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Fall 2011 TV Shows Anticipations

Fall TV is about to start for 2011! Here are some things I’m anticipating about the shows I plan to watch, in the order of their season premiere dates.

September 13

“Ringer”

I’m hoping this show will be as in-depth and multi-layered as Veronica Mars. I don’t think the show will make me laugh, but as skilled as many of the cast are with dramatic moments, it may make me cry. Previews gave away maybe a little too much of the pilot, but with 3 seasons planned of twists and turns, I expect to be surprised quite often. It has stiff competition in its Tuesday 9PM slot, but I foresee an early renewal.

September 14

“Free Agents”

Previews show this to lean toward the bawdy type of workplace comedy I usually avoid, but I love Anthony Stewart Head’s acting, so I’ll probably give this show at least two episodes to prove itself to me. And since The Office has flourished with its UK to US transfer, I’d say the odds for renewal are slightly greater than 50/50.

September 19

“How I Met Your Mother”

A great cast and hilarious hijinks make a few off episodes bearable, and I’m pretty content with not having met the mother yet, since that means the show can continue longer. The twist of another wedding should add interest for long-time viewers and keep them watching.

“2 Broke Girls”

As the only half hour show in its time slot, and paired with the popular “HIMYM,” this show should do well by default. I’m not expecting much from it, just a few laughs, but I would love to be pleasantly surprised.

“Castle”

I’m positive Beckett’s not dead, as the premise of this show would fall apart without her, but I hope the events of the final moments of last season will have far-reaching effects on this one. I am not looking forward to the new chief. The absence of station politics is one thing I enjoyed about the show, so rumors I’ve heard worry me. But it would take a lot more than that to make me stop watching this show. Hoping for some more Whedonverse guest stars and Firefly references this season.

September 20

“NCIS”

Can’t wait to hang out with the gang again. With the start of season nine, this show is the longest-running one I watch, and it’s stronger than ever. Starting out with emotional turmoil for DiNozzo sounds like a great way to begin the season.

“NCIS: Los Angeles”

Unlike its sister show, NCIS: LA is picking up right when the last season ended. The only thing I ask for season 3? Don’t get rid of Hetty. If I had one other wish, I’d love to see Nate back as a regular part of the team.

“The New Girl”

With two shows already competing for my Tuesday 9PM viewing, I wasn’t even going to look at this show, but with the other Deschanel sister not coming back until November, I probably will check out at least the pilot online. But with strong competition on every other broadcast channel, the ratings will probably be terrible enough to make a renewal unlikely. It’s one saving grace is that it’s the only comedy in its timeslot.

September 22

“The Big Bang Theory”

This show makes me laugh more than any other. And it’s one of those shows that while you know the two of the characters belong together, you don’t really care how many detours they take along the way, because it adds new dimensions to the show.

“Community”

I’m still mad at the networks for making this and the previous show compete. It’s a little sad to think that cast will be juniors this year, so the show is most likely halfway over. It was left up in the air whether Chevy Chase would return to the group, but if any of the main 7 characters had to go, I’d prefer him.

“The Office”

The show proved it could survive without Michael Scott at the end of last season, so I plan to keep watching. While not every episode tickles my funny bone, I love (some of) the characters enough to tuning into their workdays for as long as they’ll let me.

“Person of Interest”

An intriguing premise and Jim Caviezel are enough to put this show on my to-watch list for at least the first several episodes. With Bones starting late, this show has the potential to grab a few extra viewers. Most of my action shows tend to be summer ones, so I’m hoping this will be good. Need to know more before predicting renewal, though.

September 23

“Nikita”

The new season brings a twist to the dynamics of this show, with characters switching sides, but I’m confident Nikita will make it work. My one fear is Lyndsy Fonseca looking like a powder-puff villain next to Melinda Clarke. And the show has a month to establish some viewers before Chuck comes in to try and woo them away.

“Blue Bloods”

This show has a great cast and interesting episodes, but doesn’t have the compulsive watching quality many other crime dramas do. I hope the second season starts off with a bang and adds a layer of intrigue.

