Here’s an interview with the new showrunner for Alphas, Bruce Miller (Eureka). What does season 2 hold for the team? For one thing, a new member, Detroit 1-8-7’s Erin Way. Plus the fallout of the world finding out Alphas exist. And a Civil War episode? Find out more at the link below!
‘Alphas’ scoop: What’s new in season 2 | Inside TV | EW.com.
Also, here’s a quick look at season 2:
Season two of Alphas is about to start filming! Joining the team this year is Detroit 1-8-7’s Erin Way, who plays an Alpha named Kat. Kat is able to pick up any skill for a brief period of time, but the downside of her ability is that the skill, and her memories, fade quickly.
The show will begin airing its 13-episode second season this July.
Production Powers Up On Season 2 Of Syfy’s Alphas – Ratings | TVbytheNumbers.
2011 has been a year of big changes for this blog. At the start of this year, I only had 3 posts and hadn’t even begun sharing the link. Now, I’m working on post 124 and get thousands of views every month.
As you can see, I’m also ending the year with a big change – a new layout. As much as I loved the look of the old layout, it was confusing for some and also probably hurting my chances of being found by search engines (with no text other than categories on the home page). I do plan to keep the same “wall of TV pics” look as my Twitter background, though. I’m still working through some of the kinks (like having to set images as featured images and adding read more links in ALL my old posts), so please let me know if you come across something that’s not working! Continue reading Farewell to 2011
My favorite new show from the 2010-2011 season has returned! Yes, Nikita beat out the renewed Blue Bloods and the North American version of Being Human, plus the cancelled Detroit 1-8-7, No Ordinary Family, Outsourced, and The Cape as my most exciting discovery of the regular season. The CW kept me on pins and needles, finally renewing Nikita in mid-May, well after I’d learned the fate of the other shows I watched.
Spoilers ahead!
Last season ended with a huge blow-out episode. Percy (Xander Berkeley) found out Michael was working with Nikita (Maggie Q). Alex (Lyndsy Fonseca) was reeling after finding out Nikita killed her parents. Amanda took over Division from Percy with the help of Oversight. Birkhoff helped Michael escape with a decrypted black box.
As this season opens, Nikita and Michael are on the run and trying to set right the wrongs listed on the black box – without “starting World War III.” They’re unaware that Amanda is now in charge of Division, Percy is locked up, and Alex is working with Amanda as an independent contractor. But they know they have to now bring down Oversight (a group of six highly-connected individuals who are responsible for Division) as well as Division.
Oversight sends in a liaison to keep tabs on Division, Sean, played by Dillon Casey (I’m only familiar with the actor from his appearance on the Warehouse 13 pilot). He butts heads with Alex immediately, but you can tell that the sparks between them aren’t just angry ones. With Thom and Jaden dead, Nathan out of the picture, and recruitment on hold, the show really needed someone else for Alex to interact with her own age, and Sean fits that slot. Whether he’ll end up being a good guy or a bad guy remains to be seen.
At the beginning of the episode, Alex doesn’t really seem out to get Nikita. At least intellectually, she understands that Nikita was only following orders, and the real villain is the man who ordered her parents’ deaths. But to get to him, she has to help out Division, so she’s out to retrieve the black box.
Nikita and Michael both get a chance to show off their fighting skills in this episode – Nikita with taking out Russians who laundered money for Division (her tease about breaking up with her boyfriend was so mean – but it made it all that much cooler when Shane West came barging in on his motorcycle), and Michael with helping a prisoner unwillingly escape from jail.
The prisoner had been investigating a Division money heist, so Percy had him framed and then threatened his son if he ever spoke up. Nikita and Michael are about to go get the son when Alex calls Nikita, claiming to be in trouble and back on drugs. But Alex’s ploy to get Nikita out of the way fails when a Division team zooms in. Badly outgunned, all looks lost for Michael and Nikita when fighter drones fly in, take out the Division team, and knock out the two and the prisoner. They wake up in a lavish house to discover the brains behind their rescue – Birkhoff!
