Eureka – Quirky Genius

I’d heard Eureka mentioned a few times in passing as a good show, but it wasn’t until I heard that Felicia Day (of The Guild, Dr. Horrible’s Sing-Along Blog, and Dollhouse fame) was appearing in several episodes that I decided to investigate further. Netflix had the first three seasons on instant play, so I mentally put it on my to-watch list.

When I started watching Warehouse 13, I heard that it had a number of crossovers with Eureka, so I began watching Eureka so I could have the crossovers in their correct places.

The premise of the show is a small town full of geniuses working in a secret government facility (and on their own projects at home in their spare time). A U.S. Marshall stumbles upon the town on the way back from retrieving his runaway teenage daughter, and helps out with an investigation. He’s rewarded with a “promotion” (which felt similar to the Warehouse 13 agents’ “promotion”) to the position of Eureka’s sheriff.

The double-length pilot episode was a little slow, but it showed the potential the series had. The following two episodes didn’t wow me, though. I think one of the reasons I’m not liking the show very much is that I generally dislike small-town shows. I prefer shows with close-knit teams or groups of friends than with gaggles of eccentric neighbors. Even the one small-town show I did enjoy, Gilmore Girls, I liked for the main group of characters and just ignored the others.

Another thing I dislike is the clichéd workaholic dad/rebellious teen dynamic. I’m guessing the show was trying to make them as everyday as possible to contrast with the rest of the town, but they just make me yawn.

And for a town that caters to the geeky side of the population, where are the twenty-somethings? We have gifted children and preteens, a main teenager, and plenty of adults in their thirties and forties, most of them parents. The deputy is probably in her twenties, but she doesn’t have much of a story of her own. I would expect there to be a lot more characters like the director’s assistant (loved his Sarah Michelle Gellar comment!), and I’m hoping further episodes of the show will rectify this.

As of three episodes in, this just seems like a quirky family drama, with the intelligence of the characters dumbed down and the science mashed into clichés. And it doesn’t help that I’m not familiar with any of the main actors. But I’ll give this a few more episodes (mostly for Warehouse 13 and Felicia Day’s sake) before I decide whether I’ll keep watching.

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Warehouse 13 – Steampunk Secrets

Warehouse 13 briefly flitted by my radar when it first began airing, but the premise didn’t capture me and I didn’t recognize the actors. Over the years I heard mostly good things about it, so when an acquaintance recommended it, I got the first disc from Netflix to try it out.

The pilot was a little slow (being a double-length premier at 90 minutes long) but interesting. The two main characters had a Bones- and Castle-like opposites attract chemistry, and I loved their new boss’s penchant for retro gadgets and milk and cookies. The show’s focus on supernatural objects rather than supernatural beings helped it stand apart from other speculative shows.

Eddie McClintock and Joanne Kelly play U.S. Secret Service agents Pete Lattimer and Myka Bering, who are ordered to the mysterious Warehouse 13 after saving the President. The warehouse is managed by the eccentric Artie Nielsen, played by Saul Rubinek, who I know best from the pilot of Leverage (I’ve seen the pilot so many times I can quote just about every line). He tells them the warehouse stores items with unique or mysterious qualities, and their new job is to collect them.

The second episode runs a little tighter, and guest stars Tricia Helfer (best known for Battlestar Galactica, but she was also in several episodes of Burn Notice) as an FBI agent reluctant to share information with a team who can’t even explain their reason for being there. It was about halfway through this episode that I knew I would keep watching this show. And as the opening credits ran for episode three, I knew I loved Warehouse 13.

At only three episodes in, it’s hard to compare it to shows I’ve watched for years, but I’d put it on par with Alphas, a fellow SyFy show I’ve recently fallen in love with. Definitely better than my experience so far with Supernatural and Suits, though not as amazing as Veronica Mars and Bones. I love the steampunk feel and the sibling-like bickering between the partners, and in many ways so far the show seems like a weird mishmash of Bones and Angel (minus David Boreanaz).

But Netflix isn’t going to cut it, not if I’m going to be rewatching episodes with a friend. So I just bought myself season one.

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