September 28

“Suburgatory”

Alan Tudyk is the only reason I’m checking this show out. The fact that it’s unlike most of the other shows I watch may help it stay on my list. But it’s kind of funny that the only Wednesday night shows I’m interested in air at the same time and pit Whedonverse actors against each other.

September 29

“How to Be a Gentleman”

I hated the first preview for this show, but the second was a little better, so I’ll still watch the pilot. I have my doubts about this one being a keeper, though.

October 2

“Homeland”

This will be the first Showtime TV show I’ve ever tried out. But with Damian Lewis (Life), Claire Danes, and Morena Baccarin (Firefly), how could I resist?

October 3

“House”

I’m curious who the show will bring in to replace Cuddy, and how House will get his job back. I almost feel like the show’s starting to wind down, which is a shame, but it’s had a good run. Of course, this next season could surprise me and pick up momentum again.

October 12

“Psych”

It’s been way too long of a hiatus for Shawn and Gus, so I’m really looking forward to the return of my favorite fake psychic, and the boatload of special episodes he brings with him.

October 21

“Chuck”

Back for a truncated 5th season, it’s nice that the show will have the chance to say goodbye. I’m looking forward to a hilarious season with Morgan’s new role.

“Grimm”

I love the idea of this show. But with cult favorites Supernatual and Fringe vying for the same slot with a month-long lead, the ratings will likely be terrible. (Whose bright idea was it to stack three speculative shows against each other?) The reviews for the pilot haven’t been great. No big-name actors or even geek favorites. And Friday nights are usually the death slot. The plus side is that it’s created by some guys responsible for much of Angel, and has a great lead-in show with Chuck. Since I didn’t catch up on Supernatural and Fringe this summer like I wanted to, I’ll definitely be watching this. I just hope the studio will focus on day+7 and online views when deciding how long to let it run.

October 23

“Once Upon a Time”

I’ve watched the preview for this show more than any other. I just hope it lives up to the beauty and intrigue that glimpse conveyed, and there are enough twists and turns to spawn multiple seasons.

November 3

“Bones”

Having caught up on this show, I’m excited to be finally watching it in “real” time, without spoilers to mess up my expectations. I’m hoping the baby mania won’t overtake the show, but I trust that it will be an awesome season.

November also brings the return of split season shows like Covert Affairs, Burn Notice, and Leverage.

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Burn Notice – Better Halves

As a follow up to the show’s two-part reunion for The Pretender (Jeffrey Donovan has his own roots on the show, and then Patrick Bauchau was on “Eye for an Eye” and Michael T. Weiss was on “Army of One,” plus the Suits episode airing the same night featured Andrea Parker), tonight’s episode also had a prominent guest star. Charisma Carpenter, best known for playing Cordelia Chase on Buffy the Vampire Slayer and Angel (and a reoccurring role on Veronica Mars), plays the trophy wife of a physicist working for the Russians.

Charisma’s not the first connection Burn Notice has to Buffy and Angel. The show’s Coby Bell briefly appeared on Buffy, and the actors who played Whistler and the potential Rona also showed up on Burn Notice. Navi Rawat plays both a psychotic slayer on Angel and an only slightly less psychotic assassin on Burn Notice.

The episode’s entitled “Better Halves,” in reference to Michael and Fiona having to go undercover as husband and wife to extract another couple from a luxury resort. But it also hints at the episode’s split story – Michael and Fiona are doing one mission while Sam and Jesse have another. It’s a shame that the episode doesn’t have the whole team working together (or at least the trio) like they do so well.

Fiona is still in a bit of a whiny stage, but in this episode it’s clear that Michael is far too content with the way things are between them. At least as the episode ended they seemed at a better place with each other – I was hoping the writers weren’t going to steer toward a breakup for the cliffhanger. The tango was fun, but I wish Michael’s voiceovers hadn’t ruined the mood of it. And I love Michael going back for Fiona and their shoot-out in the abandoned building.

Charisma had a tough role – making an unhappy trophy wife be manipulative but still likeable. And the show even put in some Cordy-like lines for her. But you don’t get a true sense of how messed-up her marriage is until her husband wants to cut his losses and leave her to die. At that point, it doesn’t matter how manipulative or needy Nicki can be, you’re rooting for her.

