Buffy the Vampire Slayer – Out of Mind, Out of Sight and Prophecy Girl

“Out of Mind, Out of Sight”

This episode really sets the stage for season two. Cordelia finally shows a glimpse of humanity, and even saves a teacher’s life, though she’s still far from joining the Scooby gang (which hasn’t even been called that yet).

Cordelia:  Hey! You think I’m never lonely because I’m so cute and popular? I can be surrounded by people and be completely alone. It’s not like any of them really know me. I don’t even know if they like me half the time. People just want to be in a popular zone. Sometimes when I talk, everyone’s so busy agreeing with me, they don’t hear a word I say.
Buffy:  Well, if you feel so alone, then why do you work so hard at being popular?
Cordelia:  Well, it beats being alone all by yourself.

Angel has his first real conversation with Giles, and later rescues him, Willow, and Xander. The rescue might have seemed a bit too convenient, but a) he had a reason for coming to the school, b) in future episodes Angel typically uses sewers and basements to get around during the day, so him being in the basement is logical, and c) vampires have a keen sense of smell, so noticing the gas would have been easy.

There’s also the first hint that the government is aware of things most people in Sunnydale ignore, foreshadowing nicely for the Initiative in season 4.

Giles:  I’ve never actually heard of anyone attacked by a lone baseball bat before.
Xander:  Maybe it’s a vampire bat.

 

“Prophecy Girl”

The season one finale is easily one of the best episodes of that year. And it’s not only that we finally get rid of the Master (I’m thinking he’s a big reason why it took me so long to get into the show). He’s easily my least favorite “Big Bad” on Buffy, though I hadn’t remembered he used hypnosis. I wonder why some vampires have this power (Drusilla and Dracula do as well later in the show) and some apparently don’t. It’s interesting that both Buffy and Kendra are killed because of this. Almost feels like the vampires are “cheating” (at least compared to Spike’s slayer kills).

Xander finally confesses his feelings for Buffy by inviting her to the dance, but she turns him down. I love it that Willow’s not willing to be his consolation date, though.

The scene where Buffy finds out that it’s prophesied she’ll be killed by the Master is one of the best in the season. I also like how they did the scene where Willow and Cordelia find the massacre in the A/V room – there’s so much death in this show that random killings are often overlooked or set aside with so the characters can handle the menace. It’s sad that (likely the first time) Cordelia likes a guy enough to put her wants on the back burner he ends up dead. And Willow’s pain over the incident pulls Buffy back into the fight.

I love that Buffy’s willing to punch Giles out to save his life. And I love Xander and Angel teaming up to save Buffy.

Xander:  How can I say this clearly? I don’t like you. At the end of the day, I pretty much think you’re a vampire. But Buffy’s got this big old yen for you. She thinks you’re a real person. And right now I need you to prove her right.
Angel:  You’re in love with her.
Xander:  Aren’t you?

Xander:  You were looking at my neck.
Angel:  What?
Xander:  You were checking out my neck! I saw that!
Angel:  No, I wasn’t!
Xander:  Just keep your distance, pal.
Angel:  I wasn’t looking at your neck!
Xander:  I told you to eat before we left.

The beast the comes out of the hellmouth is almost comical (reminds me of the creature in the pit from Star Wars: Return of the Jedi, complete with vine-like grabbing things). But that lack in effects is made up for by the totally cool image of Cordelia driving her car through the school. And while the theme music seems a little out of place while Buffy, Angel, and Xander march to the school, I love it when Cordelia bites the vampire trying to get into the library: “See how you like it!”

What are your thoughts on the first season of Buffy the Vampire Slayer?

White Collar – Listening to Fans

Season three of White Collar opened with two new aspects – a con driving a wedge of mistrust between Peter and Neal, and new opening credits.

The revelation in the first episode that Mozzie was the one who stole the treasure and faked its destruction makes Neal’s dilemma a bit more believable. He can’t simply “do the right thing” and turn everything over to the Feds – he’d be betraying Mozzie. Yet escaping with millions in art will mean cutting all his ties in New York – Peter, the FBI, Elizabeth, June, Sara.

Some close calls and quick decisions in the first few episodes tabled the issue for a while, and I’m glad that it won’t overtake the entire season. The past two episodes have been fun character portraits.

“Dentist of Detroit” dives into Mozzie’s past, including how he got started in the con business, how he got to be so well-read, and where his name comes from (you don’t think someone that paranoid would tell a fellow con artist his real name, let alone the Feds?). Interesting note – Mozzie’s mentor played Gus’s dad on an episode of Psych.

“Veiled Threat” has Peter going undercover to catch a black widow. We got to see a new side of his relationship with Elizabeth, and my heart broke for her when she had to walk away after Peter was nearly hit by a car. This episode had so many fun aspects as well: Neal doing the painting for Peter. Mozzie as Peter’s valet. Peter tangoing like a pro. Neal bring Diana an awesome meal as a thank you. And the end of the episode was so sweet!