I absolutely love that they brought Birkhoff back for season two. And apparently, this season is going to have more humor than the previous one (that and some awesome guest stars were really the only things that were lacking in season one), and Birkhoff (Aaron Stanford) will be a huge part of that. It was hilarious when, after instructing Michael to tell Division they’re not working together (and thus get Division off his back), he steps in front of Michael during a video chat with Division to taunt their techs. Afterwards, Michael deadpans, “By the way, Birkhoff is not working with us.”
I mentioned in my first post about this show, that despite many similarities to Dollhouse, the only significant (meaning more than Shane West’s few lines in one Buffy episode) Whedonverse connection was Melinda Clarke (Amanda), but I’ve found another since then. Marc David Alpert worked on many episodes of Buffy the Vampire Slayer, even getting his name in several cemetery scenes, and he also produces Nikita.
The climax of the episode is the big fight scene between Nikita and Alex. Nikita tried to talk Alex out of fighting her several times, even dropping her weapon while Alex still has her gun pointed at her, but Alex stubbornly keeps attacking. In the end, Nikita breaks her arm and shoots her in the leg, saying. “I’m doing this because I care” and “Get out while you’re still alive.”
I’d be more worried about this making them mortal enemies forever if Nikita hadn’t shot Michael in the shoulder last season – look where he is now. But its certain to fuel Alex’s anger in the short-term, at least. Looking forward to the next episode!
Wow – tons of shows are getting renewed or cancelled this week, and many are airing season finales. I keep checking for news and getting a rush of joy or sadness, and sometimes both. This year I dived headfirst into many new shows, and quite a few of them got cancelled.
Before this year, only two shows I watched as they aired had been cancelled with only one season – Fox’s 2009 summer medical drama, Mental (I had only started watching it at the urging of my sister) and another summer show, NBC’s excellent modern retelling of the story of David, Kings. (I watched the best-known one-season show, Firefly, years after it was off the air.) I picked up 3 new shows in 2009-2010 regular season: Community, NCIS: Los Angeles, and V – all got a second season. Even the two new shows I started watching in summer 2010, Covert Affairs and Rizzoli & Isles, will be back this summer.
This year I watched 6 new shows: The Cape, Detroit 1-8-7, Blue Bloods, No Ordinary Family, Outsourced, and Nikita. As of this moment, four have been cancelled, and the other two haven’t been renewed yet.
A quick recap of the verdicts on this season’s shows, by network:
ABC
They kept Castle, one of my favorite shows, but cancelled the three other shows I watch on the channel – Detroit 1-8-7, No Ordinary Family, and V. Of the three, I was most surprised by V’s cancellation. The show was intriguing, with an excellent cast, and the short seasons helped keep the integrated storylines comprehensive. I started watching it for the sole reason that it starred Morena Baccarin, aka Inara from Firefly (Alan Tudyk, aka Wash, was also in a few episodes). With this season’s finale ending the life of one of the most annoying characters on the show, I had high hopes for season 3. Too bad.
CBS
They seem to be waiting to see what the other networks do, as they haven’t revealed many verdicts. But I’m confident they’ll bring back the two not-yet-renewed shows I watch on the channel: Blue Bloods and NCIS: Los Angeles. NCIS, How I Met Your Mother, and The Big Bang Theory have already been renewed.
Fox
I’m only current with one show on the channel, House, and its renewal is hardly a surprise (it will likely be the final season, however). I’m glad they renewed Bones (on season two now and loving it!) and Fringe (hoping to try it soon), though.
NBC
I was shocked to find out less than a day after watching the season finale of Outsourced that they’d cancelled the show. I was really looking forward to season two. The Cape was dead as soon as they shortened the episode count from 13 to 10, but I plan to get Bear McCreary’s soundtrack to the show. The other Firefly alumni show, Chuck, has been picked up for a 13-episode final season (I love Chuck, but as more and more of the show’s characters move toward domestic bliss, I can see why they’re deciding to end it.) And of course, Community and The Office got renewed. Community’s finale does raise the question of whether they’ll bring back one of the main characters for season 3. And does the show have a 4 season limit due to the college setting?