When Max’s killer says he has answers to questions Michael doesn’t even have yet, he could be bluffing, but I’m pretty sure he’s not. After all, the show was renewed for two seasons, so Michael can’t just go back to the CIA with a season and a half left (at least). There have to be more layers of conspiracy to uncover.

The cliffhanger scene startled me a bit at the last minute, since I would have guessed it was new information the killer brought to light. But I’d been expecting Pearce would catch onto Michael, and I knew it would probably happen in the summer finale. Really, though – an agent coming alone with one gun? She’s no match for Michael, even armed, and Fiona is right outside. Either she has serious doubts about Michael being the killer (and thus reasoning that he won’t kill her), or she’s just plain stupid. And even if she was smart enough to have a backup team, they’re at least a few minutes away or Michael would have spotted them.

However that scene plays out, I think it’s safe to say Michael won’t exactly be in the CIA’s good graces anymore. And while that’s a bad thing for him, I think it’ll be a good thing for the show.

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Warehouse 13 – Steampunk Secrets

Warehouse 13 briefly flitted by my radar when it first began airing, but the premise didn’t capture me and I didn’t recognize the actors. Over the years I heard mostly good things about it, so when an acquaintance recommended it, I got the first disc from Netflix to try it out.

The pilot was a little slow (being a double-length premier at 90 minutes long) but interesting. The two main characters had a Bones- and Castle-like opposites attract chemistry, and I loved their new boss’s penchant for retro gadgets and milk and cookies. The show’s focus on supernatural objects rather than supernatural beings helped it stand apart from other speculative shows.

Eddie McClintock and Joanne Kelly play U.S. Secret Service agents Pete Lattimer and Myka Bering, who are ordered to the mysterious Warehouse 13 after saving the President. The warehouse is managed by the eccentric Artie Nielsen, played by Saul Rubinek, who I know best from the pilot of Leverage (I’ve seen the pilot so many times I can quote just about every line). He tells them the warehouse stores items with unique or mysterious qualities, and their new job is to collect them.

The second episode runs a little tighter, and guest stars Tricia Helfer (best known for Battlestar Galactica, but she was also in several episodes of Burn Notice) as an FBI agent reluctant to share information with a team who can’t even explain their reason for being there. It was about halfway through this episode that I knew I would keep watching this show. And as the opening credits ran for episode three, I knew I loved Warehouse 13.

At only three episodes in, it’s hard to compare it to shows I’ve watched for years, but I’d put it on par with Alphas, a fellow SyFy show I’ve recently fallen in love with. Definitely better than my experience so far with Supernatural and Suits, though not as amazing as Veronica Mars and Bones. I love the steampunk feel and the sibling-like bickering between the partners, and in many ways so far the show seems like a weird mishmash of Bones and Angel (minus David Boreanaz).

But Netflix isn’t going to cut it, not if I’m going to be rewatching episodes with a friend. So I just bought myself season one.

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Supernatural – Phantom Traveler

This episode finally sets up the “why” for future episodes. If Dean and Sam aren’t going to be following a trail of otherworldly clues to find their dad, they need to have a reason for coming across all of these supernatural baddies. Since word likely got passed around that John Winchester’s number was the one to call when dealing with paranormal events, having his voicemail message refer people to Dean’s cell is a good way for the brothers to find out about “jobs” in the future.

“Phantom Traveler” was interesting but not amazing. Jaime Ray Newman, whom I’ve most recently seen in season three of Veronica Mars, guest stars in the episode and gives a decent but unremarkable performance. I think the episode gave too much away at the beginning with showing how the plane went down – figuring out the why is what causes viewers to be glued to seats. Sometimes it works to have the audience know more than the main characters as it creates tension; here it doesn’t. It just makes Dean and Sam look slow for not figuring it out sooner (when in reality, they figured things out almost too quickly).

The one part I did enjoy about this episode was Dean’s fear of flying. Having a character that faces off against demons and ghosts without breaking into a sweat get all panicked about stepping onto a plane was a great stroke.

