Los Angeles episode, “Plan B,” did impress me (to be fair, my expectations for NCIS are much higher than they are for NCIS: LA). Deeks is really starting to overtake Callen as the star of the show. And I sincerely hope the rumors about Hetty not returning for season 3 are false. Hetty is to NCIS: LA what Abby is to NCIS – the heart of the show.

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Bones vs. Smallville – Initial Thoughts

I know two episodes isn’t always enough to find out whether you’ll like a show, but since pilots often differ from typical episodes, I think most shows should be given at least two chances to hook a viewer’s interest (of course, some shows are so terrible they don’t deserve even one full episode, but I’m more talking about a “meh” reaction to a pilot). I know I wish I’d given Buffy more episodes to grow on me, though the fact that I sought out other Joss Whedon shows right afterward hints that it simply was vampires creeping me out.

With my supernaturally-inclined shows all over for good or for the season (The Cape, Merlin, V, No Ordinary Family, and Being Human), and having finished my Buffy/Angel marathon, it seemed like a good time to try out Smallville. So I watched the first two episodes. And yawned.

To be fair, it probably wasn’t a good idea to watch Smallville so soon after falling in love with the Buffyverse. Smallville had big shoes to fill, and true to its name, it didn’t measure up. It didn’t have humor. Or suspense. The dialog was stilted and predictable. Good characters had no flaws and bad ones, no virtues. The country setting didn’t appeal to me either.

Since I’d watched one Superman movie, I was able to pick up on the hints of mythic origin, and thought they were rather well done – until they decided to paint them bolder as if screaming “Get it?” at me. And since I didn’t really care about the elements that would make up Superman’s future (unlike the elements in the Star Wars prequels that made me enjoy them – R2D2, C-3PO, Palpatine’s rise to power, meeting Lars and Beru), I lacked a sense of wonder at their arrival.

I liked the music. Lex and Chloe seemed like they could become interesting characters. But that was it. I may try to make it to a third episode, if only for the fact that James Marsters (aka Spike) will eventually show up on the show. But considering that won’t happen until season 5, and he’s only in there for 14 episodes, I doubt it. Maybe if I’m really, really bored.

To make up for the disappointment of Smallville, I decided to try watching Bones instead. Yes, I already was watching eight other crime dramas, but only one of them focused on the FBI. I’d heard Bones was good several times. It starred David Boreanaz (aka Angel). And Netflix had every past season on watch instantly.

A few minutes into the pilot, I knew I had found a gem. The chemistry and arguments between Brennan and Booth reminded me of Castle and Beckett. The humor and camaraderie of Brennan’s team made me think of NCIS. (And Castle and NCIS just happen to be my two favorite crime dramas.) I watched the second episode just to make sure this show wasn’t too good to be true.

Already, with her brilliance, beauty, and social awkwardness, Dr. Temperance Brennan seems to have so many layers waiting to be uncovered. I love her “I don’t know what that means” line. And she’s a writer!

Seeing David Boreanaz in a different role is nice (since as Angel he tended to live in a perpetual state of angst, with brief periods of dorkiness and pure evil). Many shows tend to paint FBI agents as “by the book,” so it’s refreshing to have the cop being the one who goes by gut instinct.

Four episodes. Two shows. One clear winner.

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NCIS: Los Angeles – Kensi and Deeks

Since I’m a huge fan of NCIS, it was only natural that I’d try out its spin-off show, NCIS: Los Angeles. The two-part “Legend” intro on NCIS held a lot of promise, but an additional nudge toward the show was that it starred Chris O’Donnell. I’d really enjoyed his acting in movies like The Three Musketeers and The Bachelor.

The show got off to a bit of a rough start. Oh, sure, the acting was decent, the plots had plenty of twists, and there were lots of “cool” extras like high-end equipment, action scenes, and undercover gigs. But the chemistry between team members felt awkward and forced, and backstory details seemed invented specifically for each episode instead of building on each other to create full characters.

Now that the show is wrapping up its second season, both individual characters and the team as a whole seem more unified and realistic. And through some casting changes there have been some pleasant surprises, one of whom is the character of Marty Deeks.

Deeks, played by Eric Christian Olsen (who I recognized instantly as Vaughn from Community), entered the show late in season one and eventually became Kensi Blye’s partner. Pairing the two of them up was brilliant. The contrast of strong, confident woman who gets the job done and doesn’t put up with shenanigans with the playful, annoying, yet always has her back guy reminds me of other crime show partners, most notably Tony and Kate from the early days of NCIS, and Castle and Beckett from Castle.

A few recent episodes underscore how the two of them are growing together as a team. “Personal” showed it in an overt way, with life-threatening obstacles. “The Job,” while containing danger as well, focused more on the underlying emotional stress of the work done, and how partners can and should support each through that.

Oh, and I can’t post about NCIS: LA without mentioning Hetty. She is the heart of the show, and I hope rumors about her being replaced aren’t true. I loved the episode in season one (“Brimstone”) where she quotes The Three Musketeers as the credits begin to roll: “Go home, find a wench, raise fat babies, live a good long life.”

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Blue Bloods – Family Crimefighting

Blue Bloods, CBS’s new crime drama, is one of the few shows I picked up this fall season. Too be honest, I wasn’t sure that I needed one more crime drama on my plate, but I’d enjoyed Donnie Wahlberg in Rizzoli & Isles over the summer, so I decided to watch a few episodes before I made up my mind.

The show surprised me. The great acting and sleek presentation reminded me of ABC’s Castle (which is currently tied with NCIS for my top crime drama, and is also set in New York City). But instead of Castle’s humor and writing references, Blue Bloods chooses one distinctive quality to make it stand out from the crowd – family.

It’s a quality that works extremely well, making the character-driven aspects of the show strong. It has also made the show thrive in the usually dead zone of Friday nights. While Blue Bloods has many elements that appeal to TV’s prime viewing target range (18-34-year-olds), the family dynamic lets the show reach the heart of the people who are more likely to be home on a Friday night – namely, families.

Tonight’s episode had a special treat – guest star Gloria Votsis, who plays Alex in the show White Collar.

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