Many fans were disappointed in the new opening credits, myself included. They just don’t fit the tone of the show, especially the new music. It’s hard to believe a network that has been spot on with such credit sequences as Psych and Covert Affairs could get this one so wrong (though I imagine that’s more of a decision for showrunners). But after catching wind of fans’ dislike of the new credits (creator Jeff Eastin tweeted: How are you feeling about the new #WhiteCollar opening? Be honest, I can take it…), USA Network is allowing viewers to vote on keeping the new opening sequence or reverting to the old one.

I think this is a huge step for a show and a network to take, moving toward and flowing with the inevitable changes media is taking. Someday soon I think we’ll see the option for fans to vote for which shows get canceled, what pilots get picked up, and which guest stars make an appearance. But in the meantime, cast your vote here (voting starts today!) and be a part of history. And let me know which side you’re on in the comments below.

What do you think will change in TV during the next few years? I’d love to hear your predictions and thoughts!

Buffy the Vampire Slayer – The Puppet Show and Nightmares

“The Puppet Show”

I was kind of hesitant to rewatch this episode. At first I thought I must have been bored with it the first time around, but when it started I remembered – this episode creeped me out. Part of it was that I agree with Buffy:

Willow:  I think dummies are cute. You don’t?
Buffy:  Uh-uh. They give me the wig. Ever since I was little.
Willow:  What happened?
Buffy:  I saw a dummy. It gave me the wig. There really wasn’t a story there.

This episode also introduces Principal Snyder (who doesn’t connect with Buffy, and therefore sticks around for two years), providing a possible suspect for this episode and an annoying despot for many others.

Snyder:  There are things I will not tolerate: students loitering on campus after school, horrible murders with hearts being removed. And also smoking.

Another line while the “core four” are discussing the fact that the murderer could be human one line has an eerie foreshadowing edge:

Willow:  The creep factor is also heightened. It could be anyone. It could be me! (gets looks from them all) It’s not, though.

And even though the dummy turned out to be on the good side, he still was creepy. But the epilogue at the end (during the credits) is hilarious.

 

“Nightmares”

This episode got jumbled with a few other nightmarish ones in my head, so it was good to watch it again and straighten things out. I love the slow progression of story as the nightmares get more and more outlandish and sinister.

It’s interesting that a few of the nightmares do come true later on in the series – one of Giles’ and one of Buffy’s, both involving a certain grave. And yesterday I mentioned in my post about Bones that Xander and Booth had some similarities; this episode brings out another – they both hate clowns.

I do think Billy and Collin shouldn’t have looked so similar, unless the intent was to confuse viewers initially.

The season six episode “Once More, With Feeling” references this episode in one of the songs. Willow sings, “I’ve got a theory, some kid is dreaming, and we’re all stuck inside his wacky Broadway nightmare.” But “Nightmares” also has a hint at that future episode:

Giles:  Dreams? That would be a musical comedy version of this.

The Master gets a lot of screen time in an episode that has little to do with him, but that’s understandable as the season finale is coming up. It’s kind of interesting that Angel has been absent for three episodes in a row, and not even mentioned for two (I guess I remembered him having a larger role than he actually did in season one). Did the nightmare world affect vampires too? It would have been interesting to see what they had nightmares about – 24-hour sunlight? Drowning in holy water? The Slayer?

Bones – Chemistry and Crime

The last time I wrote about Bones on this blog, I had only watched two episodes. Now, two and a half months later, I’m on season 5. I think it’s high time I posted an update.

If you did the math and gathered that I’m watching an average of one episode plus a day, you could assume the truth – Bones has lost none of its initial charm. I love this show.

Most fans of crime drama would agree – it’s not the crimes that keep us watching these shows; it’s watching the characters interact as they solve the crimes. If the team has great chemistry, the show will soar.

Dr. Temperance Brennan and FBI Agent Seeley Booth had chemistry from the first five minutes they were together in episode one. Over the years, their relationship has grown and deepened, but it still remains the core of the show.

Brennan’s knowledge of emotions and intuitive leaps is greater than when the show began, but her preference for rational answers still provides much conflict and humor. It took me a while to realize that Emily Deschanel is the sister of Zooey Deschanel, who I’ve seen as the quirky love interest in many movies.

I like David Boreanaz as Seeley Booth far more than him as Angel. The lionhearted protector role suits him best, and far too often on Buffy the Vampire Slayer and Angel he had to play the angst-ridden dark hero hiding in the shadows and brooding. (Pondering this, Booth reminds me a bit of a grown-up Xander, and Brennan and Booth’s head and heart relationship recalls Xander and Anya.)

Another thing I like about this show is how openly faith vs. science is discussed, especially in the first season. It’s not often you see a Christian (Booth is Catholic) portrayed in a good light on network TV.

Initially, I didn’t like the idea of Hodgins and Angela as a couple – they just didn’t seem to fit right. But by their first date I had completely changed my mind. I’m hopeful they’ll get back together, and meanwhile I enjoy Angela in the role of Brennan’s best friend and the person who can still be shocked by decomposing bodies, and Hodgin with his crazy experiments.