This season is beginning to remind me of season one of Angel, but it’s only a murky reflection. While many shows have a “baddie of the week” premise (from speculative shows with actual monsters to crime drama with murderers to catch), what keeps viewers watching is the team dynamics as they solve things. Limiting the team to only two members strips away most of the potential dynamics, but a show can pull it off if the two characters sizzle together. Sam and Dean don’t. They don’t even have an explosive secret to up the tension.

Another way this show pales in comparison to Angel (and most other shows) is the tiny amount of a long-term story arc. Yes, they want to find their dad. Yes, they want to find the thing that killed their mom and Jess. But that’s it, and those quests get far too little screen time. And there doesn’t seem to be any sort of plan toward finding either of those – just a whole lot of wandering and maybes. So frankly, I’m getting a little bored.

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Alphas – Pilot

I watched the pilot of this show based on three things:

1. Its basic premise. Though many are claiming it’s a ripoff of Heroes or X-Men, I never got into either of those so it doesn’t matter to me. I did see similarities to Fantastic Four and the movie Push – but when you have people with superpowers teaming up, it’s hard to find new ground.

2. Camy Tang liked the pilot and recommended it on GetGlue.

3. The show stars Ryan Cartwright (who played Vincent Nigel-Murray on Bones. I miss his British accent, though!).

I enjoyed the pilot. While it didn’t scream at me to watch the next episode, it intrigued me enough that I probably will. The guy in charge of the team (Dr. Rosen) is played by David Strathaim, who reminds me a bit of Dustin Hoffman. Azita Ghanizada has appeared in quite a few of the shows I watch (NCIS: Los Angeles, Castle, Psych, How I Met Your Mother, Veronica Mars, and Bones) and Laura Mennell has an impressive list of speculative appearances. And while I didn’t recognize him, it was fun to find out that Malik Yoba played Yul Brenner on Cool Runnings (18 long years ago).

One of the things I really liked about the pilot was the side effects/drawbacks the powers had. The guy with super-strength can only use it for about 5 minutes. The girl with enhanced senses has to block out her other four while magnifying the one.

The visual effects throughout the episode were fun to watch most of the time. The characters were distinct, and had a good blend of camaraderie and conflict. While the dialogue didn’t strike me as exceptional or witty, it wasn’t bland and there were a few humorous moments that held promise for future episodes.

One of the reasons I’m not anxious for the next episode is that the pilot tells a complete story. In a way I’m glad, as it seems Hulu won’t be getting more episodes for a while and I’m not sure I’ll be trying to find it elsewhere in the meantime (so many shows, so little time). But part of me thinks they missed a great opportunity for a good hook. It fits if every episode is going to be pretty much self-contained, but I would much rather see an overarching story. The ending of Hicks (Warren Christie) joining the team had pretty much been established by promo pics. However, many of my favorite shows have self-contained pilots, so that won’t hold me back from continuing to watch the show.

I just hope they’ll have a bunch of fun guest stars to spice things up.

Added note: I wrote this post before this article was posted, which has details on geeky guest stars (including the awesome Summer Glau) AND discussion on episodes being self-contained. I feel a bit psychic.

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Fathers and Daughters

In honor of dads everywhere, this Father’s Day I want to talk about my favorite TV father and daughter relationships, both “real” and father/daughter-like.

CASTLE – Richard and Alexis Castle

Castle’s relationship with his daughter is one of my favorite parts of this show. I love the twist of having the daughter be the responsible one, but it’s clear that Alexis loves her father’s playful antics. One of my favorite scenes of the two of them is their laser tag battle. Another is when Castle comes out dressed like Captain Mal from Firefly:

Alexis: What exactly are you supposed to be?
Castle: Space cowboy.
Alexis: Ok, A: there are no cows in space. B: didn’t you wear that like five years ago?
Castle: So?
Alexis: So, don’t you think you should move on?
Castle: I like it.

I also love the scene where Alexis confesses to jumping the turnstile. I hope Alexis chooses a local college because I would hate for that dynamic to be missing from the show.