The CW
I only watch one show on the channel, Nikita, and there’s no word yet on whether it’s been picked up for season two. I really hope so. My lineup needs more shows that focus on the overarching story instead of individual episodes, and the last few episodes of Nikita really kicked things up a notch.
In conclusion: Networks really seem to be abandoning rookie shows this year. I hope that space goes to other high-quality scripted shows and not endless rehashed versions of reality and competition shows.
And my other wish for the 2011-2012 season – don’t air The Big Bang Theory and Community in the same time slot!
I remember being distinctively unimpressed with the promos for Detroit 1-8-7, especially the pictures of cast members with brief quotes from the pilot. There weren’t any well-liked actors to pull me toward watching the show (I figured out several episodes in that Lt. Mason had been in a few episodes of Dollhouse, but that was it). Location was one of the few unique pulls the show had, since most crime dramas tend to be set in NYC, DC, or LA.
For some reason, I decided to give the show a shot and watched the pilot. It didn’t wow me, but I enjoyed the realistic slant and some of the characters. It became a back-burner show, one to watch when I had time.
Detective Fitch and his distinctive personality was one of the things that kept me watching. I enjoyed the slow unraveling of the mystery behind his departure from New York and the hints of romance.
But the main aspect of the show that I loved was how the Motor City permeated every episode. There was a weighty sense of place and history throughout. As the season finished, I felt like I’d gotten to know and respect Detroit, yet at the same time there seemed to be so much left to learn. This is most clearly felt in the tenth episode, “Shelter,” which delves into Detroit’s past.
It’s uncertain whether Detroit 1-8-7 will be picked up for a second season, but the first season wraps up most loose threads for a satisfying conclusion, whether it returns or not.
I can say with honesty that I began watching No Ordinary Family last fall because I was bored. I was caught up on the regular shows I watched, summer shows had ended, and I was looking for something different than crime drama (the two other new shows I picked up that season were both crime dramas – Blue Bloods and Detroit 1-8-7).
I’m only a casual fan of superhero stories. I’d enjoyed movies like Spider-Man (1 & 2) and Hancock, but I hadn’t been overwhelmingly pulled into the mythos of any of them (I haven’t even made it past the pilot of Heroes). No Ordinary Family seemed like a pleasant enough mix of The Incredibles and the Fantastic Four (and even starred Michael Chiklis from the latter). I figured I would give it a try.
The show was decent, but didn’t grab my attention. I left it in the “wait and see” category, as something to watch when I didn’t feel like watching anything else. It had plot holes and cheesiness, but good acting and visual effects. Gradually the show began to shift focus, from the family dynamics of dealing with superpowers to the wider story of others with powers and where they came from.
This focus change improved my opinion of the show. While Blue Bloods succeeded as a show because they blended family drama with crime drama, No Ordinary Family put too much emphasis on family drama at the beginning of the season, alienating many viewers who tuned in for the supernatural aspect. Once the balance improved, I began liking the show more, and eventually watched the entire season.
The side characters’ stories also increased my interest in the show, especially since they seemed to demonstrate more character growth. Joshua’s character was the first to emerge as neither all good or all bad, and the effects of his relationship with Katie changed the show from a may-watch to a will-watch. And I identified with the character of Katie on many levels (plus, she shared my name!).
Unfortunately, a second season seems unlikely for No Ordinary Family. But the first season is still well worth watching, especially after you make it past the first cheesy episodes.
Bonus for Joss Whedon fans: the show stars Julie Benz (Darla on Buffy the Vampire Slayer and Angel) and has a brief appearance of Amy Acker (Fred on Angel and Dr. Claire Saunders on Dollhouse). And I didn’t realize it until I looked it up, but Kay Panabaker (who stars as Daphne) played the creepy girl in the white room on Angel too. (I could keep going, the show has 20 or more cast and crew in common with Buffy, Angel, and Dollhouse according to IMDB.)