It took me a while to warm up to Cam (Dr. Saroyan) after she “replaced” Dr. Goodman, and she still is my least favorite of the main characters. But I really enjoyed a recent episode that focused on her, so it may just be that the writers haven’t given her enough flaws and backstory to make her as easy to relate to as the others.

I have a huge interest in psychology stemming from my love of personality types, so it’s fun to watch Dr. Sweets analyze Booth and Brennan. And John Francis Daley plays an adorable dork perfectly.

With Zack’s abrupt departure at the end of season 3 (from reviews I’ve gathered that many fans were outraged), the show took what I consider a brilliant approach to filling his role. Every episode rotates in a different one of Dr. Brennan’s grad students, each with their quirks. That way, none of them has to “live up” to Zack, and viewers can enjoy everything from Fisher’s gloomy outlook to Nigel-Murray’s compulsive fact-reciting (in a lovable British accent).

As I typed “Dr.” so many times in this post, it reminded me of another aspect I enjoy about this show – its intelligence. Shows about smart people just tend to be better. I’ve never been a fan of Three Stooges-type humor, or shows that try to be as raunchy as possible for laughs. But I love shows where humor arises naturally from the personalities of the characters, or when hyper-intelligence grates against social norms and moderate intelligence (in addition to Temperance Brennan, Sheldon Cooper on The Big Bang Theory and Sherlock Holmes on BBC’s Sherlock come to mind).

I’m trying to avoid spoilers as I hurry to catch up before season 7 starts in September. Unfortunately, I already uncovered two big ones accidentally.

(And just as a note, other than House, this is the only Fox show I’ve watched since Dollhouse was cancelled. Plus, there have been a score of Whedonverse guest appearances throughout the seasons of Bones.)

Buffy the Vampire Slayer – Angel and I, Robot . . . You, Jane

“Angel”

This is THE pivotal episode of Buffy the Vampire Slayer’s season one. While it’s almost impossible now to start watching the show without knowing who Angel is, I can’t imagine the shock viewers felt when the episode first aired and they discovered Angel was a vampire.

Having watched season one of Angel first and read part of his character biography online, the episode held few surprises for me. It was nice to see Angel finally do some fighting. I also enjoyed the hidden backstory in exchanges like this:

Buffy:  Well, what does your family think of your career choice?
Angel:  They’re dead.
Buffy:  Was it vampires?
Angel:  I-it was.

Darla in this season doesn’t seem to quite mesh with her personality in flashbacks and later on Angel. But the idea of her bringing guns to the fight fit perfectly. And the whole thing with Joyce was kind of interesting.

Willow:  Wow! And it is kinda novel how he’ll stay young and handsome forever, although you’ll still get wrinkly and die, and… Oh, and what about the children? (Buffy looks at her) I’ll be quiet now.

“I, Robot . . . You, Jane”

I’ve seen a few not-so-shining reviews of this episode, but for me, it’s one of my favorites in season one. Not only do we get the introduction of Jenny (and the added dimension her character brings to Giles), but it’s chock-full of great dialogue:

Ms. Calendar:  Oh, I know, our ways are strange to you, but soon you will join us in the 20th century. With three whole years to spare!
Giles:  Ms. Calendar, I’m sure your computer science class is fascinating, but I happen to believe that one can survive in modern society without being a slave to the, um, idiot box.
Ms. Calendar:  That’s TV. The idiot box is TV. This (indicates a computer) is the *good* box!

I couldn’t help but think of the season four episode where the gang invades Giles’ house and Xander discovers his dark secret: “Whoa, Giles has a TV. Everybody, Giles has a TV! He’s shallow like us.”

Giles:  I’m just gonna stay and clean up a little. I’ll be back in the middle ages.
Ms. Calendar:  Did you ever leave?

Xander:  Or who he really is. I mean, sure he says he’s a high school student, but I can say I’m a high school student.
Buffy:  You are.
Xander:  Okay, but I can also say that I’m an elderly Dutch woman. Get me? I mean, who’s to say I’m not if I’m in the elderly Dutch chat room?
Buffy:  I get your point. Oh, this guy could be anybody. He could be weird, or crazy, or old, or… He could be a circus freak. He’s probably a circus freak!
Xander:  Yeah. I mean, we read about it all the time. Y’know, people meet on the ‘Net, they talk, they get together, have dinner, a show, horrible axe murder.
Buffy:  Willow axe-murdered by a circus freak…

Buffy:  We’re literary!
Xander:  To read makes our speaking English good.

The demon-in-the-internet aspect is different from typical episodes, which keeps the story interesting even though there are a few logic leaps (like how Buffy was able to follow Dave’s car on foot). The monks at the beginning of the episode reminded me of the ones who hide the key in season five. And it’s interesting to note that Willow becomes interested in robotics later on.

Plus Xander gets to punch someone. And Willow stands up for herself and hits Moloch with a fire extinguisher.