VERONICA MARS – Keith and Veronica Mars

Not only do these two share sleuthing skills and a strong desire for justice, they know each other extremely well, and it’s evident from the first episode.

Keith: Don’t do anything on the Kane case, I’ll handle it.
Veronica: Okay.
(a few lines later)
Keith: And Veronica.
Veronica: Yes?
Keith: When you go after Jake Kane, you take backup.
Veronica: I always do.

Both father and daughter make huge sacrifices for each other throughout the show. And when one of the mysteries of the first season threaten the very core of their relationship, Veronica stubbornly chooses the man she calls Dad. Twice.

NCIS – Gibbs and Ziva

Gibbs also has a father-like relationship with Abby, but with Ziva you get to see how they go from enemies to reluctant allies to trusting each other completely.

Gibbs: You lied to me.
Ziva: No. When I told you Ari was innocent. I believed it. But yes. I would have lied to you. He was – my brother. And you were nothing. But I was wrong about Ari, and you. When I pulled the trigger to save your life, I was not following orders. I mean how could you even think – he was my brother. And now he is gone. Eli is all but dead to me. And the closest thing I have . . . to a father is accusing me . . .

I love that scene from “Reunion.” And Ziva is the one who manages to break through Gibbs’ amnesia. Ziva is the one Gibbs returns from retirement to help.

BUFFY THE VAMPIRE SLAYER – Giles and Buffy

These two have so many great moments together, after getting off to a rocky start as his crusty British ways tend not to mesh with her irreverent attitude. One the key episodes in their father/daughter relationship is “Helpless,” where Buffy asks Giles to take her to the ice show in her father’s place. Unfortunately, Giles has to betray her trust for a Slayer coming-of-age test, and when he can’t bear to lie to her anymore, his “father’s love” for Buffy causes him to lose his job as her Watcher.

And then there’s this touching moment in the midst of Buffy being under a love spell in “Something Blue”:

Buffy: I’m not crazy, and I know that you probably don’t approve, and my father’s not that far away, I mean, he could– but this day is about family – my real family – and I would like you to be the one to give me away.
Giles: (Touched) Oh, Buffy! That’s.. that’s so.. (Comes to his senses) Oh! For God’s sake! This is nonsense. Something is making you act this way. Don’t you realize what you’re doing?

I love Giles’ quiet smile of relief when Buffy returns from Los Angeles in season three. And their reunion hug in season six. And when Buffy asks him to be her Watcher again in season four.

HAPPY FATHER”S DAY!

What is your favorite father/daughter pair on TV?

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Buffy the Vampire Slayer – Welcome to the Hellmouth and The Harvest

Okay, I finally caved. As soon as I finished the final episode of Angel, I wanted to go back and rewatch Buffy the Vampire Slayer from the beginning. I managed to hold off for several months by rewatching some of my favorite episodes, reading many of the comics, and watching various shows featuring Buffy alums (Bones, Veronica Mars, Tru Calling). But after reading a fellow blogger’s review of season one, the allure grew too strong.

I’m going to take things a bit more slowly this time. I’m also not planning to watch the later seasons in tandem with Angel, except for perhaps a few key crossover episodes. I simply enjoy Buffy more, and all the flipping back and forth got to be annoying. Plus I’ve already seen the first season of Angel twice.

I’m also hoping to review each episode as I go through, most likely writing about several episodes in each post.

“Welcome to the Hellmouth” and “The Harvest”

What is widely considered the show’s weakest season opens with a two-part introduction to Sunnydale High, the main characters, and of course vampires. This was my third time watching the two episodes. The first time I thought it was decent but campy, and the vampires creeped me out. The second time I enjoyed seeing Alyson Hannigan from How I Met Your Mother and Anthony Stewart Head from Merlin in different roles, but it bored me a little.

I guess third time’s the charm, because this time around I loved it.

Oh, sure, I still thought the vampires were stupid and I still consider The Master one of the most unimaginative villains of all time, but I wasn’t watching the episodes for them. I was watching to see Buffy meet Xander and Willow and Giles and Angel for the very first time. Knowing now all they’d eventually go through together made the episodes amazing.

I hadn’t remember Angel seeming so much of a wimp. Knowing that his fighting skills are pretty much even with Buffy’s, his inaction in these episodes seems ludicrous, especially with what’s at stake. Of course, it could partly be him trying to keep his true nature a secret from Buffy, but the end of the world is a bit more important. Darla seemed too easily cowed as well, though she at least held her own in a fight.

Even this early on, the dialogue was snappy and distinct, a fitting beginning for what would eventually become known as “Slayer Slang.” A few choice bits:

“Gee, can you vague that up for me?”

“I didn’t say I’d never slay another vampire. It’s not like I have all these fluffy bunny feelings for them, I’m just not gonna get way extracurricular with it.”

Willow: Do you have Theories in Trig? You should check it out.
Xander: Check it out?
Willow: From the library. Where the books live.

It was also fun getting a brief glimpse of Harmony, knowing who she would become in later seasons. But in all the flashbacks we’ve gotten of main vampires, it seems weird that there’s no mention (at least that I remember) of Luke. You’d think a vampire that powerful and connected to The Master would have been around for a while. Trivia note: the same actor plays the Judge in season 2.

In all, not the best first episode for someone new to the show (unless you’ll be able to convince them to keep watching no matter how they feel about season one), but a must-see for fans. It makes me excited for the rest of the season.

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Veronica Mars – Of Watching Canceled Shows

There’s a special feeling of sadness you get when you watch the last episode of a favorite show you already know has been canceled. It’s heightened when it’s been several years since the cancellation and you know there’s no chance of another network picking it up, and when it’s not just a rookie show but you’ve had several seasons to fall in love with the characters. Veronica Mars has both.

Of course, I willingly began watching the show knowing it had been canceled before its time. But I figured the third season would have to be not so great for them the CW to cancel it, and I would be glad the show hadn’t fallen into complete mediocrity before saying goodbye. But season three was great. Perhaps not as gripping as the first two, but that was the fault of exchanging season-long story arcs for shorter ones.

I personally blame the third season intro credits. Instead of sassy and fun with poignant undertones like the previous ones, they stripped down the theme song into an echo of its former self and kept only the poignantness with sepia tones and serious looks.

Since I watched the entire show in less than three weeks, the untimely end hit especially hard. After new, witty, endearing episodes an average of three times a day for weeks straight, it’s depressing to think that I will never again watch a new episode of Veronica Mars.

And unlike shows with planned endings, you never find out what happens to the characters. Fortunately, the show didn’t leave too many dangling plot threads. You don’t find out who is elected sheriff, though you can assume it’s Vinnie – who would have made a perfect replacement for Sheriff Lamb, while Keith goes back to being a PI. You don’t know if Weevil returns to a life of crime. And you don’t know who Veronica ends up with.

For the latter, in my mind she and Logan end up together. Piz has no personality, and their relationship hasn’t weathered any storms. Duncan is long gone. And even though Leo’s around again, I never really felt the two of them as a couple. With Logan and Veronica, however, the sparks are as subtle as lightning bolts.

I know I already compared the show to Buffy the Vampire Slayer, but the parallels extend far beyond the setting and sense of humor. Both Buffy and Veronica are somewhat unlikeable by themselves, but you grow to care about them through their friendships and relationships. Many of the supporting characters in one show match up with similar characters in the other. Keith Mars is Giles. Wallace is Xander. Mac is Willow (especially the early Willow). Sheriff Lamb is Principal Snyder (smug idiot in charge). Vinnie is Ethan Rayne (evil counterpart to Keith/Giles). Jackie is Cordelia. Duncan is Angel (right down to the ex-girlfriend dying and the baby living – plus he does the brooding thing awfully well). And even more, the latter two pairs leave the show around the senior year of high school. Leo is Riley.

And of course, Logan is Spike. Both hate a certain petite blonde at the beginning of the show, form a reluctant truce when he turns to her for help, and eventually fall in love. Both mourn lost love with alcohol and meaningless relationships. Both have an irreverent sense of humor and authority figures rarely take them seriously. Spunky kids can reach them when no one else can, but their attempts at matchmaking don’t help. Both love a good spot of violence.

Now does anyone know of another show that matches these two with crisp dialogue and complexity? I could use something new and awesome to get me over these canceled show blues. In the meantime, I wonder if there’s any Veronica Mars fan fiction. Or comics.

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Veronica Mars – Complex and Sassy

Wow. I’m just five episodes into this show, and already it’s blowing me away.

I first remember hearing about Veronica Mars on TVLine’s renewal scorecard page. The very first paragraph read:

TV’s queasy season has arrived. From now until late May, ABC, CBS, Fox, NBC and The CW will determine which shows will be back next fall and which will be join Tru Calling, Heroes and Veronica Mars over at the MIA Network. (MIA is fictional people; stop scouring your on-screen channel guide now.)

I bookmarked the page and checked back frequently for updates (maybe once a week at first, but eventually every day around April and early May). I knew Tru Calling starred Eliza Dushku (Faith from Buffy the Vampire Slayer and Angel, Echo from Dollhouse), and I had the first few seasons of Heroes (watched the pilot, but the hand down the garbage disposal still makes me grimace and has deterred further watching), but I had no clue what Veronica Mars was.

The show popped up on my radar a few other times over the past months. I noticed it on the resume of several Whedonverse alums, particularly Charisma Carpenter (Cordelia on Buffy and Angel) and Alyson Hannigan (Willow on Buffy and Lily on How I Met Your Mother).

But it wasn’t until I read somewhere that the humor and dialogue on the show was very similar to Buffy that I knew I had to try it out. I had just completed my goal of watching every episode of every Joss Whedon show, and I needed something to fill that particularly quirky niche. And I was delighted to find out that Netflix had all three seasons of Veronica Mars on watch instantly.

The sassy nature of the show captured my interest immediately. But then the show continued to unfold new layers, and I knew I’d stumbled across something special.

On the surface, it’s a show about a saucy blonde going to high school in southern California (ditto for Buffy).

On an episodic level, Veronica’s dad is a private investigator, she helps him out with cases, and she finds some of her own (modern take on Nancy Drew).

Then the show delves into her character backstory. Less than a year before the show’s start, Veronica was dating Duncan Kane and was a part of his group of friends. Now she’s forced to keep seeing them at school, and they alternately ignore or belittle her. This ties into the show’s theme song, “We Used to be Friends.”

And then we find out Duncan’s sister Lilly, Veronica’s best friend, was murdered the previous October. At the time, Veronica’s father was sheriff, and pursued Duncan and Lily’s father as his chief suspect. Mr. Kane – rich, powerful, and beloved in the community – told the media and Keith Mars was ousted as sheriff. Veronica’s mom left town.

If that wasn’t enough, we find out that things don’t add up with Lilly’s murder. And Veronica’s mother may have had an ulterior motive for leaving town.

And this is only five episodes into the show!

Kristen Bell does an excellent job playing the various facets of Veronica. She can switch from pensive to spunky to flirty and back again easily. And while Veronica has plenty of Buffy-like sass, she also has Willow’s brains. Percy Daggs III plays Wallace, a Xander-like companion I hope the writers will give more to do in future episodes. Teddy Dunn plays the brooding Duncan Kane well, and keeps reminding me of a young Shane West.

I have a feeling I’m going to be upset about this show’s cancellation.

Side Note: While trying to figure out what to call this show’s genre (if anyone has other suggestions than my choice of “mystery” feel free to mention them!), I came across this quote from Joss Whedon about Veronica Mars:

My peeps and I just finished a crazed Veronica Marsathon, and I can no longer restrain myself. Best. Show. Ever. Seriously, I’ve never gotten more wrapped up in a show I wasn’t making, and maybe even more than those. Crazy crisp dialogue. Incredibly tight plotting. Big emotion, I mean BIG, and charsimatic actors and I was just DYING from the mystery and the relationships and PAIN, this show knows from pain and no, I don’t care, laugh all you want, I had to share this. These guys know what they’re doing on a level that intimidates me. It’s the Harry Potter of shows. There. I said it.

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